history

Here in my heart I am Helen;
I'm Aspasia and Hero, at least.
I'm Judith, and Jael, and Madame de Stael;
I'm Salome, moon of the East.

Here in my soul I am Sappho;
Lady Hamilton am I, as well.
In me Recamier vies with Kitty O'Shea,
With Dido, and Eve, and poor Nell.

I'm of the glamorous ladies
At whose beckoning history shook.
But you are a man, and see only my pan,
So I stay at home with a book.

'The play's the thing!'-- Hamlet.

Tavistock Hotel, Nov. 1839.
Dear Charles,
-- In reply to your letter, and Fanny's,
Lord Brougham, it appears, isn't dead,-- though Queen Anne is;
'Twas a 'plot' and a 'farce'-- you hate farces, you say --
Take another 'plot,' then, viz. the plot of a Play.

The Countess of Arundel, high in degree,
As a lady possess'd of an earldom in fee,
Was imprudent enough at fifteen years of age,
A period of life when we're not over sage,

A small striped sleeve in her lap,
navy and white,
needles carefully whipping in yarn
from two sides.
She reminds me of the wide-angled women
filled with calm
I pretended I was related to
in crowds.

In the next seat
a yellow burst of wool
grows into a hat with a tassel.
She looks young to crochet.
I'm glad history isn't totally lost.
Her silver hook dips gracefuly.

And when's the last time you saw
anyone sew a pocket onto a gray linen shirt
in public?

Let pious Damon take his seat,
With mincing step and languid smile,
And scatter from his 'kerchief sweet,
Sabaean odours o'er the aisle;
And spread his little jewelled hand,
And smile round all the parish beauties,
And pat his curls, and smooth his band,
Meet prelude to his saintly duties.

Let the thronged audience press and stare,
Let stifled maidens ply the fan,
Admire his doctrines, and his hair,
And whisper, "What a good young man!"
While he explains what seems most clear,

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .

I

At the gate of the West I stand,
On the isle where the nations throng.
We call them "scum o' the earth";

Stay, are we doing you wrong,
Young fellow from Socrates' land? --
You, like a Hermes so lissome and strong
Fresh from the Master Praxiteles' hand?
So you're of Spartan birth?
Descended, perhaps, from one of the band --
Deathless in story and song --
Who combed their long hair at Thermopylae's pass?
Ah, I forget the straits, alas!
More tragic than theirs, more compassion-worth,

For Lucy, who called them "ghost houses."


Someone was always leaving
and never coming back.
The wooden houses wait like old wives
along this road; they are everywhere,
abandoned, leaning, turning gray.

Someone always traded
the lonely beauty
of hemlock and stony lakeshore
for survival, packed up his life
and drove off to the city.
In the yards the apple trees
keep hanging on, but the fruit
grows smaller year by year.

When we come this way again

Saturday night in the crowded town;
Pleasure and pain going up and down,
Murmuring low on the ear there beat
Echoes unceasing of voice and feet.
Withered age, with its load of care,
Come in this tumult of life to share,
Childhood glad in its radiance brief,
Happiest-hearted or bowed with grief,
Meet alike, as the stars look down
Week by week on the crowded town.

~And in a kingdom of mystery,
Rapt from this weariful world to see
Magic sights in the yellow glare,

The city is closing for the night.
Stores draw their blinds one by one,
and it's dark again, save for the dim

infrequent streetlight bending at the neck
like a weighted stem. Years have built
the city in layers: balustrades filled in

with brick, adobe reinforced with steel,
and the rounded arches smoothed
with white cement. Neighborhoods

have changed the burro trails
to streets, bare at night—
no pedestrians, no cars, no dogs.

With daylight, the houses turned galleries

In Havana in 1948 I ate fried dog
believing it was Peking duck. Later,
in Tampa I bunked with an insane sailor
who kept a .38 Smith and Wesson in his shorts.
In the same room were twins, oilers
from Toledo, who argued for hours
each night whose turn it was
to get breakfast and should he turn
the eggs or not. On the way north
I lived for three days on warm water
in a DC-6 with a burned out radio
on the runway at Athens, Georgia. We sang
a song, "Georgia's Big Behind," and prayed