After dark
Near the South Dakota border,
The moon is out hunting, everywhere,
Delivering fire,
And walking down hallways
Of a diamond.

Behind a tree,
It ights on the ruins
Of a white city
Frost, frost.

Where are they gone
Who lived there?

Bundled away under wings
And dark faces.

I am sick
Of it, and I go on
Living, alone, alone,
Past the charred silos, past the hidden graves
Of Chippewas and Norwegians.

This cold winter
Moon spills the inhuman fire
Of jewels
Into my hands.

Holy Lord God! I love Thy truth,
Nor dare Thy least commandment slight;
Yet pierced by sin the serpent's tooth,
I mourn the anguish of the bite.

But though the poison lurks within,
Hope bids me still with patience wait;
Till death shall set me free from sin,
Free from the only thing I hate.

Had I a throne above the rest,
Where angels and archangels dwell,
One sin, unslain, within my breast,
Would make that heaven as dark as hell.

The prisoner sent to breathe fresh air,
And blest with liberty again,

HAST thou forgotten me? the days are dark—
Light ebbs from heaven, and songless soars the lark—
Vexed like my heart, loud moans the unquiet sea—
Hast thou forgotten me?

Hast thou forgotten me? O dead delight
Whose dreams and memories torture me to-night—
O love—my life! O sweet—so fair to see—
Hast thou forgotten me?

Hast thou forgotten? Lo, if one should say—
Noontide were night, or night were flaming day—
Grief blinds mine eyes, I know not which it be!

Harp of the North, farewell! The hills grow dark,
On purple peaks a deeper shade descending;
In twilight copse the glow-worm lights her spark,
The deer, half-seen, are to the covert wending.
Resume thy wizard elm! the fountain lending,
And the wild breeze, thy wilder minstrelsy;
Thy numbers sweet with nature’s vespers blending,
With distant echo from the fold and lea,
And herd-boy’s evening pipe, and hum of housing bee.

Yet, once again, farewell, thou Minstrel Harp!
Yet, once again, forgive my feeble sway,

I hear the halting footsteps of a lass
In Negro Harlem when the night lets fall
Its veil. I see the shapes of girls who pass
To bend and barter at desire's call.
Ah, little dark girls who in slippered feet
Go prowling through the night from street to street!

Through the long night until the silver break
Of day the little gray feet know no rest;
Through the lone night until the last snow-flake
Has dropped from heaven upon the earth's white breast,
The dusky, half-clad girls of tired feet
Are trudging, thinly shod, from street to street.

So early it's still almost dark out.
I'm near the window with coffee,
and the usual early morning stuff
that passes for thought.

When I see the boy and his friend
walking up the road
to deliver the newspaper.

They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren't saying anything, these boys.

I think if they could, they would take
each other's arm.
It's early in the morning,
and they are doing this thing together.

They come on, slowly.

    Clouds darken the plain.
From all sides, the mountains of the horizon move forward; the plain shrinks, crumpled into valleys that grow deeper. The three rivers become torrents that flow swiftly in their cavernous beds towards those dark spots where they meet: the cities.
    Then the sun again.

In a lingering fever many visions come to you:
I was in the little house again
With its great yard of clover
Running down to the board-fence,
Shadowed by the oak tree,
Where we children had our swing.
Yet the little house was a manor hall
Set in a lawn, and by the lawn was the sea.
I was in the room where little Paul
Strangled from diphtheria,
But yet it was not this room --
It was a sunny verandah enclosed
With mullioned windows,
And in a chair sat a man in a dark cloak,
With a face like Euripides.

The butcher knife goes in, first, at the top
And carves out the round stemmed lid,
The hole of which allows the hand to go
In to pull the gooey mess inside, out -
The walls scooped clean with a spoon.
A grim design decided on, that afternoon,
The eyes are the first to go,
Isosceles or trapezoid, the square nose,
The down-turned mouth with three
Hideous teeth and, sometimes,
Round ears. At dusk it's
Lighted, the room behind it dark.
Outside, looking in, it looks like a
Pumpkin, it looks like ripeness
Is all. Kids come, beckoned by

Birds singing
in the dark
—Rainy dawn.