The Ruined Cottage

'Twas summer, and the sun had mounted high:
Southward the landscape indistinctly glared
Through a pale steam; but all the northern downs,
In clearest air ascending, showed far off
A surface dappled o'er with shadows flung
From brooding clouds; shadows that lay in spots
Determined and unmoved, with steady beams
Of bright and pleasant sunshine interposed;
To him most pleasant who on soft cool moss
Extends his careless limbs along the front
Of some huge cave, whose rocky ceiling casts
A twilight of its own, an ample shade,
Where the wren warbles, while the dreaming man,
Half conscious of the soothing melody,
With side-long eye looks out upon the scene,
By power of that impending covert, thrown
To finer distance. Mine was at that hour
Far other lot, yet with good hope that soon
Under a shade as grateful I should find
Rest, and be welcomed there to livelier joy.
Across a bare wide Common I was toiling
With languid steps that by the slippery turf
Were baffled; nor could my weak arm disperse
The host of insects gathering round my face,
And ever with me as I paced along.

Upon that open moorland stood a grove,
The wished-for port to which my course was bound.
Thither I came, and there, amid the gloom
Spread by a brotherhood of lofty elms,
Appeared a roofless Hut; four naked walls
That stared upon each other!--I looked round,
And to my wish and to my hope espied
The Friend I sought; a Man of reverend age,
But stout and hale, for travel unimpaired.
There was he seen upon the cottage-bench,
Recumbent in the shade, as if asleep;
An iron-pointed staff lay at his side.

Among the hills of Athol he was born;
Where, on a small hereditary farm,
An unproductive slip of rugged ground,
His Parents, with their numerous offspring, dwelt;
A virtuous household, though exceeding poor!
Pure livers were they all, austere and grave,
And fearing God; the very children taught
Stern self-respect, a reverence for God's word,
And an habitual piety, maintained
With strictness scarcely known on English ground.

From his sixth year, the Boy of whom I speak,
In summer, tended cattle on the hills;
But, through the inclement and the perilous days
Of long-continuing winter, he repaired,
Equipped with satchel, to a school, that stood
Sole building on a mountain's dreary edge,
Remote from view of city spire, or sound
Of minster clock! From that bleak tenement
He, many an evening, to his distant home
In solitude returning, saw the hills
Grow larger in the darkness; all alone
Beheld the stars come out above his head,
And travelled through the wood, with no one near
To whom he might confess the things he saw.

So the foundations of his mind were laid.
In such communion, not from terror free,
While yet a child, and long before his time,
Had he perceived the presence and the power
Of greatness; and deep feelings had impressed
So vividly great objects that they lay
Upon his mind like substances, whose presence
Perplexed the bodily sense. He had received
A precious gift; for, as he grew in years,
With these impressions would he still compare
All his remembrances, thoughts, shapes, and forms;
And, being still unsatisfied with aught
Of dimmer character, he thence attained
An active power to fasten images
Upon his brain; and on their pictured lines
Intensely brooded, even till they acquired
The liveliness of dreams. Nor did he fail,
While yet a child, with a child's eagerness
Incessantly to turn his ear and eye
On all things which the moving seasons brought
To feed such appetite--nor this alone
Appeased his yearning:--in the after-day
Of boyhood, many an hour in caves forlorn,
And 'mid the hollow depths of naked crags
He sate, and even in their fixed lineaments,
Or from the power of a peculiar eye,
Or by creative feeling overborne,
Or by predominance of thought oppressed,
Even in their fixed and steady lineaments
He traced an ebbing and a flowing mind,
Expression ever varying!
Thus informed,
He had small need of books; for many a tale
Traditionary round the mountains hung,
And many a legend, peopling the dark woods,
Nourished Imagination in her growth,
And gave the Mind that apprehensive power
By which she is made quick to recognise
The moral properties and scope of things.
But eagerly he read, and read again,
Whate'er the minister's old shelf supplied;
The life and death of martyrs, who sustained,
With will inflexible, those fearful pangs
Triumphantly displayed in records left
Of persecution,and the Covenant--times
Whose echo rings through Scotland to this hour!
And there, by lucky hap, had been preserved
A straggling volume, torn and incomplete,
That left half-told the preternatural tale,
Romance of giants, chronicle of fiends,
Profuse in garniture of wooden cuts
Strange and uncouth; dire faces, figures dire,
Sharp-kneed, sharp-elbowed, and lean-ankled too,
With long and ghostly shanks--forms which once seen
Could never be forgotten!
In his heart,
Where Fear sate thus, a cherished visitant,
Was wanting yet the pure delight of love
By sound diffused, or by the breathing air,
Or by the silent looks of happy things,
Or flowing from the universal face
Of earth and sky. But he had felt the power
Of Nature, and already was prepared,
By his intense conceptions, to receive
Deeply the lesson deep of love which he,
Whom Nature, by whatever means, has taught
To feel intensely, cannot but receive.

Such was the Boy--but for the growing Youth
What soul was his, when, from the naked top
Of some bold headland, he beheld the sun
Rise up, and bathe the world in light! He looked--
Ocean and earth, the solid frame of earth
And ocean's liquid mass, in gladness lay
Beneath him:--Far and wide the clouds were touched,
And in their silent faces could he read
Unutterable love. Sound needed none,
Nor any voice of joy; his spirit drank
The spectacle: sensation, soul, and form,
All melted into him; they swallowed up
His animal being; in them did he live,
And by them did he live; they were his life.
In such access of mind, in such high hour
Of visitation from the living God,
Thought was not; in enjoyment it expired.
No thanks he breathed, he proffered no request;
Rapt into still communion that transcends
The imperfect offices of prayer and praise,
His mind was a thanksgiving to the power
That made him; it was blessedness and love!

A Herdsman on the lonely mountain-tops,
Such intercourse was his, and in this sort
Was his existence oftentimes possessed.
O then how beautiful, how bright, appeared
The written promise! Early had he learned
To reverence the volume that displays
The mystery, the life which cannot die;
But in the mountains did he feel his faith.
All things, responsive to the writing, there
Breathed immortality, revolving life,
And greatness still revolving; infinite:
There littleness was not; the least of things
Seemed infinite; and there his spirit shaped
Her prospects, nor did he believe,--he saw.
What wonder if his being thus became
Sublime and comprehensive! Low desires,
Low thoughts had there no place; yet was his heart
Lowly; for he was meek in gratitude,
Oft as he called those ecstasies to mind,
And whence they flowed; and from them he acquired
Wisdom, which works thro' patience; thence he learned
In oft-recurring hours of sober thought
To look on Nature with a humble heart,
Self-questioned where it did not understand,
And with a superstitious eye of love.

From his native hills
He wandered far; much did he see of men,
Their manners, their enjoyments, and pursuits,
Their passions and their feelings; chiefly those
Essential and eternal in the heart,
That, 'mid the simpler forms of rural life,
Exist more simple in their elements,
And speak a plainer language. In the woods,
A lone Enthusiast, and among the fields,
Itinerant in this labour, he had passed
The better portion of his time; and there
Spontaneously had his affections thriven
Amid the bounties of the year, the peace
And liberty of nature; there he kept
In solitude and solitary thought
His mind in a just equipoise of love.
Serene it was, unclouded by the cares
Of ordinary life; unvexed, unwarped
By partial bondage. In his steady course,
No piteous revolutions had he felt,
No wild varieties of joy and grief.
Unoccupied by sorrow of its own,
His heart lay open; and, by nature tuned
And constant disposition of his thoughts
To sympathy with man, he was alive
To all that was enjoyed where'er he went,
And all that was endured; for, in himself
Happy, and quiet in his cheerfulness,
He had no painful pressure from without
That made him turn aside from wretchedness
With coward fears. He could afford to suffer
With those whom he saw suffer. Hence it came
That in our best experience he was rich,
And in the wisdom of our daily life.
For hence, minutely, in his various rounds,
He had observed the progress and decay
Of many minds, of minds and bodies too;
The history of many families;
How they had prospered; how they were o'er-thrown
By passion or mischance, or such misrule
Among the unthinking masters of the earth
As makes the nations groan.
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Hnnhbiie30's picture

"The Ruined Cottage" by William Wordsworth - A Profound Meditation on Life and Humanity

"The Ruined Cottage" by William Wordsworth is a deeply contemplative and evocative poem that delves into the themes of memory, loss, and the passage of time. Through vivid imagery and introspective language, Wordsworth invites readers to reflect on the complexities of human existence and the enduring resilience of the human spirit.

At the outset of the poem, Wordsworth sets the scene with a vivid description of the natural landscape, using rich sensory detail to immerse readers in the setting. The imagery of the sun ascending high in the sky and the shadows cast by brooding clouds creates a sense of atmospheric tension, mirroring the inner turmoil of the poem's protagonist.

As the poem unfolds, Wordsworth introduces readers to the character of the old woman, who serves as a symbol of the passage of time and the inevitability of decay. Through the old woman's interactions with the speaker, Wordsworth explores themes of aging, loneliness, and the search for meaning in the face of adversity.

One of the most striking aspects of "The Ruined Cottage" is Wordsworth's masterful use of language to convey the emotional depth of the poem. His lyrical prose and carefully crafted imagery evoke a sense of nostalgia and longing, inviting readers to contemplate their mortality and the fleeting nature of life.

Throughout the poem, Wordsworth employs a reflective tone, as the speaker grapples with the existential questions raised by the sight of the ruined cottage and the memories it evokes. Through the speaker's introspective musings, Wordsworth encourages readers to confront their fears and anxieties about aging and mortality, ultimately finding solace in the beauty of the natural world.

In conclusion, "The Ruined Cottage" by William Wordsworth is a poignant and thought-provoking poem that offers a profound meditation on the human condition. Through its rich imagery, introspective language, and universal themes, Wordsworth's poem continues to resonate with readers today, reminding us of the enduring power of poetry to illuminate the mysteries of life and humanity.

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