But the artist sat the nude model on the table and moved her legs apart. The girl hardly resisted and merely covered her face with her hands.

Amonova and Strakhova said that first the girl should have been taken off to the bathroom and washed between her legs, as any whiff of such an aroma was simply repulsive.
The girl wanted to jump up but the artist held her back and asked her to take no notice and sit there, just as he had placed her. The girl, not knowing what she was supposed to do, sat back down again.

Make me a grave where'er you will,
In a lowly plain, or a lofty hill;
Make it among earth's humblest graves,
But not in a land where men are slaves.

I could not rest if around my grave
I heard the steps of a trembling slave;
His shadow above my silent tomb
Would make it a place of fearful gloom.

I could not rest if I heard the tread
Of a coffle gang to the shambles led,
And the mother's shriek of wild despair
Rise like a curse on the trembling air.

I could not sleep if I saw the lash

They're burning off at the Rampadells,
The tawny flames uprise,
With greedy licking around the trees;
The fierce breath sears our eyes.

From cores already grown furnace-hot -
The logs are well alight!
We fling more wood where the flameless heart
Is throbbing red and white.

The fire bites deep in that beating heart,
The creamy smoke-wreaths ooze
From cracks and knot-holes along the trunk
To melt in greys and blues.

The young horned moon has gone from the sky,
And night has settled down;

When trees in Spring
Are blossoming
My lady wakes
From dreams whose light
Made dark days bright,
For their sweet sakes.
Yet in her eyes
A shadow lies
Of bygone mirth;
And still she seems
To walk in dreams,
And not on earth.

Some men may hold
That hair of gold
Is lovelier
Than darker sheen:
They have not seen
My lady’s hair.

Her eyes are bright,
Her bosom white
As the sea foam
On sharp rocks sprayed;
Her mouth is made
Of honeycomb.

And whoso seeks

It lies beyond the Western Pines
Towards the sinking sun,
And not a survey mark defines
The bounds of "Brumby's Run".

On odds and ends of mountain land,
On tracks of range and rock
Where no one else can make a stand,
Old Brumby rears his stock.

A wild, unhandled lot they are
Of every shape and breed.
They venture out 'neath moon and star
Along the flats to feed;

But when the dawn makes pink the sky
And steals along the plain,
The Brumby horses turn and fly
Towards the hills again.

The Army Musket--1700-1815


In the days of lace-ruffles, perukes and brocade
Brown Bess was a partner whom none could despise--
An out-spoken, flinty-lipped, brazen-faced jade,
With a habit of looking men straight in the eyes--
At Blenheim and Ramillies fops would confess
They were pierced to the heart by the charms of Brown Bess.

Though her sight was not long and her weight was not small,
Yet her actions were winning, her language was clear;
And everyone bowed as she opened the ball

There's a crack in the city—down that sharp street
In couples, and armed, tramp rozzers on beat.
Like a joss, silhouetted across the pane,
A Chinese face watches down Brogan’s Lane,
Brogan’s Lane, Brogan’s Lane,
A reeling moon blinks over Brogan’s Lane.

Flash Fred, when he dives on a red lot, sneaks thro’
To moscow the swag with a Polaky Jew.
Tho’ rooked by old Shylock, he needn’t complain,
The melting pot bubbles in Brogan’s Lane,
Brogan’s Lane, Brogan’s Lane,

Under Grand Central's tattered vault
--maybe half a dozen electric stars still lit--
one saxophone blew, and a sheer black scrim

billowed over some minor constellation
under repair. Then, on Broadway, red wings
in a storefront tableau, lustrous, the live macaws

preening, beaks opening and closing
like those animated knives that unfold all night
in jewelers' windows. For sale,

glass eyes turned outward toward the rain,
the birds lined up like the endless flowers
and cheap gems, the makeshift tables

Now as an angler melancholy standing
Upon a green bank yielding room for landing,
A wriggling yellow worm thrust on his hook,
Now in the midst he throws, then in a nook:
Here pulls his line, there throws it in again,
Mendeth his cork and bait, but all in vain,
He long stands viewing of the curled stream;
At last a hungry pike, or well-grown bream
Snatch at the worm, and hasting fast away,
He knowing it a fish of stubborn sway,
Pulls up his rod, but soft, as having skill,
Wherewith the hook fast holds the fish's gill;

From 'The Prince's Progress'

Too late for love, too late for joy,
   Too late, too late!
You loiter'd on the road too long,
   You trifled at the gate:
The enchanted dove upon her branch
   Died without a mate;
The enchanted princess in her tower
   Slept, died, behind the grate;
Her heart was starving all this while
   You made it wait.

Ten years ago, five years ago,
   One year ago,
Even then you had arrived in time,