What made the porter stare so hard? what made the porter stare
And eye the tall young woman and the bundle that she bare?

What made the tall young woman flush, and strive to hide her face,
As the train slid past the platform and the guard swung in his place?

What made her look so stealthily both up and down the line,
And quickly give the infant suck to still its puny whine?

Why was the sawmill not at work? why were the men away?
They might have turned a woman from a woeful deed that day.

Miraculous silver-work in stone
Against the blue miraculous skies,
The belfry towers and turrets rise
Out of the arches that enthrone
That airy wonder of the skies.

Softly against the burning sun
The great cathedral spreads its wings;
High up, the lyric belfry sings.
Behold Ascension Day begun
Under the shadow of those wings!

"Who is it that this dark night
Underneath my window plaineth?"
'It is one who from thy sight
Being, ah! exiled, disdaineth
Every other vulgar light.'

"Why, alas! and are you he?
Be not yet those fancies changed?"
'Dear, when you find change in me,
Though from me you be estranged,
Let my change to ruin be.'

"Well, in absence this will die;
Leave to see, and leave to wonder."
'Absence sure will help, If I
Can learn how myself to sunder
From what in my heart doth lie.'

"But time will these thoughts remove:

When Nature made her chief work, Stella's eyes,
In colour black why wrapt she beams so bright?
Would she in beamy black, like painter wise,
Frame daintiest lustre, mix'd of shades and light?
Or did she else that sober hue devise,
In object best to knit and strength our sight;
Lest, if no veil these brave gleams did disguise,
They, sunlike, should more dazzle than delight?
Or would she her miraculous power show,
That, whereas black seems beauty's contrary,
She even in black doth make all beauties flow?

A Pastorall Elegie vpon the death of the most Noble and valorous Knight, Sir Philip Sidney.

Dedicated To the most beautifull and vertuous Ladie, the Countesse of Essex.

Shepheards that wont on pipes of oaten reed,
Oft times to plaint your loues concealed smart:
And with your piteous layes haue learnd to breed
Compassion in a countrey lasses hart.
Hearken ye gentle shepheards to my song,
And place my dolefull plaint your plaints emong.
To you alone I sing this mournfull verse,
The mournfulst verse that euer man heard tell:

The Poet took his walking-stick
Of fine and polished ebony.
Set in the close-grained wood
Were quaint devices;
Patterns in ambers,
And in the clouded green of jades.
The top was smooth, yellow ivory,
And a tassel of tarnished gold
Hung by a faded cord from a hole
Pierced in the hard wood,
Circled with silver.
For years the Poet had wrought upon this cane.
His wealth had gone to enrich it,
His experiences to pattern it,
His labour to fashion and burnish it.
To him it was perfect,
A work of art and a weapon,

Under his helmet, up against his pack,
After so many days of work and waking,
Sleep took him by the brow and laid him back.

There, in the happy no-time of his sleeping,
Death took him by the heart. There heaved a quaking
Of the aborted life within him leaping,
Then chest and sleepy arms once more fell slack.

And soon the slow, stray blood came creeping
From the intruding lead, like ants on track.

Whether his deeper sleep lie shaded by the shaking
Of great wings, and the thoughts that hung the stars,

Ask not the cause why sullen spring
So long delays her flow'rs to bear;
Why warbling birds forget to sing,
And winter storms invert the year?
Chloris is gone; and Fate provides
To make it spring where she resides.

Chloris is gone, the cruel fair;
She cast not back a pitying eye:
But left her lover in despair,
To sigh, to languish, and to die:
Ah, how can those fair eyes endure
To give the wounds they will not cure!

Great god of Love, why hast thou made

Air -- "Gently Down the Stream of Time"


Have you heard of the dreadful fate
Of Mr. P. P. Bliss and wife?
Of their death I will relate,
And also others lost their life;
Ashtabula Bridge disaster,
Where so many people died
Without a thought that destruction
Would plunge them 'neath the wheel of tide.

CHORUS:

Swiftly passed the engine's call,
Hastening souls on to death,
Warning not one of them all;
It brought despair right and left.

Among the ruins are many friends,

As we are so wonderfully done with each other
We can walk into our separate sleep
On floors of music where the milkwhite cloak of childhood lies

O my lady, my fairest dear, my sweetest, loveliest one
Your lips have splashed my dull house with the speech of flowers
My hands are hallowed where they touched over your
soft curving.

It is good to be weary from that brilliant work
It is being God to feel your breathing under me

A waterglass on the bureau fills with morning . . .
Don’t let anyone in to wake us.