My stock lies dead and no increase
Doth my dull husbandry improve:
O let thy graces without cease
Drop from above!

If still the sun should hide his face,
Thy house would but a dungeon prove,
Thy works, night's captives: O let grace
Drop from above!

The dew doth ev'ry morning fall;
And shall the dew outstrip thy dove?
The dew, for which grass cannot call,
Drop from above.

Death is still working like a mole,
And digs my grave at each remove:
Let grace work too, and on my soul
Drop from above.

It had been four days of no weather
as if nature had conceded its genius to the indoors.

They'd closed down the Bureau of Sad Endings
and my wife sat on the couch and read the paper out loud.

The evening edition carried the magic death of a child
backlit by a construction site sunrise on its front page.

I kept my back to her and fingered the items on the mantle.

Souvenirs only reminded you of buying them.

* * *

The moon hung solid over the boarded-up Hobby Shop.

So this is what it's like when love
leaves, and one is disappointed
that the body and mind continue to exist,

exacting payment from each other,
engaging in stale rituals of desire,
and it would seem the best use of one's time

is not to stand for hours outside
her darkened house, drenched and chilled,
blinking into the slanting rain.

So this is what it's like to have to
practice amiability and learn
to say the orchard looks grand this evening

as the sun slips behind scumbled clouds

Foreigners are people somewhere else,
Natives are people at home;
If the place you’re at
Is your habitat,
You’re a foreigner, say in Rome.
But the scales of Justice balance true,
And tit leads into tat,
So the man who’s at home
When he stays in Rome
Is abroad when he’s where you’re at.

When we leave the limits of the land in which
Our birth certificates sat us,
It does not mean
Just a change of scene,
But also a change of status.
The Frenchman with his fetching beard,
The Scot with his kilt and sporran,

I like the Anglo-Saxon speech
With its direct revealings;
It takes a hold, and seems to reach
'Way down into your feelings;
That some folk deem it rude, I know,
And therefore they abuse it;
But I have never found it so,--
Before all else I choose it.
I don't object that men should air
The Gallic they have paid for,
With "Au revoir," "Adieu, ma chère,"
For that's what French was made for.
But when a crony takes your hand
At parting, to address you,
He drops all foreign lingo and
He says, "Good-by--God bless you!"

Harry Wilmans! You who fell in a swamp
Near Manila, following the flag,
You were not wounded by the greatness of a dream,
Or destroyed by ineffectual work,
Or driven to madness by Satanic snags;
You were not torn by aching nerves,
Nor did you carry great wounds to your old age.
You did not starve, for the government fed you.
You did not suffer yet cry "forward"
To an army which you led
Against a foe with mocking smiles,
Sharper than bayonets. You were not smitten down
By invisible bombs. You were not rejected

The summer and autumn had been so wet,
That in winter the corn was growing yet,
'Twas a piteous sight to see all around
The grain lie rotting on the ground.

Every day the starving poor
Crowded around Bishop Hatto's door,
For he had a plentiful last-year's store,
And all the neighbourhood could tell
His granaries were furnish'd well.

At last Bishop Hatto appointed a day
To quiet the poor without delay;
He bade them to his great Barn repair,
And they should have food for the winter there.

Your soul was lifted by the wings today
Hearing the master of the violin:
You praised him, praised the great Sabastian too
Who made that fine Chaconne; but did you think
Of old Antonio Stradivari? -him
Who a good century and a half ago
Put his true work in that brown instrument
And by the nice adjustment of its frame
Gave it responsive life, continuous
With the master's finger-tips and perfected
Like them by delicate rectitude of use.
That plain white-aproned man, who stood at work
Patient and accurate full fourscore years,

Your soul was lifted by the wings today
Hearing the master of the violin:
You praised him, praised the great Sabastian too
Who made that fine Chaconne; but did you think
Of old Antonio Stradivari? -him
Who a good century and a half ago
Put his true work in that brown instrument
And by the nice adjustment of its frame
Gave it responsive life, continuous
With the master's finger-tips and perfected
Like them by delicate rectitude of use.
That plain white-aproned man, who stood at work
Patient and accurate full fourscore years,

God moves in a mysterious way
His wonders to perform;
He plants His footsteps in the sea,
And rides upon the storm.

Deep in unfathomable mines
Of never-failing skill
He treasures up His bright designs,
And works His sovereign will.

Ye fearful saints, fresh courage take,
The clouds ye so much dread
Are big with mercy, and shall break
In blessings on your head.

Judge not the Lord by feeble sense,
But trust Him for His grace;
Behind a frowning providence
He hides a smiling face.