So how is life with your new bloke?
Simpler, I bet. Just one stroke
of his quivering oar and the skin
of the Thames goes into a spin,

eh? How is life with an oarsman? Better?
More in--out? Athletic? Wetter?
When you hear the moan of the rowlocks,
do you urge him on like a cox?

Tell me, is he bright enough to find
that memo-pad you call a mind?
Or has he contrived to bring you out--
given you an in-tray and an out?

How did I ever fall for a paper-clip?
How could I ever listen to office gossip

The hunchèd camels of the night
Trouble the bright
And silver waters of the moon.
The Maiden of the Morn will soon
Through Heaven stray and sing,
Star gathering.

Now while the dark about our loves is strewn,
Light of my dark, blood of my heart, O come!
And night will catch her breath up, and be dumb.

Leave thy father, leave thy mother
And thy brother;
Leave the black tents of thy tribe apart!
Am I not thy father and thy brother,
And thy mother?
And thou--what needest with thy tribe's black tents

I.

While envious crowds the summit view,
Where Danger with Ambition strays;
Or far, with anxious step, pursue
Pale Av'rice, thro' his winding ways;
The selfish passions in their train,
Whose force the social ties unbind,
And chill the love of human kind,
And make fond Nature's best emotions vain;


II.

O, poesy! O nymph most dear,
To whom I early gave my heart,--
Whose voice is sweetest to my ear
Of aught in nature or in art;
Thou, who canst all my breast controul,

An Aboriginal Mother’s Lament
Charles Harpur


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[About the year 1842 a party of stockmen, several of whom were afterwards hanged for the crime, made a wholesale slaughter of a small tribe of defenceless blacks; one woman only, with her infant, escaped from the murderers.]

Still farther would I fly, my child,
To make thee safer yet,
From the unsparing white man,
With his dread hand murder-wet!
I’ll bear thee on as I have borne

Eastward, or Northward, or West? I wander and ask as I wander;
Weary, yet eager and sure, Where shall I come to my love?
Whitherward hasten to seek her? Ye daughters of Italy, tell me,
Graceful and tender and dark, is she consorting with you?
Thou that out-climbest the torrent, that tendest thy goats to the summit,
Call to me, child of the Alp, has she been seen on the heights?
Italy, farewell I bid thee! for whither she leads me, I follow.
Farewell the vineyard! for I, where I but guess her, must go;

The perfect American Beauty Rose,
is it diminished
by the slag heaps on Rt. 11, just west
of Scranton, or by the dark cloud
that seems to have settled an inch or so
beneath the surface of Lake Naomi,
or even the swell of soot that hangs
like a troubling thought over the town
on the other side of the river?
Is the rose there any less beautiful?
Or this woman here; right now
she is standing in the impatient way
women have, a hip thrust out,
a shoulder let low? She is casual
this Sunday morning, in jeans

The shadowy Daughter of Urthona stood before red Orc,
When fourteen suns had faintly journey'd o'er his dark abode:
His food she brought in iron baskets, his drink in cups of iron:
Crown'd with a helmet and dark hair the nameless female stood;
A quiver with its burning stores, a bow like that of night,
When pestilence is shot from heaven: no other arms she need!
Invulnerable though naked, save where clouds roll round her loins
Their awful folds in the dark air: silent she stood as night;

Two lovers to a midnight meadow came
High in the hills, to lie there hand and hand
Like effigies and look up at the stars,
The never-setting ones set in the North
To circle the Pole in idiot majesty,
And wonder what was given them to wonder.

Being amateurs, they knew some of the names
By rote, and could attach the names to stars
And draw the lines invisible between
That humbled all the heavenly things to farm
And forest things and even kitchen things,
A bear, a wagon, a long handled ladle;

Could wonder at the shadow of the world

In the painting, I'm seated in a shield,
coming home in it up a shadowy river.
It is a small metal boat lined in eggshell
and my hands grip the gunwale rims. I'm
a composite bow, tensioning the whole boat,
steering it with my gaze. No oars, no engine,
no sails. I'm propelling the little craft with speech.
The faded rings around the loose bulk shirt
are of five lines each, a musical lineation
and the shirt is apple-red, soaking in salt birth-sheen
more liquid than the river. My cap is a teal mask

Always for the first time
Hardly do I know you by sight
You return at some hour of the night to a house at an angle to my window
A wholly imaginary house
It is there that from one second to the next
In the inviolate darkness
I anticipate once more the fascinating rift occurring
The one and only rift
In the facade and in my heart
The closer I come to you
In reality
The more the key sings at the door of the unknown room
Where you appear alone before me
At first you coalesce entirely with the brightness
The elusive angle of a curtain