They spent my life plotting against me.
With nothing to do but cultivate themselves,
but to be there, aligning their shadows,
they were planning to undo me,
wanting to own me completely.

They have marched through the rooms,
their presences litter the surfaces
close at my elbow calling attention.
When I sleep they begin with their meetings,
when I leave home they hold a convention.
The minutes, the notes, the chairman
calls order, the lamps signal aye. When I die
they'll start in on another,
easy at first, learning his ways.

In the eyes: dream. The brow as if it could feel
something far off. Around the lips, a great
freshness--seductive, though there is no smile.
Under the rows of ornamental braid
on the slim Imperial officer's uniform:
the saber's basket-hilt. Both hands stay
folded upon it, going nowhere, calm
and now almost invisible, as if they
were the first to grasp the distance and dissolve.
And all the rest so curtained within itself,
so cloudy, that I cannot understand
this figure as it fades into the background--.

After the whipping he crawled into bed,
Accepting the harsh fact with no great weeping.
How funny uncle's hat had looked striped red!
He chuckled silently. The moon came, sweeping
A black, frayed rag of tattered cloud before
In scorning; very pure and pale she seemed,
Flooding his bed with radiance. On the floor
Fat motes danced. He sobbed, closed his eyes and dreamed.

Warm sand flowed round him. Blurts of crimson light
Splashed the white grains like blood. Past the cave's mouth
Shone with a large, fierce splendor, wildly bright,

Before she has her floor swept
Or her dishes done,
Any day you'll find her
A-sunning in the sun!

It's long after midnight
Her key's in the lock,
And you never see her chimney smoke
Til past ten o'clock!

She digs in her garden
With a shovel and a spoon,
She weeds her lazy lettuce
By the light of the moon,

She walks up the walk
Like a woman in a dream,
She forgets she borrowed butter
Any pays you back in cream!

Her lawn looks like a meadow,
And if she mows the place
She leaves the clover standing

Because life's passing show
Is little to his mind,
There is a man I know
Indrawn from human kind.
His dearest friends are books;
Yet oh how glad he talks
To birds and trees and brooks
On lonely walks.
He takes the same still way
By grove and hill and sea;
He lives that each new day
May like the last one be.
He hates all kinds of change;
His step is sure and slow:
Though life has little range
He loves it so.

He makes it his one aim
His pleasure to repeat;

I. THE LION

The Lion is a kingly beast.
He likes a Hindu for a feast.
And if no Hindu he can get,
The lion-family is upset.

He cuffs his wife and bites her ears
Till she is nearly moved to tears.
Then some explorer finds the den
And all is family peace again.


II. AN EXPLANATION OF THE GRASSHOPPER

The Grasshopper, the grasshopper,
I will explain to you:—
He is the Brownies' racehorse,
The fairies' Kangaroo.


III. THE DANGEROUS LITTLE BOY FAIRIES

The snow is clothed in dawn
In the high desert,
We are oaths of Eternity
In the azure of Beauty.

We are splashes of scarlet foam
On the pallor of the seas.
Renounce your earthly chains
To sit among the kings!

Don't imagine we are dissolving in the sky,
Cut off from the earth: -
A holy path leads
Beyond the clouds into dreams.

Religions are poems. They concert
our daylight and dreaming mind, our
emotions, instinct, breath and native gesture

into the only whole thinking: poetry.
Nothing's said till it's dreamed out in words
and nothing's true that figures in words only.

A poem, compared with an arrayed religion,
may be like a soldier's one short marriage night
to die and live by. But that is a small religion.

Full religion is the large poem in loving repetition;
like any poem, it must be inexhaustible and complete

You, my photographer, you, most aware,
Who climbed to the bridge when the iceberg struck,
Climbed with your camera when the ship's hull broke,
And lighted your flashes and, standing passionate there,
Wound the camera in the sudden burst's flare,
Shot the screaming women, and turned and took
Pictures of the iceberg (as the ship's deck shook)
Dreaming like the moon in the night's black air!

You, tiptoe on the rail to film a child!
The nude old woman swimming in the sea
Looked up from the dark water to watch you there;

Remember midsummer: the fragrance of box, of white
roses
And of phlox. And upon a honeysuckle branch
Three snails hanging with infinite delicacy
-- Clinging like tendril, flake and thread, as self-tormented
And self-delighted as any ballerina,
just as in the orchard,
Near the apple trees, in the over-grown grasses
Drunken wasps clung to over-ripe pears
Which had fallen: swollen and disfigured.
For now it is wholly autumn: in the late
Afternoon as I walked toward the ridge where the hills
begin,