Awake, awake, my Lyre!
And tell thy silent master's humble tale
In sounds that may prevail;
Sounds that gentle thoughts inspire:
Though so exalted she
And I so lowly be
Tell her, such different notes make all thy harmony.

Hark, how the strings awake!
And, though the moving hand approach not near,
Themselves with awful fear
A kind of numerous trembling make.
Now all thy forces try;
Now all thy charms apply;
Revenge upon her ear the conquests of her eye.

Weak Lyre! thy virtue sure

Welcome, rain or tempest
From yon airy powers,
We have languished for them
Many sultry hours,
And earth is sick and wan, and pines with all her flowers.

What have they been doing
In the burning June?
Riding with the genii?
Visiting the moon?
Or sleeping on the ice amid an arctic noon?

Bring they with them jewels
From the sunset lands?
What are these they scatter
With such lavish hands?
There are no brighter gems in Raolconda's sands.

Pattering on the gravel,
Dropping from the eaves,

I.

Now no more the slanting rays
With the mountain summits dally,
Now no more in crimson blaze
Evening’s fleecy cloudless rally,
Soon shall Night front off the valley
Sweep that bright yet earthly haze,
And the stars most musically
Move in endless rounds of praise.


II.

While the world is growing dim,
And the Sun is slow descending
Past the far horizon’s rim,
Earth's low sky to heaven extending,
Let my feeble earth-notes, blending
With the songs of cherubim,
Through the same expanse ascending,

A lonely boy, far venturing from home
Out on the half-wild herd’s faint tracks I roam;
Mid rock-browned mountains, which with stony frown
Glare into haggard chasms deep adown;
A rude and craggy world, the prospect lies
Bounded in circuit by the bending skies.
Now at some clear pool scooped out by the shocks
Of rain-floods plunging from the upper rocks
Whose liquid disc in its undimpled rest
Glows like a mighty gem brooching the mountain’s breast,
I drink and must, or mark the wide-spread herd,

I lived among great houses,
Riches drove out rank,
Base drove out the better blood,
And mind and body shrank.
No Oscar ruled the table,
But I'd a troop of friends
That knowing better talk had gone
Talked of odds and ends.
Some knew what ailed the world
But never said a thing,
So I have picked a better trade
And night and morning sing:
Tall dames go walking in grass-green Avalon.

Am I a great Lord Chancellor
That slept upon the Sack?
Commanding officer that tore
The khaki from his back?
Or am I de Valera,

From Job

A spirit passed before me: I beheld
The face of immortality unveiled—
Deep sleep came down on every eye save mine—
And there it stood,—all formless—but divine:
Along my bones the creeping flesh did quake;
And as my damp hair stiffened, thus it spake:

"Is man more just than God? Is man more pure
Than He who deems even Seraphs insecure?
Creatures of clay—vain dwellers in the dust!
The moth survives you, and are ye more just?
Things of a day! you wither ere the night,
Heedless and blind to Wisdom's wasted light!"

After the red leaf and the gold have gone,
Brought down by the wind, then by hammering rain
Bruised and discolored, when October's flame
Goes blue to guttering in the cusp, this land
Sinks deeper into silence, darker into shade.
There is a knowledge in the look of things,
The old hills hunch before the north wind blows.

Now I can see certain simplicities
In the darkening rust and tarnish of the time,
And say over the certain simplicities,
The running water and the standing stone,
The yellow haze of the willow and the black

From Andalusian gardens
I bring the rose and rue,
And leaves of subtle odour,
To weave a gift for you.
You’ll know the reason wherefore
The sad is with the sweet;
My flowers may lie, as I would,
A carpet for your feet!
The heart—the heart is constant;
It holds its secret, Dear!
But often in the night time
I keep awake for fear.
I have no hope to whisper,
I have no prayer to send,
God save you from such passion!
God help you from such end!

You first, you last, you false love!

Two voices are there: one is of the deep;
It learns the storm-cloud's thunderous melody,
Now roars, now murmurs with the changing sea,
Now bird-like pipes, now closes soft in sleep:
And one is of an old half-witted sheep
Which bleats articulate monotony,
And indicates that two and one are three,
That grass is green, lakes damp, and mountains steep:
And, Wordsworth, both are thine: at certain times
Forth from the heart of thy melodious rhymes,
The form and pressure of high thoughts will burst:
At other times -- good Lord! I'd rather be

Two voices are there: one is of the deep;
It learns the storm-cloud's thunderous melody,
Now roars, now murmurs with the changing sea,
Now bird-like pipes, now closes soft in sleep:
And one is of an old half-witted sheep
Which bleats articulate monotony,
And indicates that two and one are three,
That grass is green, lakes damp, and mountains steep:
And, Wordsworth, both are thine: at certain times
Forth from the heart of thy melodious rhymes,
The form and pressure of high thoughts will burst: