star

When all my five and country senses see,
The fingers will forget green thumbs and mark
How, through the halfmoon's vegetable eye,
Husk of young stars and handfull zodiac,
Love in the frost is pared and wintered by,
The whispering ears will watch love drummed away
Down breeze and shell to a discordant beach,
And, lashed to syllables, the lynx tongue cry
That her fond wounds are mended bitterly.
My nostrils see her breath burn like a bush.

My one and noble heart has witnesses

When she says Margarita she means Daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca

What we want
is never simple.
We move among the things
we thought we wanted:
a face, a room, an open book
and these things bear our names--
now they want us.
But what we want appears
in dreams, wearing disguises.
We fall past,
holding out our arms
and in the morning
our arms ache.
We don't remember the dream,
but the dream remembers us.
It is there all day
as an animal is there
under the table,
as the stars are there
even in full sun.

Where now the huts are empty,
Where never a camp-fire glows,
In an abandoned cañon,
A Gambler's Ghost arose.
He muttered there, "The moon's a sack
Of dust." His voice rose thin:
"I wish I knew the miner-man.
I'd play, and play to win.
In every game in Cripple-creek
Of old, when stakes were high,
I held my own. Now I would play
For that sack in the sky.
The sport would not be ended there.
'Twould rather be begun.
I'd bet my moon against his stars,
And gamble for the sun.

What magic is there in thy mien
What sorcery in thy smile,
Which charms away all cark and care,
Which turns the foul days into fair,
And for a little while
Changes this disenchanted scene
From the sere leaf into the green,
Transmuting with love's golden wand
This beggared life to fairyland?

My heart goes forth to thee, oh friend,
As some poor pilgrim to a shrine,
A pilgrim who has come from far
To seek his spirit's folding star,
And sees the taper shine;

What fields are as fragrant as your hands?
You feel how external fragrance stands
upon your stronger resistance.
Stars stand in images above.
Give me your mouth to soften, love;
ah, your hair is all in idleness.

See, I want to surround you with yourself
and the faded expectation lift
from the edges of your eyebrows;
I want, as with inner eyelids sheer,
to close for you all places which appear
by my tender caresses now.


Translated by John J.L. Mood

It does not know it glitters
It does not know it flies
It does not know it is this not that.

And, more and more often, agape,
With my Gauloise dying out,
Over a glass of red wine,
I muse on the meaning of being this not that.

Just as long ago, when I was twenty,
But then there was a hope I would be everything,
Perhaps even a butterfly or a thrush, by magic.
Now I see dusty district roads
And a town where the postmaster gets drunk every day
Melancholy with remaining identical to himself.

What counsel has the hooded moon
Put in thy heart, my shyly sweet,
Of Love in ancient plenilune,
Glory and stars beneath his feet -- -
A sage that is but kith and kin
With the comedian Capuchin?

Believe me rather that am wise
In disregard of the divine,
A glory kindles in those eyes
Trembles to starlight. Mine, O Mine!
No more be tears in moon or mist
For thee, sweet sentimentalist.

There's a damper in the ashes, tea and sugar in the bags,
There's whips of feed and shelter on the sandridge for the nags,
There's gidya wood about us and water close at hand,
And just one bottle left yet of the good Glenlivet brand.

There are chops upon the embers, which same are close-up done,
From as fine a four-tooth wether as there is on Crossbred's run;
'Twas a proverb on the Darling, the truth of which I hold:
"That mutton's aye the sweetest which was never bought nor sold."

The five old bells
Are hurrying and eagerly calling,
Imploring, protesting
They know, but clamorously falling
Into gabbling incoherence, never resting,
Like spattering showers from a bursten sky-rocket dropping
In splashes of sound, endlessly, never stopping.

The silver moon
That somebody has spun so high
To settle the question, yes or no, has caught
In the net of the night’s balloon,
And sits with a smooth bland smile up there in the sky
Smiling at naught,