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Rubaiyat 02

Pick up the joy giving wine and come hither.
Temptations of mean foes decline and come hither.
Don’t listen to the one who says sit down and stay;
Listen to me, pick up the line and come hither.

Rosalind and Helen a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?

Room 5 The Concert Singer

I'm one of these haphazard chaps
Who sit in cafes drinking;
A most improper taste, perhaps,
Yet pleasant, to my thinking.
For, oh, I hate discord and strife;
I'm sadly, weakly human;
And I do think the best of life
Is wine and song and woman.

Now, there's that youngster on my right
Who thinks himself a poet,
And so he toils from morn to night
And vainly hopes to show it;
And there's that dauber on my left,
Within his chamber shrinking --
He looks like one of hope bereft;
He lives on air, I'm thinking.

Ripley

Rich in red honors, that upon him lie
As lightly as the Summer dews
Fall where he won his fame beneath the sky
Of tropic Vera Cruz;

Bold scorner of the cant that has its birth
In feeble or in failing powers;
A lover of all frank and genial mirth
That wreathes the sword with flowers;

He moves amid the warriors of the day,
Just such a soldier as the art
That builds its trophies upon human clay
Moulds of a cheerful heart.

I see him in the battle that shall shake,
Ere long, old Sumter's haughty crown,

Ripe Fruit

Through eyelet holes I watched the crowd
Rain of confetti fling;
Their joy is lush, their laughter loud,
For Carnival is King.
Behind his chariot I pace
To ean my petty pay;
They laugh to see my monster face:
"Ripe Fruit," I hear them say.

I do not laugh: my shoulders sag;
No heart have I for glee,
Because I hold aloft a hag
Who grins enough for me;
A hideous harridan who bears
In crapulous display,
Like two grub-eaten mouldy pears
Her bubbies on a tray.

Ripe Fruit! Oh, God! It's hell to think

Rinaldo

CHORUS.

To the strand! quick, mount the bark!

If no favouring zephyrs blow,

Ply the oar and nimbly row,
And with zeal your prowess mark!

O'er the sea we thus career.

RINALDO.


Oh, let me linger one short moment here!
'Tis heaven's decree, I may not hence away.
The rugged cliffs, the wood-encircled bay,
Hold me a prisoner, and my flight delay.

Ye were so fair, but now that dream is o'er;
The charms of earth, the charms of heaven are nought.
What keeps me in this spot so terror-fraught?

Rime 104

O night to me more splendid and more blessed
Than the most blessed and most splendid of days,
Night worthy of the most exalted praise,
Not just of mine, unworthy and distressed,

You alone have been the faithful giver
Of all my joys; you've made the bitter taste
Of this life sweet and dear, for you've replaced
Within my arms the one who's bound me ever.

I just regret that I did not become
Lucky Alemena then, for whom the dawn
Postponed, against all custom, its returning,
But I can never say such good has come

Reuben Pantier

Well, Emily Sparks, your prayers were not wasted,
Your love was not all in vain.
I owe whatever I was in life
To your hope that would not give me up,
To your love that saw me still as good.
Dear Emily Sparks, let me tell you the story.
I pass the effect of my father and mother;
The milliner's daughter made me trouble
And out I went in the world,
Where I passed through every peril known
Of wine and women and joy of life.
One night, in a room in the Rue de Rivoli,
I was drinking wine with a black-eyed cocotte,