Red o’er the forest peers the setting sun;
The line of yellow light dies fast away
That crown’d the eastern copse; and chill and dun
Falls on the moor the brief November day.

Now the tired hunter winds a parting note,
And Echo bids good-night from every glade;
Yet wait awhile and see the calm leaves float
Each to his rest beneath their parent shade.

How like decaying life they seem to glide
And yet no second spring have they in store;
And where they fall, forgotten to abide
Is all their portion, and they ask no more.

nothing special
boards paint
nails paste
paper string

mr artist
builds a world
not from atoms
but from remnants

forest of arden
from umbrella
ionian sea
from parkers quink

just as long as
his look is wise
just as long as
his hand is sure -

and presto the world -

hooks of flowers
on needles of grass
clouds of wire
drawn out by the wind

Not Iris in her pride and bravery
Adorns her arch with such variety;
Nor doth the Milk-white Way in frosty night
Appear so fair and beautiful in sight,
As do these fields and groves and sweetest bowers
Bestrewed and decked with parti-coloured flowers.
Along the bubbling brooks and silver glide,
That at the bottom doth in silence slide,
The water-flowers and lilies on the banks
Like blazing comets burgeon all in ranks;
Under the hawthorn and the poplar tree,
Where sacred Phoebe may delight to be,

Not from this anger, anticlimax after
Refusal struck her loin and the lame flower
Bent like a beast to lap the singular floods
In a land strapped by hunger
Shall she receive a bellyful of weeds
And bear those tendril hands I touch across
The agonized, two seas.
Behind my head a square of sky sags over
The circular smile tossed from lover to lover
And the golden ball spins out of the skies;
Not from this anger after
Refusal struck like a bell under water
Shall her smile breed that mouth, behind the mirror,

There was an apple tree in the yard --
this would have been
forty years ago -- behind,
only meadows. Drifts
of crocus in the damp grass.
I stood at that window:
late April. Spring
flowers in the neighbor's yard.
How many times, really, did the tree
flower on my birthday,
the exact day, not
before, not after? Substitution
of the immutable
for the shifting, the evolving.
Substitution of the image
for relentless earth. What
do I know of this place,
the role of the tree for decades
taken by a bonsai, voices

Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.

Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags

Dosn't thou 'ear my 'erse's legs, as they canters awaäy?
Proputty, proputty, proputty--that's what I 'ears 'em saäy.
Proputty, proputty, proputty--Sam, thou's an ass for thy paaïns:
Theer's moor sense i' one o' 'is legs, nor in all thy braaïns.
Woä--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eäther a man or a mouse?
Time to think on it then; for thou'll be twenty to weeäk.
Proputty, proputty--woä then, woä--let ma 'ear mysén speäk.

In Memoriam: Robert Lowell

I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce. It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse¹s tail.

The islands haven't shifted since last summer,
even if I like to pretend they have--
drifting, in a dreamy sort of way,
a little north, a little south, or sidewise--
and that they¹re free within the blue frontiers of bay.

This month our favorite one is full of flowers:

O sweet are tropic lands for waking dreams!
There time and life move lazily along.
There by the banks of blue-and-silver streams
Grass-sheltered crickets chirp incessant song,
Gay-colored lizards loll all through the day,
Their tongues outstretched for careless little flies,
And swarthy children in the fields at play,
Look upward laughing at the smiling skies.
A breath of idleness is in the air
That casts a subtle spell upon all things,
And love and mating-time are everywhere,
And wonder to life's commonplaces clings.

CALM and fair
Flows the stream of Nora’s life,
Moving with a lazy air
Far from strife.

Goddesses
Must have looked from just such eyes,
Full of still felicities,—
No surprise,

No endeavour
(For endeavour mars perfection),
And, one almost fancies, never
Strong affection.

Far too cold
Seems that face for dream of mine,
Though, if set in sculptured mould,
How divine!

As she stands