WHEN the hounds of spring are on winter's traces,
   The mother of months in meadow or plain
Fills the shadows and windy places
   With lisp of leaves and ripple of rain;
And the brown bright nightingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces.
   The tongueless vigil, and all the pain.

Come with bows bent and with emptying of quivers,
   Maiden most perfect, lady of light,
With a noise of winds and many rivers,

from Atalanta in Calydon

When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.

Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might;

Give away her gowns,
Give away her shoes;
She has no more use
For her fragrant gowns;
Take them all down,
Blue, green, blue,
Lilac, pink, blue,
From their padded hangers;
She will dance no more
In her narrow shoes;
Sweep her narrow shoes
From the closet floor.

I

A dream of interlinking hands, of feet
Tireless to spin the unseen, fairy woof
Of the entangling waltz. Bright eyebeams meet,
Gay laughter echoes from the vaulted roof.
Warm perfumes rise; the soft unflickering glow
Of branching lights sets off the changeful charms
Of glancing gems, rich stuffs, the dazzling snow
Of necks unkerchieft, and bare, clinging arms.
Hark to the music! How beneath the strain
Of reckless revelry, vibrates and sobs
One fundamental chord of constant pain,

Thirty feet from my windows,
an old kennel-wire fence
thickly grown over with honeysuckle,
poison ivy, and wild roses
just beginning to open
into the loose sort of droopy garlands
an aesthetic young farmer
might drape around Elsie
or Dobbin.

....................Where the wire ends
and the knotted up, spiraling vines
paw toward more light, six slim
grey trunks of chokecherry
feather into leaves and
clusters of blossoming fronds
that lift and fall with the breeze
like diminutive mare's tails

I

The bitterness. the misery, the wretchedness of childhood
Put me out of love with God.
I can't believe in God's goodness;
I can believe
In many avenging gods.
Most of all I believe
In gods of bitter dullness,
Cruel local gods
Who scared my childhood.

II

I've seen people put
A chrysalis in a match-box,
"To see," they told me, "what sort of moth would come."
But when it broke its shell
It slipped and stumbled and fell about its prison
And tried to climb to the light

Alone on the railroad track
I walked with pounding heart.
The ties were too close together
or maybe too far apart.

The scenery was impoverished:
scrub-pine and oak; beyond
its mingled gray-green foliage
I saw the little pond

where the dirty old hermit lives,
lie like an old tear
holding onto its injuries
lucidly year after year.

The hermit shot off his shot-gun
and the tree by his cabin shook.
Over the pond went a ripple
The pet hen went chook-chook.

"Love should be put into action!"

She walks as lightly as the fly
Skates on the water in July.

To hear her moving petticoat
For me is music's highest note.

Stones are not heard, when her feet pass,
No more than tumps of moss or grass.

When she sits still, she's like the flower
To be a butterfly next hour.

The brook laughs not more sweet, when he
Trips over pebbles suddenly.
My Love, like him, can whisper low --
When he comes where green cresses grow.

She rises like the lark, that hour
He goes halfway to meet a shower.

An illustrious scholar, who was the tutor of a royal prince, had the habit of striking him unceremoniously and treating him severely. The boy, who could no longer bear this violence, went to his father to complain and when he had taken off his coat, the father’s heart was moved with pity. Accordingly he called for the tutor and said: ‘Thou dost not permit thyself to indulge in so much cruelty towards the children of my subjects as thou inflictest upon my son.

In the exuberance of youth, as it usually happens and as thou knowest, I was on the closest terms of intimacy with a sweetheart who had a melodious voice and a form beautiful like the moon just rising.

He, the down of whose cheek drinks the water of immortality,
Whoever looks at his sugar lips eats sweetmeats.

I happened to notice something in his behaviour which was contrary to nature and not approved of by me. Accordingly I gathered up my skirt from him and, picking up the pieces of the chess-game of friendship, recited: