The beauty of the northern dawns,
Their pure, pale light is thine;
Yet all the dreams of tropic nights
Within thy blue eyes shine.
Not statelier in their prisoning seas
The icebergs grandly move,
But in thy smile is youth and joy,
And in thy voice is love.

Thou art like Hecla's crest that stands
So lonely, proud, and high,
No earthly thing may come between
Her summit and the sky.
The sun in vain may strive to melt
Her crown of virgin snow-
But the great heart of the mountain glows
With deathless fire below.

What is unwisdom but the lusting after
Longevity: to be old and full of days!
For the vast and unremitting tide of years
Casts up to view more sorrowful things than joyful;
And as for pleasures, once beyond our prime,
They all drift out of reach, they are washed away.
And the same gaunt bailiff calls upon us all.
Summoning into Darkness, to those wards
Where is no music, dance, or marriage hymn
That soothes or gladdens. To the tenements of Death.

Not to be born is, past all yearning, best.
And second best is, having seen the light.

WHEN the hounds of spring are on winter's traces,
   The mother of months in meadow or plain
Fills the shadows and windy places
   With lisp of leaves and ripple of rain;
And the brown bright nightingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces.
   The tongueless vigil, and all the pain.

Come with bows bent and with emptying of quivers,
   Maiden most perfect, lady of light,
With a noise of winds and many rivers,

from Atalanta in Calydon

When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.

Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might;

Ah! not now, when desire burns, and the wind calls, and the suns of spring
Light-foot dance in the woods, whisper of life, woo me to wayfaring;
Ah! not now should you come, now when the road beckons,
and good friends call,
Where are songs to be sung, fights to be fought, yea! and the best of all,
Love, on myriad lips fairer than yours, kisses you could not give! . . .
Dearest, why should I mourn, whimper, and whine, I that have yet to live?
Sorrow will I forget, tears for the best, love on the lips of you,

Thirty feet from my windows,
an old kennel-wire fence
thickly grown over with honeysuckle,
poison ivy, and wild roses
just beginning to open
into the loose sort of droopy garlands
an aesthetic young farmer
might drape around Elsie
or Dobbin.

....................Where the wire ends
and the knotted up, spiraling vines
paw toward more light, six slim
grey trunks of chokecherry
feather into leaves and
clusters of blossoming fronds
that lift and fall with the breeze
like diminutive mare's tails

Our fathers wrung their bread from stocks and stones
And fenced their gardens with the Redmen's bones;
Embarking from the Nether Land of Holland,
Pilgrims unhouseled by Geneva's night,
They planted here the Serpent's seeds of light;
And here the pivoting searchlights probe to shock
The riotous glass houses built on rock,
And candles gutter by an empty altar,
And light is where the landless blood of Cain
Is burning, burning the unburied grain.

He

Fill your bowl with roses: the bowl, too, have of crystal.
Sit at the western window. Take the sun
Between your hands like a ball of flaming crystal,
Poise it to let it fall, but hold it still,
And meditate on the beauty of your existence;
The beauty of this, that you exist at all.

She

The sun goes down, -- but without lamentation.
I close my eyes, and the stream of my sensation
In this, at least, grows clear to me:
Beauty is a word that has no meaning.
Beauty is naught to me.

He

It's a mighty good world, so it is, dear lass,
When even the worst is said.
There's a smile and a tear, a sigh and a cheer,
But better be living than dead;
A joy and a pain, a loss and a gain;
There's honey and may be some gall:
Yet still I declare, foul weather or fair,
It's a mighty good world after all.
II
For look, lass! at night when I break from the fight,
My Kingdom's awaiting for me;
There's comfort and rest, and the warmth of your breast,
And little ones climbing my knee.

Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.

So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.