Behold! three sister-wonders, in whom met,
Distinct and chast, the splendrous counterfeit
Of Juno, Venus and the warlike Maid,
Each in their three divinities array'd;
The majesty and state of Heav'ns great Queen,
And when she treats the gods, her noble meen;
The sweet victorious beauties and desires
O' th' sea-born princess, empresse too of fires;
The sacred arts and glorious lawrels torn
From the fair brow o' th' goddesse father-born;
All these were quarter'd in each snowy coat,
With canton'd honours of their own, to boot.

Behold! three sister-wonders, in whom met,
Distinct and chast, the splendrous counterfeit
Of Juno, Venus and the warlike Maid,
Each in their three divinities array'd;
The majesty and state of Heav'ns great Queen,
And when she treats the gods, her noble meen;
The sweet victorious beauties and desires
O' th' sea-born princess, empresse too of fires;
The sacred arts and glorious lawrels torn
From the fair brow o' th' goddesse father-born;
All these were quarter'd in each snowy coat,
With canton'd honours of their own, to boot.

I’m pardoned out. Again the stars
Shine on me with their myriad eyes.
So long I’ve peered ‘twixt iron bars,
I’m awed by this expanse of skies.
The world is wider than I thought,
And yet ‘tis not so wide, I know,
But into its remotest spot
My tale of shame can go.

I’m pardoned out. Old Father Time
Who seemed to halt in horror, when
I strained my manhood by a crime,
With steady step moves on again,
And through the black appalling night,
That walled me in a gloom accurst,
The wonder of the morning light

Man, I suck me tooth when I hear
How dem croptime fiddlers lie,
And de wailing, kiss-me-arse flutes
That bring water to me eye!
Oh, when I t'ink how from young
I wasted time at de fetes,
I could bawl in a red-eyed rage
For desire turned to regret,
Not knowing the truth that I sang
At parang and la commette.
Boy, every damned tune them tune
Of love that go last forever
Is the wax and the wane of the moon
Since Adam catch body-fever.

I old, so the young crop won't
Have these claws to reap their waist,

Perplexed and troubled at his bad success
The Tempter stood, nor had what to reply,
Discovered in his fraud, thrown from his hope
So oft, and the persuasive rhetoric
That sleeked his tongue, and won so much on Eve,
So little here, nay lost. But Eve was Eve;
This far his over-match, who, self-deceived
And rash, beforehand had no better weighed
The strength he was to cope with, or his own.
But—as a man who had been matchless held
In cunning, over-reached where least he thought,
To salve his credit, and for very spite,

A dove lived in a village.
When it opened its mouth
sweetness came out, sound
like a silver light around
the cherry bough. But
the dove wasn't satisfied.

It saw the villagers
gathered to listen under
the blossoming tree.
It didn't think: I
am higher that they are.
It wanted to wealk among them,
to experience the violence of human feeling,
in part for its song's sake.

So it became human.
It found passion, it found violence,
first conflated, then
as separate emotions
and these were not

Now, in twilight, on the palace steps
the king asks forgiveness of his lady.

He is not
duplicitous; he has tried to be
true to the moment; is there another way of being
true to the self?

The lady
hides her face, somewhat
assisted by the shadows. She weeps
for her past; when one has a secret life,

one's tears are never explained.

Yet gladly would the king bear
the grief of his lady: his
is the generous heart,
in pain as in joy.

Do you know
what forgiveness mean? it mean

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

We managed. No need for the heroic.
There were the usual celebrations, the usual sorrows.
I don't remember all the particulars.
Across the fence, the neighbors were our chorus.

There were the usual celebrations, the usual sorrows

1.

O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?

No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!

Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold,
And what remains to us of thee?

And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-foot God of Arcady!

Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,

Ye whose hearts are beating high
With the pulse of Poesy,
Heirs of more than royal race,
Fram’d by Heaven’s peculiar grace,
God’s own work to do on earth,
(If the word be not too bold,)
Giving virtue a new birth,
And a life that ne’er grows old—
Sovereign masters of all hearts!
Know ye, who hath set your parts?
He who gave you breath to sing,
By whose strength ye sweep the string,
He hath chosen you, to lead
His Hosannas here below;—
Mount, and claim your glorious meed;
Linger not with sin and woe.