Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it
And from the nave build haunted heaven. Thus,
The conscience is converted into palms,
Like windy citherns hankering for hymns.
We agree in principle. That's clear. But take
The opposing law and make a peristyle,
And from the peristyle project a masque
Beyond the planets. Thus, our bawdiness,
Unpurged by epitaph, indulged at last,
Is equally converted into palms,
Squiggling like saxophones. And palm for palm,
Madame, we are where we began. Allow,

The road led straight to the temple.
Notre Dame, though not Gothic at all.
The huge doors were closed. I chose one on the side,
Not to the main building-to its left wing,
The one in green copper, worn into gaps below.
I pushed. Then it was revealed:
An astonishing large hall, in warm light.
Great statues of sitting women-goddesses,
In draped robes, marked it with a rhythm.
Color embraced me like the interior of a purple-brown flower
Of unheard-of size. I walked, liberated
From worries, pangs of conscience, and fears.

Good morning, Life--and all
Things glad and beautiful.
My pockets nothing hold,
But he that owns the gold,
The Sun, is my great friend--
His spending has no end.

Hail to the morning sky,
Which bright clouds measure high;
Hail to you birds whose throats
Would number leaves by notes;
Hail to you shady bowers,
And you green field of flowers.

Hail to you women fair,
That make a show so rare
In cloth as white as milk--
Be't calico or silk:
Good morning, Life--and all

I

In summer when the days are hot
The subway is delayed a lot;
In winter, quite the selfsame thing;
In autumn also, and in spring.

And does it not seem strange to you
That transportation is askew
In this--I pray, restrain your mirth!--
In this, the Greatest Town on Earth?

II

All night long and every night
The neighbors dance for my delight;
I hear the people dance and sing
Like practically anything.

Women and men and girls and boys,
All making curious kinds of noise

A friend sends her perfumed carriage
And high-bred horses to fetch me.
I decline the invitation of
My old poetry and wine companion.

I remember the happy days in the lost capital.
We took our ease in the woman's quarters.
The Feast of Lanterns was elaborately celebrated -
Folded pendants, emerald hairpins, brocaded girdles,
New sashes - we competed
To see who was most smartly dressed.
Now I am withering away,
Wind-blown hair, frost temples.
I prefer to stay beyond the curtains,
And listen to talk and laughter

I have come far enough
from where I was not before
to have seen the things
looking in at me from through the open door

and have walked tonight
by myself
to see the moonlight
and see it as trees

and shapes more fearful
because I feared
what I did not know
but have wanted to know.

My facd is my own, I thought.
But you have seen it
turn into a thousand years.
I watched you cry.

I could not touch you.
I wanted very much to
touch you
but could not.

If it is dark

Oh do not die, for I shall hate
All women so, when thou art gone,
That thee I shall not celebrate,
When I remember, thou wast one.

But yet thou canst not die, I know;
To leave this world behind, is death,
But when thou from this world wilt go,
The whole world vapours with thy breath.

Or if, when thou, the world’s soul, go`st,
It stay, ’tis but thy carcase then,
The fairest woman, but thy ghost,
But corrupt worms, the worthiest men.

Oh wrangling schools, that search what fire
Shall burn this world, had none the wit

Hee that his mirth hath loste,
Whose comfort is dismaid,
Whose hope is vaine, whose faith is scorned,
Whose trust is all betraid,


If he have held them deare,
And cannot cease to moane,
Come, let him take his place by me;
He shall not rue alone.


But if the smalest sweete
Be mixt with all his sowre;
If in the day, the moneth, the yeare,
He finde one lightsome hower,


Then rest he by himself;
He is noe mate for me,
Whose hope is falen, whose succor voyde,
Whose hart his death must be.

Twenty-eight naked young women bathed by the shore
Or near the bank of a woodland lake
Twenty-eight girls and all of them comely
Worthy of Mack Sennett's camera and Florenz Ziegfield's
Foolish Follies.

They splashed and swam with the wondrous unconsciousness
Of their youth and beauty
In the full spontaneity and summer of the fieshes of
awareness
Heightened, intensified and softened
By the soft and the silk of the waters
Blooded made ready by the energy set afire by the
nakedness of the body,

fox

who
can blame her for hunkering
into the doorwells at night,
the only blaze in the dark
the brush of her hopeful tail,
the only starlight
her little bared teeth?

and when she is not satisfied
who can blame her for refusing to leave,
Master Of The Hunt, why am i
not feeding, not being fed?

the coming of fox

one evening i return
to a red fox
haunched by my door.

i am afraid
although she knows
no enemy comes here.

next night again
then next then next