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Death And Birth

Death and birth should dwell not near together:
Wealth keeps house not, even for shame, with dearth:
Fate doth ill to link in one brief tether
Death and birth.

Harsh the yoke that binds them, strange the girth
Seems that girds them each with each: yet whether
Death be best, who knows, or life on earth?

Ill the rose-red and the sable feather
Blend in one crown's plume, as grief with mirth:
Ill met still are warm and wintry weather,
Death and birth.

Dear Doctor, I have Read your Play

Dear Doctor, I have read your play,
Which is a good one in its way,
Purges the eyes, and moves the bowels,
And drenches handkerchiefs like towels
With tears that, in a flux of grief,
Afford hysterical relief
To shatter'd nerves and quicken'd pulses,
Which your catastrophe convulses.
I like your moral and machinery;
Your plot, too, has such scope for scenery!
Your dialogue is apt and smart;
The play's concoction full of art;
Your hero raves, your heroine cries,
All stab, and everybody dies;
In short, your tragedy would be

Dead Love

Mother of the unfortunate, mystic form,
Who calm, immutable, like oldest fate,
Sittest, where through the sombre swinging gate
Moans immemorial life's encircling storm.
My heart, sore stricken by grief's leaden arm,
Lags like a weary pilgrim knocking late,
And sigheth--toward thee staggering with its weight--
Behold Love conquered by thy son, the worm!

He stung him mid the roses' purple bloom,
The Rose of roses, yea, a thing so sweet,
Haply to stay blind Change's flying feet,
And stir with pity the unpitying tomb.

Dark Trinity

I

Said I to Pain: "You would not dare
Do ill to me."
Said Pain: "Poor fool! Why should I care
Whom you may be?
To clown and king alike I bring
My meed of bane;
Why should you shirk my chastening?"
Said Pain.
II
Said I to Grief: "No tears have I,
Go on your way."
Said Grief: "Why should I pass you by,
While others pay?
All men must know the way of woe,
From saint to thief,

Cupid Sleeping

[Inscribed to Her Grace the Duchess of Devonshire.]


CLOSE in a woodbine's tangled shade,
The BLOOMING GOD asleep was laid;
His brows with mossy roses crown'd;
His golden darts lay scatter'd round;
To shade his auburn, curled head,
A purple canopy was spread,
Which gently with the breezes play'd,
And shed around a soften'd shade.
Upon his downy smiling cheek,
Adorned with many a "dimple sleek,"
Beam'd glowing health and tender blisses,
His coral lip which teem'd with kisses
Ripe, glisten'd with ambrosial dew,

Croma

Malvina, the daughter of Toscar, is overheard by Ossian lamenting the death of Oscar her lover. Ossian, to divert her grief, relates his own actions in expedition which he undertook, at Fingal's command, to aid Crothar the petty king of Croma, a country in Ireland, against Rothmar, who invaded his dominions. The story is delivered down thus in tradition. Crothar, king of Croma, being blind with age, and his son too young for the field, Rothmar, the chief of Tromo resolved to avail himself of the opportunity offered of annexing the dominions of Crothar to his own.

Consumption

Ay, thou art for the grave; thy glances shine
Too brightly to shine long; another Spring
Shall deck her for men's eyes---but not for thine---
Sealed in a sleep which knows no wakening.
The fields for thee have no medicinal leaf,
And the vexed ore no mineral of power;
And they who love thee wait in anxious grief
Till the slow plague shall bring the final hour.
Glide softly to thy rest then; Death should come
Gently, to one of gentle mould like thee,
As light winds wandering through groves of bloom

Consummation Of Grief

I even hear the mountains
the way they laugh
up and down their blue sides
and down in the water
the fish cry
and the water
is their tears.
I listen to the water
on nights I drink away
and the sadness becomes so great
I hear it in my clock
it becomes knobs upon my dresser
it becomes paper on the floor
it becomes a shoehorn
a laundry ticket
it becomes
cigarette smoke
climbing a chapel of dark vines. . .
it matters little
very little love is not so bad
or very little life
what counts

Constancy

I

I cannot change, as others do,
Though you unjustly scorn;
Since that poor swain, that sighs for you
For you alone was born.
No, Phyllis, no, your heart to move
A surer way I'll try:
And to revenge my slighted love,
Will still love on, will still love on, and die.
II
When, kill'd with grief, Amyntas lies;
And you to mind shall call
The sighs that now unpitied rise;
The tears that vainly fall:
That welcome hour that ends this smart,
Will then begin your pain;
For such a faithful, tender heart