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Salvage

Guns on the battle lines have pounded now a year
between Brussels and Paris.
And, William Morris, when I read your old chapter on
the great arches and naves and little whimsical
corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
you're down in the damp and mouldy, only a memory
instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
shape of those stones piled and carved for you to

Sailor Son

When you come home I'll not be round
To welcome you.
They'll take you to a grassy mound
So neat and new;
Where I'll be sleeping--O so sound!
The ages through.

I'll not be round to broom the hearth,
To feed the chicks;
And in the wee room of your birth
Your bed to fix;
Rose room that knew your baby mirth
Your tiny tricks.

I'll not be round . . . The garden still
With bees will hum;
To cheerful you the throstle's bill
Will not be dumb;

Sadness and Joy

I pray you, Sadness, leave me soon,
In sweet invention thou art poor!
Thy sister, Joy can make ten songs
While thou art making four.

One hour with thee is sweet enough;
But when we find the whole day gone
And no created thing is left --
We mourn the evil done.

Thou art too slow to shape thy thoughts
In stone, on canvas, or in song;
But Joy, being full of active heat,
Must do some deed ere long.

Thy sighs are gentle, sweet thy tears;
But if thou canst not help a man
To prove in substance what he feels --

Sacrifice

I gave an eye to save from night
A babe born blind;
And now with eager semi-sight
Vast joy I find
To think a child can share with me
Earth ecstasy!

Delight of dawn with dewy gleam
On damask rose;
Crimson and gold as pennons stream
Where sunset flows;
And sight most nigh to paradise,
Star-studded skies.

Ah! How in old of age I feel,
E'er end my days,
Could I star-splendoured sky reveal
To childish gaze,

Sable Island

Dark Isle of Mourning--aptly art thou named,
For thou hast been the cause of many a tear;
For deeds of treacherous strife too justly famed,
The Atlantic's charnel--desolate and drear;
A thing none love--though wand'ring thousands fear--
If for a moment rests the Muse's wing
Where through the waves thy sandy wastes appear,
'Tis that she may one strain of horror sing,
Wild as the dashing waves that tempests o'er thee fling.

The winds have been thy minstrels--the rent shrouds

Saadi

Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.

God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;

Run to Death

A True Incident of Pre-Revolutionary French History.


Now the lovely autumn morning breathes its freshness in earth's face,
In the crowned castle courtyard the blithe horn proclaims the chase;
And the ladies on the terrace smile adieux with rosy lips
To the huntsmen disappearing down the cedar-shaded groves,
Wafting delicate aromas from their scented finger tips,
And the gallants wave in answer, with their gold-embroidered gloves.
On they rode, past bush and bramble, on they rode, past elm and oak;