music

I

The dawn laughs out on orient hills
And dances with the diamond rills;
The ambrosial wind but faintly stirs
The silken, beaded gossamers;
In the wide valleys, lone and fair,
Lyrics are piped from limpid air,
And, far above, the pine trees free
Voice ancient lore of sky and sea.
Come, let us fill our hearts straightway
With hope and courage of the day.


II

Noon, hiving sweets of sun and flower,
Has fallen on dreams in wayside bower,

A song of Enchantment I sang me there,
In a green-green wood, by waters fair,
Just as the words came up to me
I sang it under the wild wood tree.

Widdershins turned I, singing it low,
Watching the wild birds come and go;
No cloud in the deep dark blue to be seen
Under the thick-thatched branches green.

Twilight came: silence came:
The planet of Evening's silver flame;
By darkening paths I wandered through
Thickets trembling with drops of dew.

But the music is lost and the words are gone

Across the dimly lighted room
The violin drew wefts of sound,
Airily they wove and wound
And glimmered gold against the gloom.

I watched the music turn to light,
But at the pausing of the bow,
The web was broken and the glow
Was drowned within the wave of night.

A little while when I am gone
My life will live in music after me,
As spun foam lifted and borne on
After the wave is lost in the full sea.

A while these nights and days will burn
In song with the bright frailty of foam,
Living in light before they turn
Back to the nothingness that is their home.

The groves were God's first temples. Ere man learned
To hew the shaft, and lay the architrave,
And spread the roof above them,---ere he framed
The lofty vault, to gather and roll back
The sound of anthems; in the darkling wood,
Amidst the cool and silence, he knelt down,
And offered to the Mightiest solemn thanks
And supplication. For his simple heart
Might not resist the sacred influences,
Which, from the stilly twilight of the place,
And from the gray old trunks that high in heaven

Stanza 1

From harmony, from Heav'nly harmony
This universal frame began.
When Nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
Arise ye more than dead.
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And music's pow'r obey.
From harmony, from Heav'nly harmony
This universal frame began:

FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,

Far-fetched and dear-bought, as the proverb rehearses,
Is good, or was held so, for ladies: but nought
In a song can be good if the turn of the verse is
Far-fetched and dear-bought.

As the turn of a wave should it sound, and the thought
Ring smooth, and as light as the spray that disperses
Be the gleam of the words for the garb thereof wrought.

Let the soul in it shine through the sound as it pierces
Men's hearts with possession of music unsought;
For the bounties of song are no jealous god's mercies,

He said he loved me! Then he called my hair
Silk threads wherewith sly Cupid strings his bow,
My cheek a rose leaf fallen on new snow;
And swore my round, full throat would bring despair
To Venus or to Psyche.

Time and care
Will fade these locks; the merry god, I know,
Uses no grizzled cords upon his bow.
How will it be when I, no longer fair,
Plead for his kiss with cheeks, whence long ago
The early snowflakes melted quite away,
The rose leaf died – and in whose sallow clay

Art thou a Statist in the van
Of public conflicts trained and bred?
--First learn to love one living man;
'Then' may'st thou think upon the dead.

A Lawyer art thou?--draw not nigh!
Go, carry to some fitter place
The keenness of that practised eye,
The hardness of that sallow face.

Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near,
This grave no cushion is for thee.

Or art thou one of gallant pride,