'My age, my beast!' - Osip Mandelstam

On the lips a taste of tolling we are blind
The light drifts like dust over faces
We wear masks on our genitals
You've heard of lighting cigarettes with banknotes we used to light ours with Jews
History is made of bricks you can't go through it
And bricks are made of bones and blood and
Bones and blood are made of little tiny circles that nothing can go through
Except a piano with rabies
Blood gushes into, not from, our wounds
Vietnamese Cuban African bloods
Constellations of sperm upon our bodies

I

What new element before us unborn in nature? Is there
a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
Scientific theme
First penned unmindful by Doctor Seaborg with poison-
ous hand, named for Death's planet through the
sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
Hades, Sire of avenging Furies, billionaire Hell-
King worshipped once
with black sheep throats cut, priests's face averted from
underground mysteries in single temple at Eleusis,

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in 'Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light, --
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,

for Maxine Kumin

Where did these enormous children come from,
More ladylike than we have ever been?
Some of ours look older than we feel.
How did they appear in their long dresses

More ladylike than we have ever been?
But they moan about their aging more than we do,
In their fragile heels and long black dresses.
They say they admire our youthful spontaneity.

They moan about their aging more than we do,
A somber group--why don't they brighten up?
Though they say they admire our youthful spontaneity

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:
We breed our firmest facts of air;

553

One Crucifixion is recorded—only—
How many be
Is not affirmed of Mathematics—
Or History—

One Calvary—exhibited to Stranger—
As many be
As persons—or Peninsulas—
Gethsemane—

Is but a Province—in the Being's Centre—
Judea—
For Journey—or Crusade's Achieving—
Too near—

Our Lord—indeed—made Compound Witness—
And yet—
There's newer—nearer Crucifixion
Than That—

Some celebrate the beauty
of knights, or infantry,
or billowing flotillas
at battle on the sea.
Warfare has its glory,
but I place far above
these military splendors
the one thing that you love.

For proof of this contention
examine history:
we all remember Helen,
who left her family,
her child, and royal husband,
to take a stranger's hand:
her beauty had no equal,
but bowed to love's command.

As love then is the power
that none can disobey,
so too my thoughts must follow

(PHILADELPHIA, 1794)

Now that our hero has come back to us
in his white pants and we know his nose
trembling like a flag under fire,
we see the calm cold river is supporting
our forces, the beautiful history.

To be more revolutionary than a nun
is our desire, to be secular and intimate
as, when sighting a redcoat, you smile
and pull the trigger. Anxieties
and animosities, flaming and feeding

on theoretical considerations and
the jealous spiritualities of the abstract
the robot? they're smoke, billows above
the physical event. They have burned up.

Oh that those lips had language! Life has pass'd
With me but roughly since I heard thee last.
Those lips are thine--thy own sweet smiles I see,
The same that oft in childhood solaced me;
Voice only fails, else, how distinct they say,
"Grieve not, my child, chase all thy fears away!"
The meek intelligence of those dear eyes
(Blest be the art that can immortalize,
The art that baffles time's tyrannic claim
To quench it) here shines on me still the same.

Faithful remembrancer of one so dear,