To The One Of Fictive Music

Sister and mother and diviner love,
And of the sisterhood of the living dead
Most near, most clear, and of the clearest bloom,
And of the fragrant mothers the most dear
And queen, and of diviner love the day
And flame and summer and sweet fire, no thread
Of cloudy silver sprinkles in your gown
Its venom of renown, and on your head
No crown is simpler than the simple hair.

Now, of the music summoned by the birth
That separates us from the wind and sea,
Yet leaves us in them, until earth becomes,


To the Old Gods

O YE, who rode the gales of Sicily,
Sandalled with flame,
Spread on the pirate winds; o ye who broke
No wind-flower as ye came--
Though Pelion shivered when the thunder spoke
The gods' decree!--

Into the twilight of the ancient days
Have not ye flown!--
Ye, whom the happy Greeks inspired hand
Struck from the frenzied stone:
That, ye withdrawn, your images should stand
To take their praise.

Smeared into clay, and frozen into stone!
Ye, that do now


To the maiden

To the maiden
The sea was blue meadow,
Alive with little froth-people
Singing.

To the sailor, wrecked,
The sea was dead grey walls
Superlative in vacancy,
Upon which nevertheless at fateful time
Was written
The grim hatred of nature.


To the King

[Upon His Majesty's Happy Return.]

The rising sun complies with our weak sight,
First gilds the clouds, then shows his globe of light
At such a distance from our eyes, as though
He knew what harm his hasty beams would do.

But your full majesty at once breaks forth
In the meridian of your reign. Your worth,
Your youth, and all the splendour of your state,
(Wrapped up, till now, in clouds of adverse fate!)
With such a flood of light invade our eyes,
And our spread hearts with so great joy surprise,


To Sydney

CITY, I never told you yet—
O little City, let me tell—
A secret woven of your wiles,
Dear City with the angel face,
And you will hear with frowning grace,
Or will you break in summer smiles?

This is the secret, little town,
Lying so lightly towards the sea;
City, my secret has no art,
Dear City with the golden door;
But oh, the whispers I would pour
Into your ears—into your heart!

You are my lover, little place,


Youth and the Pilgrim

Gray pilgrim, you have journeyed far,
I pray you tell to me
Is there a land where Love is not,
By shore of any sea?

For I am weary of the god,
And I would flee from him
Tho' I must take a ship and go
Beyond the ocean's rim.

"I know a port where Love is not,
The ship is in your hand,
Then plunge your sword within your breast
And you will reach the land."


Young Love

I

I cannot heed the words they say,
The lights grow far away and dim,
Amid the laughing men and maids
My eyes unbidden seek for him.

I hope that when he smiles at me
He does not guess my joy and pain,
For if he did, he is too kind
To ever look my way again.

II

I have a secret in my heart
No ears have ever heard,
And still it sings there day by day
Most like a caged bird.

And when it beats against the bars,
I do not set it free,


Young Sea

The sea is never still.
It pounds on the shore
Restless as a young heart,
Hunting.

The sea speaks
And only the stormy hearts
Know what it says:
It is the face
of a rough mother speaking.

The sea is young.
One storm cleans all the hoar
And loosens the age of it.
I hear it laughing, reckless.

They love the sea,
Men who ride on it
And know they will die
Under the salt of it

Let only the young come,
Says the sea.


You and I

They say the eagle is a bird
That sees some splendid sights
When he soars high into the sky
Upon his dizzy flights:
He sees the ground for miles around
Our house, and Billy Johnson's;
But we can not be Eagles, for
That would, of course, be nonsense.

But you and I, some summer day,
Providing we're allowed,
Will go up in an aeroplane
And sail right through a cloud.
But, if they say we may not go,
We'll stay upon the ground
With other things that have no wings,


Year Of Meteors, 1859 '60


YEAR of meteors! brooding year!
I would bind in words retrospective, some of your deeds and signs;
I would sing your contest for the 19th Presidentiad;
I would sing how an old man, tall, with white hair, mounted the
scaffold in Virginia;
(I was at hand--silent I stood, with teeth shut close--I watch'd;
I stood very near you, old man, when cool and indifferent, but
trembling with age and your unheal'd wounds, you mounted the
scaffold;)


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