To Robert Batty, M.D., on His Giving Me a Lock of Milton's Hair

It lies before me there, and my own breath
Stirs its thin outer threads, as though beside
The living head I stood in honoured pride,
Talking of lovely things that conquer death.
Perhaps he pressed it once, or underneath
Ran his fine fingers when he leant, blank-eyed,
And saw in fancy Adam and his bride
With their heaped locks, or his own Delphic wreath.

There seems a love in hair, though it be dead.
It is the gentlest, yet the strongest thread
Of our frail plant,--a blossom from the tree


You Gote-heard Gods

Strephon.

You Gote-heard Gods, that loue the grassie mountaines,
You Nimphes that haunt the springs in pleasant vallies,
You Satyrs ioyde with free and quiet forests,
Vouchsafe your silent eares to playning musique,
Which to my woes giues still an early morning;
And drawes the dolor on till wery euening.

Klaius.

O Mercurie, foregoer to the euening,
O heauenlie huntresse of the sauage mountaines,
O louelie starre, entitled of the morning,
While that my voice doth fill these wofull vallies,


Ye Flowery Banks

Ye flowery banks o' bonnie Doon,
How can ye blume sae fair?
How can ye chant, ye little birds,
And I sae fu' o' care?

Thou'll break my heart, thou bonie bird,
That sings upon the bough;
Thou minds me o' the happy days,
When my false love was true.

Thou'll break my heart, thou bonnie bird,
That sings beside thy mate;
For sae I sat, and sae I sang,
And wist na o' my fate.

Aft hae I roved by bonnie Doon
To see the wood-bine twine,
And ilka bird sang o' its luve,


Ye Banks And Braes O'Bonnie Doon

Ye banks and braes o' bonnie Doon,
How can ye bloom sae fair!
How can ye chant, ye little birds,
And I sae fu' o' care!

Thou'll break my heart, thou bonnie bird
That sings upon the bough;
Thou minds me o' the happy days
When my fause Luve was true.

Thou'll break my heart, thou bonnie bird
That sings beside thy mate;
For sae I sat, and sae I sang,
And wist na o' my fate.

Aft hae I roved by bonnie Doon
To see the woodbine twine,
And ilka bird sang o' its love;


You And Me

I'm part of people I have known
And they are part of me;
The seeds of thought that I have sown
In other minds I see.
There's something of me in the throne
And in the gallows tree.

There's something of me in each one
With whom I work and play,
For islanded there can be none
In this dynamic day;
And meshed with me perchance may be
A leper in Cathay.

There's me in you and you in me,
For deeply in us delves


You Never Can Tell

You never can tell when you send a word,
Like an arrow shot from a bow
By an archer blind, be it cruel or kind,
Just where it may chance to go.
It may pierce the breast of your dearest friend,
Tipped with its poison or balm,
To a stranger’s heart in life’s great mart,
It may carry its pain or its calm.

You never can tell when you do an act
Just what the result will be;
But with every deed you are sowing a seed,
Though the harvest you may not see.
Each kindly act is an acorn dropped


You Remember Ellen

You remember Ellen, our hamlet's pride,
How meekly she bless'd her humble lot,
When the stranger, William, had made her his bride,
And love was the light of their lowly cot.
Together they toil'd through winds and rains,
Till William, at length, in sadness said,
"We must seek our fortune on other plains;" --
Then, sighing, she left her lowly shed.

They roam'd a long and a weary way,
Nor much was the maiden's heart at ease,
When now, at close of one stormy day,
They see a proud castle among the trees.


Your Book

Strangers came into the apartment
walked right to the bookshelf
to spill beer on your book.

Your book on a hook dangling off the roof
attracted a white horse to the door.

Your book emitted physical waves
into the air, drying my hair.

You climbed a tree to write
your book where you wouldn't be seen.
There was no tree there
until you made it.

The shimmering leaves seemed to be powered by light.
The tree shuffled this light onto strings.
The strings hung from the air.


You, Andrew Marvell

And here face down beneath the sun
And here upon earth's noonward height
To feel the always coming on
The always rising of the night:

To feel creep up the curving east
The earthy chill of dusk and slow
Upon those under lands the vast
And ever climbing shadow grow

And strange at Ecbatan the trees
Take leaf by leaf the evening strange
The flooding dark about their knees
The mountains over Persia change

And now at Kermanshah the gate
Dark empty and the withered grass


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