(Robert Frost, 1875-1963)


Whose wood this is I think I know:
He made it sacred long ago:
He will expect me, far or near
To watch that wood immense with snow.

That famous horse must feel great fear
Now that his noble rider's no longer here:
He gives his harness bells to rhyme
--Perhaps he will be back, in time?

All woulds were promises he kept
Throughout the night when others slept:
Now that he knows all that he did not know,
His wood is holy, and full of snow,
and all the beauty he made holy long long ago

Now
Say nay,
Man dry man,
Dry lover mine
The deadrock base and blow the flowered anchor,
Should he, for centre sake, hop in the dust,
Forsake, the fool, the hardiness of anger.

Now
Say nay,
Sir no say,
Death to the yes,
the yes to death, the yesman and the answer,
Should he who split his children with a cure
Have brotherless his sister on the handsaw.

Now
Say nay,
No say sir
Yea the dead stir,
And this, nor this, is shade, the landed crow,
He lying low with ruin in his ear,

Anniversary of the Loss of H.M.S. Tweed




Oh, what relief to gaze on yonder sky,
Where all is holy, calm, and purely bright!
Within, the sound of mirth and revelry
Startles the timid ear of sober night.


And eyes are bright and silver voices thrill,
As the harp echoes through the glittering hall;
The jest is there that wakes the laugh at will,
And mirth has cast her fairy spell o'er all.


I turn, fair spirit of light! where peaceful thou
Art shining in unatler'd majesty;

Old November, sere and brown,
Clothes the country, haunts the town,
Sheds its cloak of withered leaves,
Brings its sighing, soughing breeze.
Prophet of the dying year,
Builder of its funeral bier,
Bring your message here to men;
Sound it forth that they may ken
What of Life and what of Death
Linger on your frosty breath.
Let men know to you are given
Days of thanks to God in heaven;
Thanks for things which we deem best,
Thanks, O God, for all the rest
That have taught us--(trouble, strife,

There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.

It is nothing to me, the beauty said,
With a careless toss of her pretty head;
The man is weak if he can't refrain
From the cup you say is fraught with pain.
It was something to her in after years;
When her eyes were drenched with burning tears,
And she watched in lonely grief and dread,
And startled to hear a staggering tread.

It is nothing to me, the mother said;
I have no fear that my boy will tread
In the downward path of sin and shame,
And crush my heart and darken his name.
It was something to her when that only son

Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war's quick fire shall burn
The living record of your memory.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room,
Even in the eyes of all posterity
That wear this world out to the ending doom.

Not even my pride shall suffer much;
Not even my pride at all, maybe,
If this ill-timed, intemperate clutch
Be loosed by you and not by me,
Will suffer; I have been so true
A vestal to that only pride
Wet wood cannot extinguish, nor
Sand, nor its embers scattered, for,
See all these years, it has not died.

And if indeed, as I dare think,
You cannot push this patient flame,
By any breath your lungs could store,
Even for a moment to the floor
To crawl there, even for a moment crawl,
What can you mix for me to drink

North Country, filled with gesturing wood,
With trees that fence, like archers' volleys,
The flanks of hidden valleys
Where nothing's left to hide

But verticals and perpendiculars,
Like rain gone wooden, fixed in falling,
Or fingers blindly feeling
For what nobody cares;

Or trunks of pewter, bangled by greedy death,
Stuck with black staghorns, quietly sucking,
And trees whose boughs go seeking,
And tress like broken teeth

With smoky antlers broken in the sky;
Or trunks that lie grotesquely rigid,

I.

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say: