'The charm of your limbs I see
in Priyangu creepers.
In the eyes of the frightened Does
I observe your glances.
In the Moon, I find the glamour
of your attractive face.
In the peacock- plumes, beauty
of your hairs I look.
In the thin waves of rivers
I mark the gestures
of your eye-brows.
But alas! O My Warm-spirited Darling!
Similarity of yours in one place
is nowhere seen together.
*
The curse befallen on me will end,
when Lord Vishnu, the wielder of Ś arń ga bow,
will wake up from the bed of serpent.

Hidden by old age awhile
In masker's cloak and hood,
Each hating what the other loved,
Face to face we stood:
'That I have met with such,' said he,
'Bodes me little good.'

'Let others boast their fill,' said I,
'But never dare to boast
That such as I had such a man
For lover in the past;
Say that of living men I hate
Such a man the most.'

'A loony'd boast of such a love,'
He in his rage declared:
But such as he for such as me --
Could we both discard
This beggarly habiliment --

Give me more love or more disdain;
The torrid, or the frozen zone,
Bring equal ease unto my pain;
The temperate affords me none;
Either extreme, of love, or hate,
Is sweeter than a calm estate.

Give me a storm; if it be love,
Like Danae in that golden show'r
I swim in pleasure; if it prove
Disdain, that torrent will devour
My vulture-hopes; and he's possess'd
Of heaven, that's but from hell releas'd.

Then crown my joys, or cure my pain;

Medicate me with a peaceful pile of letters,
And lead me on my way again.
You picked me up when I was down,
And you drowned me with your love again.
Compassion is what you are made up of,
And compassion brought me to live in sin.
Love brightens the darkened shadows in your garden,
That I’ve been pleading for you to let me in.
Winter is climbing quickly,
And laughing in my face again.
Loves are coming and going,
And your heart I will never win;
But you picked me up when I was down,
And you drowned me with friendship again.

Ved Islands Geyser staaer hans Sommertelt,
Han rider paa den afrikanske Løve,
Han, Poesiens unge, tydske Helt,
Med ham det nok er værdt en Dyst at prøve;
Han har en riig Provinds i Kunstens Stat.
Her kommer han, — hans Navn er Freiligrath.

How fair doth Nature

Appear again!
How bright the sunbeams!

How smiles the plain!

The flow'rs are bursting

From ev'ry bough,
And thousand voices

Each bush yields now.

And joy and gladness

Fill ev'ry breast!
Oh earth!--oh sunlight!

Oh rapture blest!

Oh love! oh loved one!

As golden bright,
As clouds of morning

On yonder height!

Thou blessest gladly

The smiling field,--
The world in fragrant

Vapour conceal'd.

Oh maiden, maiden,

The wind is tossing the lilacs,
The new leaves laugh in the sun,
And the petals fall on the orchard wall,
But for me the spring is done.

Beneath the apple blossoms
I go a wintry way,
For love that smiled in April
Is false to me in May.

What I propose is not
Marxism, which
is not dead yet in
the English department,
Not maximalism, which was
a still-born alternative
to minimalism,
Nor Maxism, which rests on
adulation of Max
Beerbohm, parodist
nonpareil,
But maximism, the love
of adages,
Or Maximism, the advocacy of
maximum gastronomic
pleasure on the model
of a meal at Maxim's
in Paris in, say, 1950.
Is that clear?

Mauve, black, and rose,
The veils of the jewel, and she, the jewel, a rose.

First, the pallor of mauve,
A soft flood flowing about the body I love.

Then, the flush of the rose,
A hedge of roses about the mystical rose.

Last, the black, and at last
The feet that I love, and the way that my love has passed.

The trembling pulses of the dawn
Fill with faint glow the violet skies,
And on the moist, day-smitten lawn
The peace of morning lies.

A blessed truce of woe and sin,
A glad surcease of care's annoy;
The waking world has pleasure in
Its matin light and joy.

And all the joy that fills the air,
And all the light that gilds the blue,
I see it in your eyes and hair,
I know it, love, in you.

O'er lips and eyes and golden floss
There floats a charm I cannot reach,
A glimpse of gain, a threat of loss,