rose

IN the hall the coffin waits, and the idle armourer stands.
At his belt the coffin nails, and the hammer in his hands.
The bed of state is hung with crape--the grand old bed where she was
wed--
And like an upright corpse she sitteth gazing dumbly at the bed.
Hour by hour her serving-men enter by the curtain'd door,
And with steps of muffled woe pass breathless o'er the silent floor,
And marshal mutely round, and look from each to each with eyelids red;

'Touch him not,' she shriek'd and cried, 'he is but newly dead!'

ROSE-CHEEK'D Laura, come;
Sing thou smoothly with thy beauty's
Silent music, either other
   Sweetly gracing.

   Lovely forms do flow
From concent divinely framed:
Heaven is music, and thy beauty's
   Birth is heavenly.

   These dull notes we sing
Discords need for helps to grace them;
Only beauty purely loving
   Knows no discord;

   But still moves delight,
Like clear springs renew'd by flowing,
Ever perfect, ever in them-
   selves eternal.

If I were gusty April now,
How I would blow at laughing Rose;
I'd make her ribbons slip their knots,
And all her hair come loose.

If I were merry April now,
How I would pelt her cheeks with showers;
I'd make carnations, rich and warm,
Of her vermillion flowers.

Since she will laugh in April's face
No matter how he rains or blows --
Then O that I wild April were,
To play with laughing Rose.

ARGUMENT.

Lathmon, a British prince, taking advantage of Fingal's absence on an expedition to Ireland, made a descent on Morven, and advanced within sight of Selma, the royal residence. Fingal arrived in the mean time, and Lathmon retreated to a hill, where his army was surprised by night, and himself taken prisoner by Ossian and Gaul the son of Morni. The poem opens with the first appearance of Fingal on the coast of Morven, and ends, it may be supposed, about noon the next day.

I

Ah, who will tell me, in these leaden days,
Why the sweet Spring delays,
And where she hides, -- the dear desire
Of every heart that longs
For bloom, and fragrance, and the ruby fire
Of maple-buds along the misty hills,
And that immortal call which fills
The waiting wood with songs?
The snow-drops came so long ago,
It seemed that Spring was near!
But then returned the snow
With biting winds, and all the earth grew sere,
And sullen clouds drooped low

2 a.m.
December, and still no mon
rising from the river.

My mother
home from the beer garden
stands before the open closet

her hands still burning.
She smooths the fur collar,
the scarf, opens the gloves

crumpled like letters.
Nothing is lost
she says to the darkness, nothing.

The moon finally above the town,
The breathless stacks,
the coal clumps,

the quiet cars
whitened at last.
Her small round hand whitens,

Once in a field, in a wide rising stretch of paintbrush
& purple vetch, we stuck down

a tent, like punctuation, and drank through the evening
our bottle of bad wine. When you looked up,
the weather was holding: a few breezes,

a full moon silvering the flowers

to white. In the distance, I heard the ache
& slide of snow, the beginning of crickets. It was twilight—

the landscape was lifting.

•

A mountain. The clouds, further up,

For William and Emily Maxwell

At this time of day
One could hear the caulking irons sound
Against the hulls in the dockyard.
Tar smoke rose between trees
And large oily patches floated on the water,
Undulating unevenly
In the purple sunlight
Like the surfaces of Florentine bronze.

At this time of day
Sounds carried clearly
Through hot silences of fading daylight.
The weedy fields lay drowned
In odors of creosote and salt.
Richer than double-colored taffeta,
Oil floated in the harbor,

I know that the day will come
when my sight of this earth shall be lost,
and life will take its leave in silence,
drawing the last curtain over my eyes.

Yet stars will watch at night,
and morning rise as before,
and hours heave like sea waves casting up pleasures and pains.

When I think of this end of my moments,
the barrier of the moments breaks
and I see by the light of death
thy world with its careless treasures.
Rare is its lowliest seat,
rare is its meanest of lives.

I laid me down beside the sea,
Endless in blue monotony;
The clouds were anchored in the sky.
Sometimes a sail went idling by.

Upon the shingles on the beach
Grey linen was spread out to bleach,
And gently with a gentle swell
The languid ripples rose and fell.

A fisher-boy, in level line,
Cast stone by stone into the brine:
Methought I too might do as he,
And cast my sorrows on the sea.

The old, old sorrows in a heap
Dropped heavily into the deep;