49

Go thou to Rome,--at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise,
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;

50

And gray walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;

Near where I live there is a lake
As blue as blue can be, winds make
It dance as they go blowing by.
I think it curtseys to the sky.

It's just a lake of lovely flowers
And my Mamma says they are ours;
But they are not like those we grow
To be our very own, you know.

We have a splendid garden, there
Are lots of flowers everywhere;
Roses, and pinks, and four o'clocks
And hollyhocks, and evening stocks.

Mamma lets us pick them, but never
Must we pick any gentians -- ever!
For if we carried them away

These broken lines for pardon crave;
I cannot end the song with art:
My grief is gray and old—her grave
Is dug so deep within my heart.

I.—Her Last Day
IT was a day of sombre heat:
The still, dense air was void of sound
And life; no wing of bird did beat
A little breeze through it—the ground
Was like live ashes to the feet.
From the black hills that loomed around
The valley many a sudden spire
Of flame shot up, and writhed, and curled,
And sank again for heaviness:
And heavy seemed to men that day

I

Tuscara! thou art lovely now,
Thy woods, that frown'd in sullen strength
Like plumage on a giant's brow,
Have bowed their massy pride at length.
The rustling maize is green around,
The sheep is in the Congar's bed;
And clear the ploughman's whistlings sound
Where war-whoop's pealed o'er mangled dead.
Fair cots around thy breast are set,
Like pearls upon a coronet;
And in Aluga's vale below
The gilded grain is moving slow
Like yellow moonlight on the sea,
Where waves are swelling peacefully;

When Nature tries her finest touch,
Weaving her vernal wreath,
Mark ye, how close she veils her round,
Not to be traced by sight or sound,
Nor soiled by ruder breath?

Who ever saw the earliest rose
First open her sweet breast?
Or, when the summer sun goes down,
The first soft star in evening's crown
Light up her gleaming crest?

Fondly we seek the dawning bloom
On features wan and fair,
The gazing eye no change can trace,
But look away a little space,
Then turn, and lo! 'tis there.

I

LOVE'S DAWN


Still thine eyes haunt me; in the darkness now,
The dreamtime, the hushed stillness of the night,
I see them shining pure and earnest light;
And here, all lonely, may I not avow
The thrill with which I ever meet their glance?
At first they gazed a calm abstracted gaze,
The while thy soul was floating through some maze
Of beautiful divinely-peopled trance;
But now I shrink from them in shame and fear,
For they are gathering all their beams of light
Into an arrow, keen, intense and bright,

I've tinkered at my bits of rhymes
In weary, woeful, waiting times;
In doleful hours of battle-din,
Ere yet they brought the wounded in;
Through vigils of the fateful night,
In lousy barns by candle-light;
In dug-outs, sagging and aflood,
On stretchers stiff and bleared with blood;
By ragged grove, by ruined road,
By hearths accurst where Love abode;
By broken altars, blackened shrines
I've tinkered at my bits of rhymes.
II
I've solaced me with scraps of song
The desolated ways along:
Through sickly fields all shrapnel-sown,

The shower of moonlight falls as still and clear
Upon this desert main
As where sweet flowers some pastoral garden cheer
With fragrance after rain:
The wild winds rustle in piping shrouds,
As in the quivering trees:
Like summer fields, beneath the shadowy clouds
The yielding waters darken in the breeze.

Thou too art here with thy soft inland tones,
Mother of our new birth;
The lonely ocean learns thy orisons,
And loves thy sacred mirth:
When storms are high, or when the fires of war

A gallant knight and his betroth'd bride,
Were walking one day by a river side,
They talk'd of love, and they talk'd of war,
And how very foolish lovers are.

At length the bride to the knight did say,
'There have been many young ladies led astray
By believing in all their lovers said,
And you are false to me I am afraid.'

'No, Ellen, I was never false to thee,
I never gave thee cause to doubt me;
I have always lov'd thee and do still,
And no other woman your place shall fill.'

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,