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Constancy

I cannot change, as others do,
Though you unjustly scorn;
Since that poor swain, that sighs for you
For you alone was born.
No, Phyllis, no, your heart to move
A surer way I'll try:
And to revenge my slighted love,
Will still love on, will still love on, and die.

When, kill'd with grief, Amyntas lies;
And you to mind shall call
The sighs that now unpitied rise;
The tears that vainly fall:
That welcome hour that ends this smart,
Will then begin your pain;
For such a faithful, tender heart

Confetti In The Wind

I

He wrote a letter in his mind
To answer one a maid had sent;
He sought the fitting word to find,
As on by hill and rill he went.
By bluebell wood and hawthorn lane,
The cadence sweet and silken phrase
He incubated in his brain
For days and days.
II
He wrote his letter on a page
Of paper with a satin grain;
It did not ring, so in a rage
He tore it up and tried again.
Time after time he drafted it;
He polished it all through the night;

Comfort of the Fields

What would'st thou have for easement after grief,
When the rude world hath used thee with despite,
And care sits at thine elbow day and night,
Filching thy pleasures like a subtle thief?
To me, when life besets me in such wise,
'Tis sweetest to break forth, to drop the chain,
And grasp the freedom of this pleasant earth,
To roam in idleness and sober mirth,
Through summer airs and summer lands, and drain
The comfort of wide fields unto tired eyes.

By hills and waters, farms and solitudes,

Comfort In Tears

How happens it that thou art sad,

While happy all appear?
Thine eye proclaims too well that thou

Hast wept full many a tear.

"If I have wept in solitude,

None other shares my grief,
And tears to me sweet balsam are,

And give my heart relief."

Thy happy friends invite thee now,--

Oh come, then, to our breast!
And let the loss thou hast sustain'd

Be there to us confess'd!

"Ye shout, torment me, knowing not

What 'tis afflicteth me;
Ah no! I have sustained no loss,

Clown in the Moon

My tears are like the quiet drift
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.

I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.

Circe's Grief

In the end, I made myself
Known to your wife as
A god would, in her own house, in
Ithaca, a voice
Without a body: she
Paused in her weaving, her head turning
First to the right, then left
Though it was hopeless of course
To trace that sound to any
Objective source: I doubt
She will return to her loom
With what she knows now. When
You see her again, tell her
This is how a god says goodbye:
If I am in her head forever
I am in your life forever.

Christ's Triumph after Death excerpts

I
But now the second Morning, from her bow'r,
Began to glister in her beams, and now
The roses of the day began to flow'r
In th' eastern garden; for Heav'ns smiling brow
Half insolent for joy begun to show:
The early Sun came lively dancing out,
And the brag lambs ran wantoning about,
That heav'n, and earth might seem in triumph both to shout.


II
Th' engladded Spring, forgetfull now to weep,
Began t' eblazon from her leafy bed,
The waking swallow broke her half-year's sleep,

Christmas Antiphones

I -- In Church

Thou whose birth on earth
Angels sang to men,
While thy stars made mirth,
Saviour, at thy birth,
This day born again;

As this night was bright
With thy cradle-ray,
Very light of light,
Turn the wild world's night
To thy perfect day.

God whose feet made sweet
Those wild ways they trod,
From thy fragrant feet
Staining field and street
With the blood of God;

God whose breast is rest
In the time of strife,
In thy secret breast
Sheltering souls opprest

Chorus from 'Atalanta

WHEN the hounds of spring are on winter's traces,
   The mother of months in meadow or plain
Fills the shadows and windy places
   With lisp of leaves and ripple of rain;
And the brown bright nightingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces.
   The tongueless vigil, and all the pain.

Come with bows bent and with emptying of quivers,
   Maiden most perfect, lady of light,
With a noise of winds and many rivers,

Chorus

from Atalanta in Calydon

When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.

Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might;