Oh who is that young sinner with the handcuffs on his wrists?
And what has he been after that they groan and shake their fists?
And wherefore is he wearing such a conscience-stricken air?
Oh they're taking him to prison for the color of his hair.

'Tis a shame to human nature, such a head of hair as his;
In the good old time 'twas hanging for the color that it is;
Though hanging isn't bad enough and flaying would be fair
For the nameless and abominable color of his hair.

Oh a deal of pains he's taken and a pretty price he's paid

Oh say not that my heart is cold
To aught that once could warm it -
That Nature's Form so dear of old
No more has power to charm it;
Or that th' ungenerous world can chill
One glow of fond emotion
For those who made it dearer still,
And shared my wild devotion.

Still oft those solemn scenes I view
In rapt and dreamy sadness;
Oft look on those who loved them too
With Fancy's idle gladness;
Again I longed to view the light
In Nature's features glowing;
Again to tread the mountain's height,
And taste the soul's o'erflowing.

The mole's a creature very smooth and slick,
She digs i' th' dirt, but 'twill not on her stick;
So's he who counts this world his greatest gains,
Yet nothing gets but's labour for his pains.
Earth's the mole's element, she can't abide
To be above ground, dirt heaps are her pride;
And he is like her who the worldling plays,
He imitates her in her work and ways.
Poor silly mole, that thou should'st love to be
Where thou nor sun, nor moon, nor stars can see.
But O! how silly's he who doth not care

Behold, how eager this our little boy
Is for a butterfly, as if all joy,
All profits, honours, yea, and lasting pleasures,
Were wrapped up in her, or the richest treasures
Found in her would be bundled up together,
When all her all is lighter than a feather.

He halloos, runs, and cries out, 'Here, boys, here!'
Nor doth he brambles or the nettles fear:
He stumbles at the molehills, up he gets,
And runs again, as one bereft of wits;
And all his labour and his large outcry
Is only for a silly butterfly.

Comparison

607

Of nearness to her sundered Things
The Soul has special times—
When Dimness—looks the Oddity—
Distinctness—easy—se ems—

The Shapes we buried, dwell about,
Familiar, in the Rooms—
Untarnished by the Sepulchre,
The Mouldering Playmate comes—

In just the Jacket that he wore—
Long buttoned in the Mold
Since we—old mornings, Children—played—
Divided—by a world—

The Grave yields back her Robberies—
The Years, our pilfered Things—
Bright Knots of Apparitions
Salute us, with their wings—

Heaven is a place, also a state,
It doth all things excel,
No man can fully it relate,
Nor of its glory tell.

God made it for his residence,
To sit on as a throne,
Which shows to us the excellence
Whereby it may be known.

Doubtless the fabric that was built
For this so great a king,
Must needs surprise thee, if thou wilt
But duly mind the thing.

If all that build do build to suit
The glory of their state,
What orator, though most acute,
Can fully heaven relate?

If palaces that princes build,

WHO will persuade me that one perfect song
Is not more glorious than a victor’s bays?
I know not who. I ask because the phrase
Runs lightly and the final words are strong.
But did you press me for a right or wrong,
Then would I bid you hunt for perfect lays,
And rouse the dust of dead heroic days,
And pass your judgement if you live so long.

To me it seems more worth, when all is said,
To smoke a friend’s cigar and see the moon
Lie rippling on the Arno mid the strewn

Death, as a king rampant and stout
The world he dare engage;
He conquers all, yea, and doth rout
The great, strong, wise, and sage.

No king so great, nor prince so strong,
But death can make to yield,
Yea, bind and lay them all along,
And make them quit the field.

Where are the victors of the world,
With all their men of might?
Those that together kingdoms hurl'd,
By death are put to flight.

How feeble is the strongest hand,
When death begins to gripe!
The giant now leaves off to stand,

Melpomene, the muse of tragic songs,
With mournful tunes, in stole of dismal hue,
Assist a silly nymph to wail her woe,
And leave thy lusty company behind.

Thou luckless wreath! becomes not me to wear
The poplar tree for triumph of my love:
Then as my joy, my pride of love, is left,
Be thou unclothed of thy lovely green;

And in thy leaves my fortune written be,
And them some gentle wind let blow abroad,
That all the world may see how false of love
False Paris hath to his OEnone been.

This salt
in the salt cellar
I once saw in the salt mines.
I know
you won't
believe me
but
it sings
salt sings, the skin
of the salt mines
sings
with a mouth smothered
by the earth.
I shivered in those
solitudes
when I heard
the voice
of
the salt
in the desert.
Near Antofagasta
the nitrous
pampa
resounds:
a
broken
v oice,
a mournful
song.

In its caves
the salt moans, mountain
of buried light,
translucent cathedral,
crystal of the sea, oblivion