At last I entered a long dark gallery,
Catacomb-lined; and ranged at the side
Were the bodies of men from far and wide
Who, motion past, were nevertheless not dead.

"The sense of waiting here strikes strong;
Everyone's waiting, waiting, it seems to me;
What are you waiting for so long? --
What is to happen?" I said.

"O we are waiting for one called God," said they,
"(Though by some the Will, or Force, or Laws;
And, vaguely, by some, the Ultimate Cause;)
Waiting for him to see us before we are clay.

Ten cleansed, and only one remain!
Who would have thought our nature's stain
Was dyed so foul, so deep in grain?
E'en He who reads the heart -
Knows what He gave and what we lost,
Sin's forfeit, and redemption's cost, -
By a short pang of wonder crossed
Seems at the sight to start:

Yet 'twas not wonder, but His love
Our wavering spirits would reprove,
That heavenward seem so free to move
When earth can yield no more
Then from afar on God we cry,
But should the mist of woe roll by,
Not showers across an April sky

I've tinkered at my bits of rhymes
In weary, woeful, waiting times;
In doleful hours of battle-din,
Ere yet they brought the wounded in;
Through vigils of the fateful night,
In lousy barns by candle-light;
In dug-outs, sagging and aflood,
On stretchers stiff and bleared with blood;
By ragged grove, by ruined road,
By hearths accurst where Love abode;
By broken altars, blackened shrines
I've tinkered at my bits of rhymes.
II
I've solaced me with scraps of song
The desolated ways along:
Through sickly fields all shrapnel-sown,

Time, the Jester, jeers at you;
Your life's a fleeting breath;
Your birthday's flimsy I.O.U.
To that old devil, Death.
And though to glory you attain,
Or be to beauty born,
Your pomp and vanity are vain:
Time ticks you off with scorn.
II
Time, the Cynic, sneers at you,
And stays you in your stride;
He flouts the daring deeds you do,
And pillories your pride.
The triumph of your yesterday
He pages with the Past;
He taunts you with the grave's decay
And calls the score at last.
III
All this I now, yet what care I!

ASK not my pardon! For if one hath need
Once to forgive the god that he hath raised,
No further creed
Can that god give; but 'neath the soul who praised
Lies bruisèd like a reed.

Let your dark plume, in passing leave a stain
On my plume's whiteness: call you bitter, sweet:
Give plague, or pain:
But cringe not, fallen and fawning at my feet,
By that to rise again.

No! go your wild and mad way, and seem at least
The god you were . . . assume your aureole:
Make me no priest

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'
Under your exile's tongue, crisp under heel,

An endless line of splendor,
These troops with heaven for home,
With creeds they go from Scotland,
With incense go from Rome.
These, in the name of Jesus,
Against the dark gods stand,
They gird the earth with valor,
They heed their King's command.

Onward the line advances,
Shaking the hills with power,
Slaying the hidden demons,
The lions that devour.
No bloodshed in the wrestling, —
But souls new-born arise —
The nations growing kinder,
The child-hearts growing wise.

What is the final ending?

Kabul town's by Kabul river --
Blow the bugle, draw the sword --
There I lef' my mate for ever,
Wet an' drippin' by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
There's the river up and brimmin', an' there's 'arf a squadron swimmin'
'Cross the ford o' Kabul river in the dark.

Kabul town's a blasted place --
Blow the bugle, draw the sword --
'Strewth I sha'n't forget 'is face
Wet an' drippin' by the ford!
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!

Relinquunt Ommia Servare Rem Publicam.

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.

Once my nose crawled like a snail on the glass;
my hand tingled to burst the bubbles
drifting from the noses of the cowed, compliant fish.

My hand draws back. I often sign still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,