Do not leave me alone, a helpless woman.
My strength, my crown,
I am empty of virtues,
You, the ocean of them.
My heart's music, you help me
In my world-crossing.
You protected the king of the elephants.
You dissolve the fear of the terrified.

Where can I go? Save my honour
For I have dedicated myself to you
And now there is no one else for me.

Do not cheer, for men are dying
From their distant homes in pain;
And the restless sea is darkened
By a flood of crimson rain.

Do not cheer, for anxious mothers
Wait and watch in lonely dread;
Vainly waiting for the footsteps
Never more their paths to tread.

Do not cheer, while little children
Gather round the widowed wife,
Wondering why an unknown people
Sought their own dear father's life.

Do not cheer, for aged fathers
Bend above their staves and weep,
While the ocean sings the requiem

I

Wisely a woman prefers to a lover a man who neglects her.
This one may love her some day, some day the lover will not.

II

There are three species of creatures who when they seem coming are going,
When they seem going they come: Diplomates, women, and crabs.

III

Pleasures too hastily tasted grow sweeter in fond recollection,
As the pomegranate plucked green ripens far over the sea.

IV

As the meek beasts in the Garden came flocking for Adam to name them,

"Put up the sword!" The voice of Christ once more
Speaks, in the pauses of the cannon's roar,
O'er fields of corn by fiery sickles reaped
And left dry ashes; over trenches heaped
With nameless dead; o'er cities starving slow
Under a rain of fire; through wards of woe
Down which a groaning diapason runs
From tortured brothers, husbands, lovers, sons
Of desolate women in their far-off homes
Waiting to hear the step that never comes!
O men and brothers! let that voice be heard.
War fails, try peace; put up the useless sword!

What do you see now?
Globes of red, yellow, purple.
Just a moment! And now?
My father and mother and sisters.
Yes! And now?
Knights at arms, beautiful women, kind faces.
Try this.
A field of grain—a city.
Very good! And now?
A young woman with angels bending over her.
A heavier lens! And now?
Many women with bright eyes and open lips.
Try this.
Just a goblet on a table.
Oh I see! Try this lens!
Just an open space—I see nothing in particular.
Well, now!
Pine trees, a lake, a summer sky.

ANTONIA What did you see? Tell me, please!

As I go forth from fair to mart
With racket ringing,
Who would divine that in my heart
Mad larks are singing.
As I sweet sympathy express,
Lest I should pain them,
The money-mongers cannot guess
How I disdain them.
II
As I sit at some silly tea
And flirt and flatter
How I abhor society
And female chatter.
As I with wonderment survey
Their peacock dresses,
My mind is wafted far away
To wildernesses.
III
As I sit in some raucous pub,
Taboo to women,
And treat myself to greasy grub
I feel quite human.

I

By the Feal's wave benighted,
No star in the skies,
To thy door by Love lighted,
I first saw those eyes.
Some voice whisper'd o'er me,
As the threshold I cross'd,
There was ruin before me,
If I loved, I was lost.

II

Love came, and brought sorrow
Too soon in his train;
Yet so sweet, that to-morrow
'Twere welcome again.
Though misery's full measure
My portion should be,
I would drain it with pleasure,
If pour'd out by thee.

III

The intact facade's now almost black
in the rain; all day they've torn at the back
of the building, "the oldest concrete structure
in New England," the newspaper said. By afternoon,
when the backhoe claw appears above
three stories of columns and cornices,

the crowd beneath their massed umbrellas cheer.
Suddenly the stairs seem to climb down themselves,
atomized plaster billowing: dust of 1907's
rooming house, this year's bake shop and florist's,
the ghosts of their signs faint above the windows

For Diana Gould

On charts they fall like lace,
Islands consuming in a sea
Born dense with its own blue:
And like repairing mirrors holding up
Small towns and trees and rivers
To the still air, the lovely air:
From the clear side of springing Time,
In clement places where the windmills ride,
Turning over grey springs in Mykonos,
In shadows with a gesture of content.

The statues of the dead here
Embark on sunlight, sealed
Each in her model with the sightless eyes:
The modest stones of Greeks,