A man, professing to be a hermit in the desert of Syria, attended for years to his devotions and subsisted on the leaves of trees.

Brilliant, this day – a young virtuoso of a day.
Morning shadow cut by sharpest scissors,
deft hands. And every prodigy of green –
whether it's ferns or lichens or needles
or impatient points of buds on spindly bushes –
greener than ever before. And the way the conifers
hold new cones to the light for the blessing,
a festive right, and sing the oceanic chant the wind
transcribes for them!
A day that shines in the cold
like a first-prize brass band swinging along
the street
of a coal-dusty village, wholly at odds

To walk as you walk, green eye, smiler, not
Even ostentatiously alone but simply
Alone ... arching the back in courteous discourtesy,
Gathering the body as a dancer before an unworthy
Audience, treading earth scantly - a task to be done
And done with, girt (curt introvert) for private
Precise avoidance of the undesired,
Pride-attired, generalissimo
Knife-eyed, bisector of moonshine with indigo
Shadow, scorner of earth-floor, flaunter of
Steel-hard sickle curve against the sky ... !


Submitted by Stephen Fryer

I'D wed you without herds, without money or rich array,
And I'd wed you on a dewy morn at day-dawn gray;
My bitter woe it is, love, that we are not far away
In Cashel town, tho' the bare deal board were our marriage-bed this
day!

O fair maid, remember the green hill-side,
Remember how I hunted about the valleys wide;
Time now has worn me; my locks are turn'd to gray;
The year is scarce and I am poor--but send me not, love, away!

O deem not my blood is of base strain, my girl;
O think not my birth was as the birth of a churl;

I’D wed you without herds, without money or rich array,
And I’d wed you on a dewy morn at day-dawn gray;
My bitter woe it is, love, that we are not far away
In Cashel town, tho’ the bare deal board were our marriage-
bed this day!
O fair maid, remember the green hill-side,
Remember how I hunted about the valleys wide;
Time now has worn me; my locks are turn’d to gray;
They year is scarce and I am poor—but send me not, love,
away!
O deem not my blood is of base strain, my girl;
O think not my birth was as the birth of a churl;

Trees in the old days used to stand
And shape a shady lane
Where lovers wandered hand in hand
Who came from Carentan.

This was the shining green canal
Where we came two by two
Walking at combat-interval.
Such trees we never knew.

The day was early June, the ground
Was soft and bright with dew.
Far away the guns did sound,
But here the sky was blue.

The sky was blue, but there a smoke
Hung still above the sea
Where the ships together spoke
To towns we could not see.

Could you have seen us through a glass

Father is quite the greatest poet
    That ever lived anywhere.
You say you’re going to write great music—
    I chose that first: it’s unfair.
Besides, now I can’t be the greatest painter and
        do Christ and angels, or lovely pears
        and apples and grapes on a green dish,
        or storms at sea, or anything lovely,
Because that’s been taken by Claire.

Blue and gold, and mist and sunlight,
Veils of colour blent and blown
In melodic monotone.
Dark and bright, and white and dun light
Clash and flash, as into one light
Trembling thro’ an opal stone,
Over green robes of the mountain
And the blue skirts of the sea,
Spreading from a sacred fountain
Hymeneal harmony.

Drums and trumpets of the ocean,
Oboe spirits of the wind,
Violins of forest kind,
Flutes that breathe the trees’ devotion,
Blending, hymn the joyous motion

Leafy-with-love banks and the green waters of the canal
Pouring redemption for me, that I do
The will of God, wallow in the habitual, the banal,
Grow with nature again as before I grew.
The bright stick trapped, the breeze adding a third
Party to the couple kissing on an old seat,
And a bird gathering materials for the nest for the Word
Eloquently new and abandoned to its delirious beat.
O unworn world enrapture me, encapture me in a web
Of fabulous grass and eternal voices by a beech,
Feed the gaping need of my senses, give me ad lib

What can I tell you that you don't know
that will make you tremble again?

Forsythia
by the roadside, by
wet rocks, on the embankments
underplanted with hyacinth --

For ten years I was happy.
You were there; in a sence,
you were always with me, the house, the garden
constrantly lit,
not with lights as we have in the sky
but with those emblems of light
which are more powerful, being
implicitly some earthly
thing transformed --

And all of it vanished,
reabsorbed into impassive process. Then