Member Poem

These are erotic poems and risque love poems by Michael R. Burch.

Retro
by Michael R. Burch
Now, once again,
love’s a redundant pleasure,
as we laugh
at my childish fumblings
through the acres of your dress,
past your wily-wired brassiere,
through your panties’ pink billows
of thrill-piqued frills ...

Till I lay once again—panting redfaced
at your gayest lack of resistance,
and, later, at your milktongued
mewlings in the dark ...

When you were virginal,
sweet as eucalyptus,
we did not understand
the miracle of repentance,
and I took for granted
your obsessive distance ...

But now I am happily unbuttoning
that chaste dress,
unhitching that firm-latched bra,
tugging at those parachute-like panties—
the ones you would have gladly forgotten
had I not bought them in this year’s size.

Originally published by Erosha

***

The Secret of Her Clothes
by Michael R. Burch

The secret of her clothes
is that they whisper a little mysteriously
of things unseen

in the language of nylon and cotton,
so that when she walks
to her amorous drawers

to rummage among the embroidered hearts
and rumors of pastel slips
for a white wisp of Victorian lace,

the delicate rustle of fabric on fabric,
the slightest whisper of telltale static,
electrifies me.

Published by Erosha, Velvet Avalanche (Anthology), Turnupwater and Poetry Life & Times

***

Miss Bliss
by Michael R. Burch

Domestic “bliss”?
Best to swing and miss!

***

First Base Freeze
by Michael R. Burch

I find your love unappealing
(no, make that appalling)
because you prefer kissing
then stalling.

***

Virginal
by Michael R. Burch

for Beth

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth . . ."

But she is mine;
her lips divine
and her breasts and hair
are mine alone.
Let the wildflowers moan.

Published by Songs of Innocence

***

Less Heroic Couplets: Negotiables
by Michael R. Burch

Love should be more than the sum of its parts—
of its potions and pills and subterranean arts.

***

Cover Girl
by Michael R. Burch

Cunning
at sunning
and dunning,
the stunning
young woman’s in the running
to be found nude on the cover
of some patronizing lover.

In this case the cover is a bed cover, where the enterprising young mistress is about to be covered herself.

***

Erotic Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en, and should’ve remained hid-
den!

***

Old Pantaloons, a Chiasmus
by Michael R. Burch

Old pantaloons are soft and white,
prudent days, imprudent nights
when fingers slip through drawers to feel
that which they long most to steal.

Old panty loons are soft and white,
prudent days, imprudent nights
when fingers slip through drawers to steal
that which they long most to feel.

Published by Funny Poems for Life

***

Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...
But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more whore-y!

***

Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.

***

Less Heroic Couplets: Sweet Tarts
by Michael R. Burch

Love, beautiful but fatal to many bewildered hearts,
commands us to be faithful, then tempts us with sweets and tarts.

***

Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...

***

Less Heroic Couplets: Shady Sadie
by Michael R. Burch

A randy young dandy named Sadie
loves sex, but her horse neighs she’s shady.

***

Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair—
long, ravenblack & melancholy.

Many suitors drowned there—
lost, unaware
of the length & extent of their folly.

Originally published by Grand Little Things

***

Are You the Thief
by Michael R. Burch

for Beth

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace . . .

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath . . .

tell me now,
O sweet, sweet lover,
in good faith . . .
are you the thief
who has stolen my heart?

Originally published as “Baring Pale Flesh” by Poetic License/Monumental Moments

***

Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart’s
sharp edges.

Let me give her roses
for my soul’s
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.

Published by Majalisna (Arabic), Desperate Heart, Angels Lover

***

Psycho Analysis
by Michael R. Burch

This is not what I need . . .
analysis,
paralysis,
as though I were a seed
to be planted,
supported
with a stick and some string
until I emerge.
Your words
are not water. I need something
more nourishing,
like cherishing,
something essential, like love
so that when I climb
out of the lime
and the mulch. When I shove
myself up
from the muck . . .
we can fuck.

Originally published by Unlikely Stories

***

Shotgun Bedding
by Michael R. Burch

A pedestrian pediatrician
set out on a dangerous mission;
though his child bride, Lolita,
was a sweet senorita,
her pa’s shotgun cut off his emissions.

***

Nonbeliever
by Michael R. Burch

She smiled a thin-lipped smile
(What do men know of love?)
then rolled her eyes toward heaven
(Or that Chauvinist above?).

***

Excelsior
by Michael R. Burch

I lift my eyes and laugh, Excelsior . . .
Why do you come, wan spirit, heaven-gowned,
complaining that I am no longer “pure?”

I threw myself before you, and you frowned,
so full of noble chastity, renowned
for leaving maidens maidens. In the dark

I sought love’s bright enchantment, but your lips
were stone; my fiery metal drew no spark
to light the cold dominions of your heart.

What realms were ours? What leasehold? And what claim
upon these territories, cold and dark,
do you seek now, pale phantom? Would you light

my heart in death and leave me ashen-white,
as you are white, extinguished by the Night?

***

At the Natchez Trace
by Michael R. Burch

for Beth

I.
Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Beside me stands a woman,
a stanza in the song
that plays so low and fluting
and bids me sing along.

Beside me stands a woman
whose eyes reveal her soul,
whose cheeks are soft as eiderdown,
whose hips and breasts are full.

Beside me stands a woman
who scarcely knows my name;
but I would have her know my heart
if only I knew where to start.

II.
Not every man is as he seems;
not all are prone to poems and dreams.
Not every man would take the time
to meter out his heart in rhyme.
But I am not as other men—
my heart is sentenced to this pen.

III.
Men speak of their "ambition"
but they only know its name . . .
I never say the word aloud,
but I have felt the Flame.

IV.
Now, standing here, I do not dare
to let her know that I might care;
I never learned the lines to use;
I never worked the wolves' bold ruse.
But if she looks my way again,
perhaps I will, if only then.

V.
How can a man have come so far
in searching after every star,
and yet today,
though years away,
look back upon the winding way,
and see himself as he was then,
a child of eight or nine or ten,
and not know more?

VI.
My life is not empty; I have my desire . . .
I write in a moment that few men can know,
when my nerves are on fire
and my heart does not tire
though it pounds at my breast—
wrenching blow after blow.

VII.
And in all I attempted, I also succeeded;
few men have more talent to do what I do.
But in one respect, I stand now defeated;
In love I could never make magic come true.

VIII.
If I had been born to be handsome and charming,
then love might have come to me easily as well.
But if had that been, then would I have written?
If not, I'd remain; damn that pale fiend to hell!

IX.
Beside me stands a woman,
but others look her way
and in their eyes are eagerness . . .
for passion and a wild caress?
But who am I to say?

Beside me stands a woman;
she conjures up the night
and wraps itself around her
till others flit about her
like moths drawn to firelight.

X.
And I, myself, am just as they,
wondering when the light might fade,
yet knowing should it not dim soon
that I might fall and be consumed.

XI.
I write from despair
in the silence of morning
for want of a prayer
and the need of the mourning.
And loneliness grips my heart like a vise;
my anguish is harsher and colder than ice.
But poetry can bring my heart healing
and deaden the pain, or lessen the feeling.
And so I must write till at last sleep has called me
and hope at that moment my pen has not failed me.

XII.
Beside me stands a woman,
a mystery to me.
I long to hold her in my arms;
I also long to flee.

Beside me stands a woman;
how many has she known
more handsome, charming,
chic, alarming?
I hope I never know.

Beside me stands a woman;
how many has she known
who ever wrote her such a poem?
I hope not even one.

***

Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable ...

but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,

sometimes we still touch,

laughing, amazed,
that our flesh
does not despair
of love
as we do,

that our bodies are wise

in ways we refuse
to comprehend,
still insisting we eat,
drink ...
even multiply.

And so we touch ...

touch, and only imagine
ourselves immune:
two among billions

in this night of wished-on stars,

caresses,
kisses,
and condolences.

We are not lovers of irony,

we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves ...

and so we laugh
at our predicament,
fumbling for the ointment.

***

Plastic Art or Night Stand
by Michael R. Burch

Disclaimer: This is a poem about artificial poetry, not love dolls! The victim is the Muse.

We never questioned why “love” seemed less real
the more we touched her, and forgot her face.
Absorbed in molestation’s sticky feel,
we failed to see her staring into space,
her doll-like features frozen in a smile.
She held us in her marionette’s embrace,
her plastic flesh grown wet and slick and vile.
We groaned to feel our urgent fingers trace
her undemanding body. All the while,
she lay and gaily bore her brief disgrace.
We loved her echoed passion’s squeaky air,
her tongueless kisses’ artificial taste,
the way she matched, then raised our reckless pace,
the heart that seemed to pound, but was not there.

***

Rehearsal Reversal
by Michael R. Burch

The wonder of a first kiss
is:
the next will be better,
if less memorable...

and what’s unforgettable’s
this:
that, somehow,
although you just met her,

in the exchange of eclectic eyes
love came, an electric surmise,
with the smell of cordite hair
on a warm wool sweater

more than amply bosomed.
Use
any excess static to light
the fuse.

Fumble-fingered, her bra strap’s cinch
refuses to budge an inch
in either direction.
Who’s

ever prepared to be so stymied?
Smile,
lean back, drag, “relax” awhile
from practice imperfect. I’ll

leave you two jaybirds alone.
Yes, tomorrow she’ll
answer the phone,
show up for your first real date:

late, breathless, and braless!
(WAIT —
before you celebrate:
still celibate).

***

Reverse Strip
by Michael R. Burch

She cupped her breasts in cotton, wire-cinched,
pulled a pale taupe sheath across red-gilded toes,
across sun-auburned thighs, to midriff, rose,
paraded nimbly to her dresser, pinched
a winsome pair of panties—white with hearts—
between thumb and forefinger, just to show
how well she knew my taste. Then, bowing low,
she stepped into them (here, the music starts,
a vampish tune), slow-wriggled them waist-high.
She used her thumbs to snap elastic to
its proper place. She chose a slip—sky blue—
then shrugged it on, and patted down each thigh.

She then sat down and smiled (there’d be no dress),
uncrossed her legs, shrugged free one talcumed breast...

***

Dawn Flight
by Michael R. Burch

for Martin Mc Carthy

What is it about love
that defies explanation?—

the weightlessness of being,
the long elliptic climb

into darkness
amid the world’s constant uproar,

the sea’s black waves crashing
incessantly like thunder beneath us,

the long triumphant soar
into thinning contrails of nothingness,

like meteors through ether,
seeing the earth’s dark curve

outlined,
spinning softly beneath us...

gliding, suspended at last,
over the earth pliant and motionless...

feeling, suddenly, the vast
onrush

and illumination.

***

Of Transience
by Michael R. Burch

How many nights her vulnerability
leaned close and softly pressed its cheek to mine,
held fast by tiny buckled straps impressed
on shoulders white as swans’ white eglantine...

And many were the marks which left their trace,
then soon were gone. The thinnest finest veil
of ashen hair revealed her breasts, betrayed
all that I wanted most, but still would fail

to keep me there till morning. For her sighs,
I kissed her lips in wonder; we became
one with the distant thunder. Love is wise
when it comes in flashes, streaking moonlit rain,

but leaves no mark—as transient, as bright
as the searing imprint lightning pens at night.

***

Domination
by Michael R. Burch

It was not for the feast of docile eyes
she shed her latex jeans, her vinyl blouse;
it was not for the catcalls that her thighs,
black-gartered, parted slightly, to arouse
limp dreams, limp organs as onlookers cheered,
revealing paunches belts could not belay.
She shunned their touch, as lepers to be feared,
swerved half-way through her dance, then waltzed away.

But something in her eyes—a mystery
as old as lust, half-veiled by raven hair—
bespoke this certain knowledge: love is free,
but sex must have its fee, transport its fare.
They pay for what they want, and in return
she teaches them what men will never learn.

***

Morgause’s Song
by Michael R. Burch

Before he was my brother,
he was my lover,
though certainly not the best.

I found no joy
in that addled boy,
nor he at my breast.

Why him? Why him?
As the candles dim,
it grows harder and harder to say ...

Perhaps girls and boys
are the god’s toys
when they lose their way.

Published by Celtic Twilight

I have three different endings for this poem. I went with “when they lose their way” because it seems a bit darker and eerier to me. Do the gods take advantage of children who have lost their way? They certainly don’t do anything to help them, apparently. My original ending was “when the skies are gray,” suggesting that when the children were forced to play inside by bad weather, which happens a lot in rainy England, they chose an adult form of indoor play. But I didn’t like doubling the passive “are” when I wanted a strong closing stanza. My third ending was “when it’s time to play,” which suggests that as the children were playing with each other, the gods were toying with them. But Morgause’s “perhaps” leaves everything up in the air. Perhaps it was the gods, or perhaps it was just nature taking its course, or perhaps it was something she doesn’t want to admit about herself. Morgause was an enchantress. Did she lure Arthur into having sex, knowing what would result? If so, why?

Keywords/Tags: erotic poems, risque poems, love poems, erotica, lingerie, bra, panty, panties, slip, lace, nylon, nylons