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Babette

I

My Lady is dancing so lightly,
The belle of the Embassy Ball;
I lied as I kissed her politely,
And hurried away from it all.
I'm taxiing up to Montmartre,
With never a pang of regret,
To toy for awhile with the garter
Of her whom I know as Babette.
II
My Lady's an exquisite creature,
As rare as a queen on a throne;
She's faultless in form and in feature,
But oh, she is cold as a stone.
And so from her presence I hurry,
Her iciness quick to forget
In sensuous joy as I bury
My face in the breast of Babette.
III

Australian Scenery

The Mountains
A land of sombre, silent hills, where mountain cattle go
By twisted tracks, on sidelings deep, where giant gum trees grow
And the wind replies, in the river oaks, to the song of the stream below.
A land where the hills keep watch and ward, silent and wide awake
As those who sit by a dead campfire, and wait for the dawn to break,
Or those who watched by the Holy Cross for the dead Redeemer's sake.

A land where silence lies so deep that sound itself is dead
And a gaunt grey bird, like a homeless soul, drifts, noiseless, overhead

Aunt Imogen

Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two. But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.—The mother understood,
And wisely stepped away. Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;

Au Bal

[Dedicated to Horace Sheridan-Bickers]

A vision of flushed faces, shining limbs,
The madness of the music that entrances
All life in its delirium of dances!
The white world glitters in the void, and swims
Through the infinite seas of transcendental trances.
Yea! all the hoarded seed of all my fancies
Bursts in a shower of suns! The wine-cup brims
And bubbles over; I drink deep hymns
Of sorceries, of spells, of necromancies;
And all my spirit shudders; dew bedims
My sight -these girls and their alluring glances!

At the Long Sault

Searching the pile of corpses the victors found four Frenchmen still breathing. Three had scarcely a spark of life . . . the fourth seemed likely to survive and they reserved him for future torments.

- Parkman's History


A prisoner under the stars I lie,
With no friend near;
To-morrow they lead me forth to die,
The stake is ready, the torments set,
They will pay in full their deadly debt;
But I fear them not! Oh, none could fear
Of those who stood by Daulac's side­
While he prayed and laughed and sang and fought

At Sea

As night hath stars, more rare than ships
In ocean, faint from pole to pole,
So all the wonder of her lips
Hints her innavigable soul.

Such lights she gives as guide my bark;
But I am swallowed in the swell
Of her heart's ocean, sagely dark,
That holds my heaven and holds my hell.

In her I live, a mote minute
Dancing a moment in the sun:
In her I die, a sterile shoot
Of nightshade in oblivion.

In her my elf dissolves, a grain
Of salt cast careless in the sea;
My passion purifies my pain
To peace past personality.

At Briggflatts Meetinghouse

Boasts time mocks cumber Rome. Wren
set up his own monument.
Others watch fells dwindle, think
the sun's fires sink.

Stones indeed sift to sand, oak
blends with saint's bones.
Yet for a little longer here
stone and oak shelter

silence while we ask nothing
but silence. Look how clouds dance
under the wind's wing, and leaves
delight in transience.

At a Pantomime. By a Bilious One

An Actor sits in doubtful gloom,
His stock-in-trade unfurled,
In a damp funereal dressing-room
In the Theatre Royal, World.

He comes to town at Christmas-time,
And braves its icy breath,
To play in that favourite pantomime,
HARLEQUIN LIFE AND DEATH.

A hoary flowing wig his weird
Unearthly cranium caps,
He hangs a long benevolent beard
On a pair of empty chaps.

To smooth his ghastly features down
The actor's art he cribs, -
A long and a flowing padded gown.
Bedecks his rattling ribs.

As You Leave Me

Shiny record albums scattered over
the living room floor, reflecting light
from the lamp, sharp reflections that hurt
my eyes as I watch you, squatting among the platters,
the beer foam making mustaches on your lips.

And, too,
the shadows on your cheeks from your long lashes
fascinate me--almost as much as the dimples
in your cheeks, your arms and your legs.

You
hum along with Mathis--how you love Mathis!
with his burnished hair and quicksilver voice that dances
among the stars and whirls through canyons

As red men die

Captive! Is there a hell to him like this?
A taunt more galling than the Huron's hiss?
He--proud and scornful, he--who laughed at law,
He--scion of the deadly Iroquois,
He--the bloodthirsty, he--the Mohawk chief,
He--who despises pain and sneers at grief,
Here in the hated Huron's vicious clutch,
That even captive he disdains to touch!

Captive! Butnever conquered; Mohawk brave
Stoops not to be to anyman a slave;
Least, to the puny tribe his soul abhors,
The tribe whose wigwams sprinkle Simcoe's shores.