The Artist and his Luckless Wife
They lead a horrid haunted life,
Surrounded by the things he's made
That are not wanted by the trade.

The world is very fair to see;
The Artist will not let it be;
He fiddles with the works of God,
And makes them look uncommon odd.

The Artist is an awful man,
He does not do the things he can;
He does the things he cannot do,
And we attend the private view.

The Artist uses honest paint
To represent things as they ain't,

Shall I desist, twice baffled? Once by land,
And once by sea, I fought and strove with storms,
All shades of danger, tides, and weary calms;
Head-currents, cold and famine, savage beasts,
And men more savage; all the while my face
Looked northward toward the pole; if mortal strength
Could have sustained me, I had never turned
Till I had seen the star which never sets
Freeze in the Arctic zenith. That I failed
To solve the mysteries of the ice-bound world,
Was not because I faltered in the quest.
Witness those pathless forests which conceal

Son put a poser up to me
That made me scratch my head:
"God made the whole wide world," quoth he;
"That's right, my boy," I said.
Said son: "He mad the mountains soar,
And all the plains lie flat;
But Dad, what did he do before
He did all that?

Said I: "Creation was his biz;
He set the stars to shine;
The sun and moon and all that is
Were His unique design.
The Cosmos is his concrete thought,
The Universe his chore..."
Said Son: "I understand, but what

Thou hast crossed over torrents, and swung through wide-spreading ocean,--
Over the chain of the Alps dizzily bore thee the bridge,
That thou might'st see me from near, and learn to value my beauty,
Which the voice of renown spreads through the wandering world.
And now before me thou standest,--canst touch my altar so holy,--
But art thou nearer to me, or am I nearer to thee?

You, the choice minions of the proud-lipped nine
Who warble at the great Apollo's knee,
Why do you laugh at these rude lays of mine?
I seek not of your brotherhood to be:
I do not play the public swan, nor try
To curve my proud neck on your vocal streams.
In my own little isle retreated, I
Lost myself in my waters and my dreams:
Forgetful of the world, forgotten too,
The cygnet of my own secluded wave
I sing, whilst dashing up their silver dew
For joy, the petty billows try to rave:
There is a still applause in solitude,

Nowhere in the organic or sensitive world ever kindles
Novelty, save in the flower, noblest creation of life.

They do not live in the world,
Are not in time and space.
From birth to death hurled
No word do they have, not one
To plant a foot upon,
Were never in any place.

For with names the world was called
Out of the empty air,
With names was built and walled,
Line and circle and square,
Dust and emerald;
Snatched from deceiving death
By the articulate breath.

But these have never trod
Twice the familiar track,
Never never turned back
Into the memoried day.
All is new and near

An angel stood beside the bed
Where lay the living and the dead.
He gave the mother -- her who died --
A kiss that Christ the Crucified

Had sent to greet the weary soul
When, worn and faint, it reached its goal.

He gave the infant kisses twain,
One on the breast, one on the brain.

"Go forth into the world," he said,
"With blessings on your heart and head,

"For God, who ruleth righteously,
Hath ordered that to such as be

"From birth deprived of mother's love,
I bring His blessing from above;

The salmon lying in the depths of Llyn Llifon
Secretly as a thought in a dark mind,
Is not so old as the owl of Cwm Cowlyd
Who tells her sorrow nightly on the wind.

The ousel singing in the woods of Cilgwri,
Tirelessly as a stream over the mossed stones,
Is not so old as the toad of Cors Fochno
Who feels the cold skin sagging round his bones.

The toad and the ousel and the stag of Rhedynfre,
That has cropped each leaf from the tree of life,
Are not so old as the owl of Cwm Cowlyd,
That the proud eagle would have to wife.

Today the Masons are auctioning
their discarded pomp: a trunk of turbans,
gemmed and ostrich-plumed, and operetta costumes
labeled inside the collar "Potentate"
and "Vizier." Here their chairs, blazoned
with the Masons' sign, huddled
like convalescents, lean against one another

on the grass. In a casket are rhinestoned poles
the hierophants carried in parades;
here's a splendid golden staff some ranking officer waved,
topped with a golden pyramid and a tiny,
inquisitive sphinx. No one's worn this stuff