Hist! . . . . . . Hark!
The night is very dark,
And we've to go a mile or so
Across the Possum Park.

Step . . . . . . light,
Keeping to the right;
If we delay, and lose our way,
We'll be out half the night.
The clouds are low and gloomy. Oh!
It's just begun to mist!
We haven't any overcoats
And - Hist! . . . . . . Hist!

(Mo . . . . . . poke!)
Who was that that spoke?
This is not a fitting spot
To make a silly joke.

Dear . . . . . . me!
A mopoke in a tree!
It jarred me so, I didn't know

ON HIS DEPARTURE FROM BAHIA

When thou stoodst amidst thy countrymen
Our captive and our foe,
What voice of pity was it then
That check'd the fatal blow?

When the name of the mighty 'Man of Fire'
Re-echoed to the sky,
And our chiefs forgot their deadly ire—
Who hail'd thy victory?

What voice like the softest, sweetest note
That rings from the slender white bird's throat,
Has soothed thee so oft to rest?
And thou hast said, so tenderly,
That to sit among willow isles with me
Was to be ever blest!

I

   I saw a dead man's finer part
Shining within each faithful heart
Of those bereft. Then said I: "This must be
   His immortality."

II

   I looked there as the seasons wore,
And still his soul continuously upbore
Its life in theirs. But less its shine excelled
   Than when I first beheld.

III

   His fellow-yearsmen passed, and then
In later hearts I looked for him again;
And found him--shrunk, alas! into a thin

Time’s finger on the dial of my life
Points to high noon! And yet the half-spent day
Leaves less than half remaining, for the dark,
Bleak shadows of the grave engulf the end.

To those who burn the candle to the stick,
The sputtering socket yields but little light.
Long life is sadder than early death.
We cannot count on raveled threads of age
Whereof to weave a fabric. We must use
The warp and woof the ready present yields
And toils while daylight lasts. When I bethink
How brief the past, the future still more brief,

What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,

A MIDDLE-AGE INTERLUDE.

ROSA MUNDI; SEU, FULCITE ME FLORIBUS.
A CONCEIT OF MASTER GYSBRECHT,
CANON-REGULAR OF SAID JODOCUS-BY-THE-BAR,
YPRES CITY. CANTUQUE, Virgilius.
AND HATH OFTEN BEEN SUNG
AT HOCK-TIDE AND FESTIVALES. GAVISUS
ERAM, Jessides.

(It would seem to be a glimpse from the
burning of Jacques du Bourg-Mulay, at Paris,
A. D. 1314; as distorted by the refraction from
Flemish brain to brain, during the course of
a couple of centuries.)

[Molay was Grand Master of the Templars

There's many a schoolboy's bat and ball that are gathering dust at home,
For he hears a voice in the future call, and he trains for the war to come;
A serious light in his eyes is seen as he comes from the schoolhouse gate;
He keeps his kit and his rifle clean, and he sees that his back is straight.

But straight or crooked, or round, or lame – you may let these words take root;
As the time draws near for the sterner game, all boys should learn to shoot,
From the beardless youth to the grim grey-beard, let Australians ne'er forget,

Dry timber under that rich foliage,
At wine-dark midnight in the sacred wood,
Too old for a man's love I stood in rage
Imagining men. Imagining that I could
A greater with a lesser pang assuage
Or but to find if withered vein ran blood,
I tore my body that its wine might cover
Whatever could rccall the lip of lover.

And after that I held my fingers up,
Stared at the wine-dark nail, or dark that ran
Down every withered finger from the top;
But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop

In the spirit’s solitary hours
It is lovely to walk in the sun
Along the yellow walls of summer.
Quietly whisper the steps in the grass; yet always sleeps
The son of Pan in the grey marble.

At eventide on the terrace we got drunk on brown wine
The red peach glows under the foliage.
Tender sonata, joyous laughter.

Lovely is this silence of the night.
On the dark plains
We gather with shepherds and the white stars.

When autumn rises
The grove is a sight of sober clarity.
Along the red walls we loiter at ease

When she goes to Hollywood
she is an angel.

She writes in red red lipstick
on the window of her body,
long for me, oh need me!
Parts her lips like a lotus.

Opening night she stands, poised
on her carpet, luminescent,
young men humming
all around her. She is flying.
Her high heels are wands, her
furs electric. Her bracelets
flashing. How completely
dazzling her complexion,
how vibrant her hair and eyes,
how brilliant the glow that spreads
four full feet around her.

She is totally self conscious