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On The Farm

There was Dai Puw. He was no good.
They put him in the fields to dock swedes,
And took the knife from him, when he came home
At late evening with a grin
Like the slash of a knife on his face.

There was Llew Puw, and he was no good.
Every evening after the ploughing
With the big tractor he would sit in his chair,
And stare into the tangled fire garden,
Opening his slow lips like a snail.

There was Huw Puw, too. What shall I say?
I have heard him whistling in the hedges
On and on, as though winter

On the Disastrous Spread of Aestheticism in all Classes

Impetuously I sprang from bed,
Long before lunch was up,
That I might drain the dizzy dew
From the day's first golden cup.

In swift devouring ecstasy
Each toil in turn was done;
I had done lying on the lawn
Three minutes after one.

For me, as Mr. Wordsworth says,
The duties shine like stars;
I formed my uncle's character,
Decreasing his cigars.

But could my kind engross me? No!
Stern Art-what sons escape her?
Soon I was drawing Gladstone's nose
On scraps of blotting paper.

On the desert

On the desert
A silence from the moon's deepest valley.
Fire rays fall athwart the robes
Of hooded men, squat and dumb.
Before them, a woman
Moves to the blowing of shrill whistles
And distant thunder of drums,
While mystic things, sinuous, dull with terrible colour,
Sleepily fondle her body
Or move at her will, swishing stealthily over the sand.
The snakes whisper softly;
The whispering, whispering snakes,
Dreaming and swaying and staring,
But always whispering, softly whispering.

On the Death of Swinburne

He trod the earth but yesterday,
And now he treads the stars.
He left us in the April time
He praised so often in his rhyme,
He left the singing and the lyre and went his way.

He drew new music from our tongue,
A music subtly wrought,
And moulded words to his desire,
As wind doth mould a wave of fire;
From strangely fashioned harps slow golden tones he wrung.

I think the singing understands
That he who sang is still,
And Iseult cries that he is dead, --
Does not Dolores bow her head

On The Death Of Sir Thomas Lea

You that affright with lamentable notes
The servants from their beef, whose hungry throats
Vex the grume porter's surly conscience:
That blesse the mint for coyning lesse than pence:
You whose unknown and meanly payd desarts
Begge silently within, and knocke at hearts:
You whose commanding worth makes men beleeve
That you a kindnesse give when you receave:
All sorts of them that want, your tears now lend:
A House-keeper, a Patron, and a Friend
Is lodged in clay. The man whose table fedde
So many while he lived, since hee is dead,

On the Death of Mr. Crashaw

Poet and Saint! to thee alone are given
The two most sacred names of earth and heaven,
The hard and rarest union which can be
Next that of godhead with humanity.
Long did the Muses banish'd slaves abide,
And built vain pyramids to mortal pride;
Like Moses thou (though spells and charms withstand)
Hast brought them nobly home back to their Holy Land.

Ah wretched we, poets of earth! but thou
Wert living the same poet which thou'rt now.
Whilst angels sing to thee their airs divine,

On Seeing Larry Rivers' Washington Crossing The Delaware At The Museum Of Modern Art

Now that our hero has come back to us
in his white pants and we know his nose
trembling like a flag under fire,
we see the calm cold river is supporting
our forces, the beautiful history.

To be more revolutionary than a nun
is our desire, to be secular and intimate
as, when sighting a redcoat, you smile
and pull the trigger. Anxieties
and animosities, flaming and feeding

on theoretical considerations and
the jealous spiritualities of the abstract
the robot? they're smoke, billows above
the physical event. They have burned up.

On Reading Omar Khayyam

[During an anti-saloon campaign, in central Illinois.]


In the midst of the battle I turned,
(For the thunders could flourish without me)
And hid by a rose-hung wall,
Forgetting the murder about me;
And wrote, from my wound, on the stone,
In mirth, half prayer, half play: —
"Send me a picture book,
Send me a song, to-day."

I saw him there by the wall
When I scarce had written the line,
In the enemy's colors dressed
And the serpent-standard of wine
Writhing its withered length

On Mr. G. Herbert's Book, Entitled the Temple of Sacred Poe

Know you fair, on what you look;
Divinest love lies in this book,
Expecting fire from your eyes,
To kindle this his sacrifice.
When your hands untie these strings,
Think you'have an angel by th' wings.
One that gladly will be nigh,
To wait upon each morning sigh.
To flutter in the balmy air
Of your well-perfumed prayer.
These white plumes of his he'll lend you,
Which every day to heaven will send you,
To take acquaintance of the sphere,
And all the smooth-fac'd kindred there.

On Imagination

THY various works, imperial queen, we see,
How bright their forms! how deck'd with pomp
by thee!
Thy wond'rous acts in beauteous order stand,
And all attest how potent is thine hand.
From Helicon's refulgent heights attend,
Ye sacred choir, and my attempts befriend:
To tell her glories with a faithful tongue,
Ye blooming graces, triumph in my song.
Now here, now there, the roving Fancy flies,
Till some lov'd object strikes her wand'ring eyes,
Whose silken fetters all the senses bind,
And soft captivity involves the mind.