Leave me, my blamer,
For the sake of the love
Which unites your soul with
That of your beloved one;
For the sake of that which
Joins spirit with mothers
Affection, and ties your
Heart with filial love. Go,
And leave me to my own
Weeping heart.


Let me sail in the ocean of
My dreams; Wait until Tomorrow
Comes, for tomorrow is free to
Do with me as he wishes. Your
Laying is naught but shadow
That walks with the spirit to
The tomb of abashment, and shows
Heard the cold, solid earth.

Under the rose-tree's dancing shade
There stands a little ivory girl,
Pulling the leaves of pink and pearl
With pale green nails of polished jade.

The red leaves fall upon the mould,
The white leaves flutter, one by one,
Down to a blue bowl where the sun,
Like a great dragon, writhes in gold.

The white leaves float upon the air,
The red leaves flutter idly down,
Some fall upon her yellow gown,
And some upon her raven hair.

She takes an amber lute and sings,
And as she sings a silver crane

The lily's withered chalice falls
Around its rod of dusty gold,
And from the beech-trees on the wold
The last wood-pigeon coos and calls.

The gaudy leonine sunflower
Hangs black and barren on its stalk,
And down the windy garden walk
The dead leaves scatter, - hour by hour.

Pale privet-petals white as milk
Are blown into a snowy mass:
The roses lie upon the grass
Like little shreds of crimson silk.

The day was wet, the rain fell souse
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes [2] a minute.
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon, [3]
(Or I am very much mistaken happy)
She turns over each shell,
To be sure that all's well,
Looks into the straw

IN the hall the coffin waits, and the idle armourer stands.
At his belt the coffin nails, and the hammer in his hands.
The bed of state is hung with crape--the grand old bed where she was
wed--
And like an upright corpse she sitteth gazing dumbly at the bed.
Hour by hour her serving-men enter by the curtain'd door,
And with steps of muffled woe pass breathless o'er the silent floor,
And marshal mutely round, and look from each to each with eyelids red;

'Touch him not,' she shriek'd and cried, 'he is but newly dead!'

ROSE-CHEEK'D Laura, come;
Sing thou smoothly with thy beauty's
Silent music, either other
   Sweetly gracing.

   Lovely forms do flow
From concent divinely framed:
Heaven is music, and thy beauty's
   Birth is heavenly.

   These dull notes we sing
Discords need for helps to grace them;
Only beauty purely loving
   Knows no discord;

   But still moves delight,
Like clear springs renew'd by flowing,

If I were gusty April now,
How I would blow at laughing Rose;
I'd make her ribbons slip their knots,
And all her hair come loose.

If I were merry April now,
How I would pelt her cheeks with showers;
I'd make carnations, rich and warm,
Of her vermillion flowers.

Since she will laugh in April's face
No matter how he rains or blows --
Then O that I wild April were,
To play with laughing Rose.

ARGUMENT.

Lathmon, a British prince, taking advantage of Fingal's absence on an expedition to Ireland, made a descent on Morven, and advanced within sight of Selma, the royal residence. Fingal arrived in the mean time, and Lathmon retreated to a hill, where his army was surprised by night, and himself taken prisoner by Ossian and Gaul the son of Morni. The poem opens with the first appearance of Fingal on the coast of Morven, and ends, it may be supposed, about noon the next day.

I

Ah, who will tell me, in these leaden days,
Why the sweet Spring delays,
And where she hides, -- the dear desire
Of every heart that longs
For bloom, and fragrance, and the ruby fire
Of maple-buds along the misty hills,
And that immortal call which fills
The waiting wood with songs?
The snow-drops came so long ago,
It seemed that Spring was near!
But then returned the snow
With biting winds, and all the earth grew sere,
And sullen clouds drooped low
To veil the sadness of a hope deferred:

2 a.m.
December, and still no mon
rising from the river.

My mother
home from the beer garden
stands before the open closet

her hands still burning.
She smooths the fur collar,
the scarf, opens the gloves

crumpled like letters.
Nothing is lost
she says to the darkness, nothing.

The moon finally above the town,
The breathless stacks,
the coal clumps,

the quiet cars
whitened at last.
Her small round hand whitens,

the hand a stranger held
and released