Eastward, or Northward, or West? I wander and ask as I wander;
Weary, yet eager and sure, Where shall I come to my love?
Whitherward hasten to seek her? Ye daughters of Italy, tell me,
Graceful and tender and dark, is she consorting with you?
Thou that out-climbest the torrent, that tendest thy goats to the summit,
Call to me, child of the Alp, has she been seen on the heights?
Italy, farewell I bid thee! for whither she leads me, I follow.
Farewell the vineyard! for I, where I but guess her, must go;

The perfect American Beauty Rose,
is it diminished
by the slag heaps on Rt. 11, just west
of Scranton, or by the dark cloud
that seems to have settled an inch or so
beneath the surface of Lake Naomi,
or even the swell of soot that hangs
like a troubling thought over the town
on the other side of the river?
Is the rose there any less beautiful?
Or this woman here; right now
she is standing in the impatient way
women have, a hip thrust out,
a shoulder let low? She is casual
this Sunday morning, in jeans

The shadowy Daughter of Urthona stood before red Orc,
When fourteen suns had faintly journey'd o'er his dark abode:
His food she brought in iron baskets, his drink in cups of iron:
Crown'd with a helmet and dark hair the nameless female stood;
A quiver with its burning stores, a bow like that of night,
When pestilence is shot from heaven: no other arms she need!
Invulnerable though naked, save where clouds roll round her loins
Their awful folds in the dark air: silent she stood as night;

Two lovers to a midnight meadow came
High in the hills, to lie there hand and hand
Like effigies and look up at the stars,
The never-setting ones set in the North
To circle the Pole in idiot majesty,
And wonder what was given them to wonder.

Being amateurs, they knew some of the names
By rote, and could attach the names to stars
And draw the lines invisible between
That humbled all the heavenly things to farm
And forest things and even kitchen things,
A bear, a wagon, a long handled ladle;

Could wonder at the shadow of the world

In the painting, I'm seated in a shield,
coming home in it up a shadowy river.
It is a small metal boat lined in eggshell
and my hands grip the gunwale rims. I'm
a composite bow, tensioning the whole boat,
steering it with my gaze. No oars, no engine,
no sails. I'm propelling the little craft with speech.
The faded rings around the loose bulk shirt
are of five lines each, a musical lineation
and the shirt is apple-red, soaking in salt birth-sheen
more liquid than the river. My cap is a teal mask

Always for the first time
Hardly do I know you by sight
You return at some hour of the night to a house at an angle to my window
A wholly imaginary house
It is there that from one second to the next
In the inviolate darkness
I anticipate once more the fascinating rift occurring
The one and only rift
In the facade and in my heart
The closer I come to you
In reality
The more the key sings at the door of the unknown room
Where you appear alone before me
At first you coalesce entirely with the brightness
The elusive angle of a curtain

The sorrow of riverside blossoms inexplicable,
And nowhere to complain -- I've gone half crazy.
I look up our southern neighbor. But my friend in wine
Gone ten days drinking. I find only an empty bed.

A thick frenzy of blossoms shrouding the riverside,
I stroll, listing dangerously, in full fear of spring.
Poems, wine -- even this profusely driven, I endure.
Arrangements for this old, white-haired man can wait.

A deep river, two or three houses in bamboo quiet,
And such goings on: red blossoms glaring with white!

I know a seraph who has golden eyes,
And hair of gold, and body like the snow.
Here in the wind I dream her unbound hair
Is blowing round me, that desire's sweet glow
Has touched her pale keen face, and willful mien.
And though she steps as one in manner born
To tread the forests of fair Paradise,
Dark memory's wood she chooses to adorn.
Here with bowed head, bashful with half-desire
She glides into my yesterday's deep dream,
All glowing by the misty ferny cliff
Beside the far forbidden thundering stream.

A haunted town thou art to me.
-- Andrew Lang


To-day in Florence all the air
Is soft with spring, with sunlight fair;
In the tall street gay folks are met;
Duomo and Tower gleam overhead,
Like jewels in the city set,
Fair-hued and many-faceted.
Against the old grey stones are piled
February violets, pale and sweet,
Whose scent of earth in woodland wild
Is wafted up and down the street.
The city's heart is glad ; my own
Sits lightly on its bosom's throne.


* * * * * * *

Why is it that I see to-day,

I had a gig-horse, and I called him Pleasure
Because on Sundays for a little jaunt
He was so fast and showy, quite a treasure;
Although he sometimes kicked and shied aslant.
I had a chaise, and christened it Enjoyment,
With yellow body and the wheels of red,
Because it was only used for one employment,
Namely, to go wherever Pleasure led.
I had a wife, her nickname was Delight:
A son called Frolic, who was never still:
Alas! how often dark succeeds to bright!
Delight was thrown, and Frolic had a spill,