Remember midsummer: the fragrance of box, of white
roses
And of phlox. And upon a honeysuckle branch
Three snails hanging with infinite delicacy
-- Clinging like tendril, flake and thread, as self-tormented
And self-delighted as any ballerina,
just as in the orchard,
Near the apple trees, in the over-grown grasses
Drunken wasps clung to over-ripe pears
Which had fallen: swollen and disfigured.
For now it is wholly autumn: in the late
Afternoon as I walked toward the ridge where the hills
begin,

'My age, my beast!' - Osip Mandelstam

On the lips a taste of tolling we are blind
The light drifts like dust over faces
We wear masks on our genitals
You've heard of lighting cigarettes with banknotes we used to light ours with Jews
History is made of bricks you can't go through it
And bricks are made of bones and blood and
Bones and blood are made of little tiny circles that nothing can go through
Except a piano with rabies
Blood gushes into, not from, our wounds
Vietnamese Cuban African bloods
Constellations of sperm upon our bodies

Far beyond the sunrise and the sunset rises
Heaven, with worlds on worlds that lighten and respond:
Thought can see not thence the goal of hope's surmises
Far beyond.

Night and day have made an everlasting bond
Each with each to hide in yet more deep disguises
Truth, till souls of men that thirst for truth despond.

All that man in pride of spirit slights or prizes,
All the dreams that make him fearful, fain, or fond,
Fade at forethought's touch of life's unknown surprises
Far beyond.

And after all -- and after all,
   Our passionate prayers, and sighs, and tears,
Is life a reckless carnival?
   And are they lost, our golden years?

Ah, no; ah, no; for, long ago,
   Ere time could sear, or care could fret,
There was a youth called Romeo,
   There was a maid named Juliet.

The players of the past are gone;
   The races rise; the races pass;
And softly over all is drawn
   The quiet Curtain of the Grass.

On the sunset borders of the mountains I stray,
Of a dear home dreaming 'yond the snow peaks far away,
While the bubbling brook beside me goes dancing along,
As it seeks the "Golden Gate" of the ocean blue;
And a lone bird murmurs in the bush-top his song--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

Tra la la la, la la la la
From mate to mate the carol rings:
Tra la la la, la la la la!
la la la la
A thousand valleys through;
Yet the lone bird sorrows as he plaintively sings--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall­
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream.

It sunk, and I am wrapt in utter gloom;
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ?
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread!

(For a picture by Duncan Walker)

Lady, light in the east hangs low,
Draw your veils of dream apart,
Under the casement stands Pierrot
Making a song to ease his heart.
(Yet do not break the song too soon--
I love to sing in the paling moon.)

The petals are falling, heavy with dew,
The stars have fainted out of the sky,
Come to me, come, or else I too,
Faint with the weight of love will die.
(She comes--alas, I hoped to make
Another stanza for her sake!)

Since I don't know who will be reading
this or even if it will be read, I must
invent someone on the other end
of eternity, a distant cousin laboring
under the same faint stars I labored
all those unnumbered years ago. I make you
like me in everything I can -- a man
or woman in middle years who having
lost whatever faiths he held goes on
with only the faith that even more
will be lost. Like me a wanderer,
someone with a taste for coastal towns
sparkling in the cold winter sun, boardwalks

A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.

Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.

Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,

-- I am a gentleman in a dustcoat trying
To make you hear. Your ears are soft and small
And listen to an old man not at all,
They want the young men's whispering and sighing.
But see the roses on your trellis dying
And hear the spectral singing of the moon;
For I must have my lovely lady soon,
I am a gentleman in a dustcoat trying.

-- I am a lady young in beauty waiting
Until my truelove comes, and then we kiss.
But what grey man among the vines is this
Whose words are dry and faint as in a dream?