light

I want to understand the steep thing
that climbs ladders in your throat.
I can't make sense of you.
Everywhere I look you're there--
a vast landmark, a volcano
poking its head through the clouds,
Gulliver sprawled across Lilliput.

I climb into your eyes, looking.
The pupils are black painted stage flats.
They can be pulled down like window shades.
I switch on a light in your iris.
Your brain ticks like a bomb.

In your offhand, mocking way
you've invited me into your chest.

I

As the blind Milton's memory of light,
The deaf Beethoven's phantasy of tone,
Wroght joys for them surpassing all things known
In our restricted sphere of sound and sight,--
So while the glaring streets of brick and stone
Vix with heat, noise, and dust from morn till night,
I will give rein to Fancy, taking flight
From dismal now and here, and dwell alone
With new-enfranchised senses. All day long,
Think ye 't is I, who sit 'twixt darkened walls,
While ye chase beauty over land and sea?

Can we believe -- by an effort
comfort our hearts:
it is not waste all this,
not placed here in disgust,
street after street,
each patterned alike,
no grace to lighten
a single house of the hundred
crowded into one garden-space.

Crowded -- can we believe,
not in utter disgust,
in ironical play --
but the maker of cities grew faint
with the beauty of temple
and space before temple,
arch upon perfect arch,
of pillars and corridors that led out

And all at length are gathered in.
--LOUISE BOGAN

By the time I came around to feeling pain
and woke up, moonlight
flooded the room. My arm lay paralyzed,
propped up like an old anchor under
your back. You were in a dream,
you said later, where you'd arrived
early for the dance. But after
a moment's anxiety you were okay
because it was really a sidewalk
sale, and the shoes you were wearing,
or not wearing, were fine for that.

Light's patterns freeze:
Frost on our faces.
Light's pollen sifts
Through the lids of our eyes ...

Light sinks and rusts
In water; is broken
By glass ... rests
On deserted dust.

Light lies like torn
Paper in corners:
A rock-pool's pledge
Of the sea's return.

Light, wrenched at the edges
By wind, looks down
At itself in wrinkled
Mirrors from bridges.

Light thinly unweaves
Itself through darkness
Like foam's unknotting
Strings in waves ...

I stood beside the grave of him who blazed
The comet of a season, and I saw
The humblest of all sepulchres, and gazed
With not the less of sorrow and of awe
On that neglected turf and quiet stone,
With name no clearer than the names unknown,
Which lay unread around it; and asked
The Gardener of that ground, why it might be
That for this plant strangers his memory tasked
Through the thick deaths of half a century;
And thus he answered -"Well, I do not know
Why frequent travellers turn to pilgrims so;

I
But now the second Morning, from her bow'r,
Began to glister in her beams, and now
The roses of the day began to flow'r
In th' eastern garden; for Heav'ns smiling brow
Half insolent for joy begun to show:
The early Sun came lively dancing out,
And the brag lambs ran wantoning about,
That heav'n, and earth might seem in triumph both to shout.


II
Th' engladded Spring, forgetfull now to weep,
Began t' eblazon from her leafy bed,

I -- In Church

Thou whose birth on earth
Angels sang to men,
While thy stars made mirth,
Saviour, at thy birth,
This day born again;

As this night was bright
With thy cradle-ray,
Very light of light,
Turn the wild world's night
To thy perfect day.

God whose feet made sweet
Those wild ways they trod,
From thy fragrant feet
Staining field and street
With the blood of God;

God whose breast is rest
In the time of strife,
In thy secret breast

WHEN the hounds of spring are on winter's traces,
   The mother of months in meadow or plain
Fills the shadows and windy places
   With lisp of leaves and ripple of rain;
And the brown bright nightingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces.
   The tongueless vigil, and all the pain.

Come with bows bent and with emptying of quivers,
   Maiden most perfect, lady of light,
With a noise of winds and many rivers,
   With a clamour of waters, and with might;

from Atalanta in Calydon

When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.

Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,