ASK not my pardon! For if one hath need
Once to forgive the god that he hath raised,
No further creed
Can that god give; but 'neath the soul who praised
Lies bruisèd like a reed.

Let your dark plume, in passing leave a stain
On my plume's whiteness: call you bitter, sweet:
Give plague, or pain:
But cringe not, fallen and fawning at my feet,
By that to rise again.

No! go your wild and mad way, and seem at least
The god you were . . . assume your aureole:
Make me no priest

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'
Under your exile's tongue, crisp under heel,

An endless line of splendor,
These troops with heaven for home,
With creeds they go from Scotland,
With incense go from Rome.
These, in the name of Jesus,
Against the dark gods stand,
They gird the earth with valor,
They heed their King's command.

Onward the line advances,
Shaking the hills with power,
Slaying the hidden demons,
The lions that devour.
No bloodshed in the wrestling, —
But souls new-born arise —
The nations growing kinder,
The child-hearts growing wise.

What is the final ending?

Kabul town's by Kabul river --
Blow the bugle, draw the sword --
There I lef' my mate for ever,
Wet an' drippin' by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
There's the river up and brimmin', an' there's 'arf a squadron swimmin'
'Cross the ford o' Kabul river in the dark.

Kabul town's a blasted place --
Blow the bugle, draw the sword --
'Strewth I sha'n't forget 'is face
Wet an' drippin' by the ford!
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!

Relinquunt Ommia Servare Rem Publicam.

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.

Once my nose crawled like a snail on the glass;
my hand tingled to burst the bubbles
drifting from the noses of the cowed, compliant fish.

My hand draws back. I often sign still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,

THE DREAM

This has nothing to do with war
or the end of the world. She
dreams there are gray starlings
on the winter lawn and the buds
of next year's oranges alongside
this year's oranges, and the sun
is still up, a watery circle
of fire settling into the sky
at dinner time, but there's no
flame racing through the house
or threatening the bed. When she
wakens the phone is ringing
in a distant room, but she
doesn't go to answer it. No
one is home with her, and the cars
passing before the house hiss

Blow out the candles of your cake.
They will not leave you in the dark,
Who round with grace this dusky arc
Of the grand tour which souls must take.

You who have sounded William Blake,
And the still pool, to Plato's mark,
Blow out the candles of your cake.
They will not leave you in the dark.

Yet, for your friends' benighted sake,
Detain your upward-flying spark;
Get us that wish, though like the lark
You whet your wings till dawn shall break:
Blow out the candles of your cake.

You have read War and Peace.
Now here is Sister Carrie,
not up to Tolstoy; still
it will second the real world:
predictable planes and levels,
pavement that holds you,
stairs that lift you,
ice that trips you,
nights that begin after sunset,
four lunar phases,
a finite house.

I give you Dreiser
although (or because)
I am no longer sure.
Lately I have been walking into glass doors.
Through the car windows, curbs disappear.
On the highway, wrong turnoffs become irresistible,
someone else is controlling the wheel.

My sweet little girl should be cheerful and mild
She must not be fretful and cry!
Oh! why is this passion? remember, my child,
GOD sees you, who lives in the sky.

That dear little face, that I like so to kiss,
How alter'd and sad it appears!
Do you think I can love you so naughty as this,
Or kiss you, all wetted with tears?

Remember, though GOD is in Heaven, my love,
He sees you within and without,
And always looks down, from His glory above,
To notice what you are about.

If I am not with you, or if it be dark,