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Aaron

Holiness on the head,
Light and perfection on the breast,
Harmonious bells below, raising the dead
To led them unto life and rest.
Thus are true Aarons dressed.

Profaneness in my head,
Defects and darkness in my breast,
A noise of passions ringing me for dead
Unto a place where is no rest.
Poor priest thus am I dressed.

Only another head
I have, another heart and breast,
another music, making live not dead,
without whom I could have no rest:
In him I am well dressed.

Christ is my only head,

A Winter Day

I

The air is silent save where stirs
A bugling breeze among the firs;
The virgin world in white array
Waits for the bridegroom kiss of day;
All heaven blooms rarely in the east
Where skies are silvery and fleeced,
And o'er the orient hills made glad
The morning comes in wonder clad;
Oh, 'tis a time most fit to see
How beautiful the dawn can be!


II

Wide, sparkling fields snow-vestured lie
Beneath a blue, unshadowed sky;
A glistening splendor crowns the woods
And bosky, whistling solitudes;

A Winter Bluejay

Crisply the bright snow whispered,
Crunching beneath our feet;
Behind us as we walked along the parkway,
Our shadows danced,
Fantastic shapes in vivid blue.
Across the lake the skaters
Flew to and fro,
With sharp turns weaving
A frail invisible net.
In ecstacy the earth
Drank the silver sunlight;
In ecstacy the skaters
Drank the wine of speed;
In ecstacy we laughed
Drinking the wine of love.
Had not the music of our joy
Sounded its highest note?
But no,
For suddenly, with lifted eyes you said,

A Widow's Hymn

How near me came the hand of Death,
When at my side he struck my dear,
And took away the precious breath
Which quicken’d my belovàd peer!1
How helpless am I thereby made!
By day how grieved, by night how sad!
And now my life’s delight is gone,
—Alas! how am I left alone!
The voice which I did more esteem
Than music in her sweetest key,
Those eyes which unto me did seem
More comfortable than the day;
Those now by me, as they have been,
Shall never more be heard or seen;
But what I once enjoy’d in them

A Whirl-Blast from Behind The Hill

A Whirl-Blast from behind the hill
Rushed o'er the wood with startling sound;
Then--all at once the air was still,
And showers of hailstones pattered round.
Where leafless oaks towered high above,
I sat within an undergrove
Of tallest hollies, tall and green;
A fairer bower was never seen.
From year to year the spacious floor
With withered leaves is covered o'er,
And all the year the bower is green.
But see! where'er the hailstones drop
The withered leaves all skip and hop;
There's not a breeze--no breath of air--

A Waltz-Quadrille

The band was playing a waltz-quadrille,
I felt as light as a wind-blown feather,
As we floated away, at the caller’s will,
Through the intricate, mazy dance together.
Like mimic armies our lines were meeting,
Slowly advancing, and then retreating,
All decked in their bright array;
And back and forth to the music’s rhyme
We moved together, and all the time
I knew you were going away.

The fold of your strong arm sent a thrill
From heart to brain as we gently glided
Like leaves on the wave of that waltz-quadrille;

A Wall Flower

I lounge in the doorway and languish in vain
While Tom, Dick and Harry are dancing with Jane



My spirit rises to the music's beat;
There is a leaden fiend lurks in my feet!
To move unto your motion, Love, were sweet.

Somewhere, I think, some other where, not here,
In other ages, on another sphere,
I danced with you, and you with me, my dear.

In perfect motion did our bodies sway,
To perfect music that was heard alway;
Woe's me, that am so dull of foot to-day!

To move unto your motion, Love, were sweet;

A Tree Telling of Orpheus

White dawn. Stillness.When the rippling began
      &nbs p;   I took it for sea-wind, coming to our valley with rumors
      &nb sp;   of salt, of treeless horizons. But the white fog
didn't stir; the leaves of my brothers remained outstretched,
unmoving.
   & nbsp;       &n bsp;       &nb sp;Yet the rippling drew nearer – and then

A Toccata Of Galuppi's

I.

Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I take your meaning, 'tis with such a heavy mind!

II.

Here you come with all your music, and here's all the good it brings.
What, they lived once thus at Venice where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?

III.

Ay, because the sea's the street there; and 'tis arched by ... what you call

A Thought or Two on Reading Pomfret's

I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.
Nature from some sweet energy throws up