"Put up the sword!" The voice of Christ once more
Speaks, in the pauses of the cannon's roar,
O'er fields of corn by fiery sickles reaped
And left dry ashes; over trenches heaped
With nameless dead; o'er cities starving slow
Under a rain of fire; through wards of woe
Down which a groaning diapason runs
From tortured brothers, husbands, lovers, sons
Of desolate women in their far-off homes
Waiting to hear the step that never comes!
O men and brothers! let that voice be heard.
War fails, try peace; put up the useless sword!

But oh, I suppose she was ugly; she wasn't elegant;
I hadn't yearned for her often in my prayers.
Yet holding her I was limp, and nothing happened at all:
I just lay there, a disgraceful load for her bed.
I wanted it, she did too; and yet no pleasure came
from the part of my sluggish loins that should bring joy.
The girl entwined her ivory arms around my neck
(her arms were whiter than the Sithonian snows) ,
and gave me greedy kisses, thrusting her fluttering tongue,
and laid her eager thigh against my thigh,

Dis poetry is like a riddim dat drops
De tongue fires a riddim dat shoots like shots
Dis poetry is designed fe rantin
Dance hall style, big mouth chanting,
Dis poetry nar put yu to sleep
Preaching follow me
Like yu is blind sheep,
Dis poetry is not Party Political
Not designed fe dose who are critical.
Dis poetry is wid me when I gu to me bed
It gets into me dreadlocks
It lingers around me head
Dis poetry goes wid me as I pedal me bike
IÕve tried Shakespeare, respect due dere
But did is de stuff I like.

"First, do no harm," the Hippocratic
Oath begins, but before she might enjoy
such balm, the docs had to harm her tumor.
It was large, rare, and so anomalous
in its behavior that at first they mis-
diagnosed it. "Your wife will die of it
within a year." But in ten days or so
I sat beside her bed with hot-and-sour
soup and heard an intern congratulate
her on her new diagnosis: a children's
cancer (doesn't that possessive break
your heart?) had possessed her. I couldn't stop
personifying it. Devious, dour,

If I were mild, and I were sweet,
And laid my heart before your feet,
And took my dearest thoughts to you,
And hailed your easy lies as true;
Were I to murmur "Yes," and then
"How true, my dear," and "Yes," again,
And wear my eyes discreetly down,
And tremble whitely at your frown,
And keep my words unquestioning
My love, you'd run like anything!

Should I be frail, and I be mad,
And share my heart with every lad,
But beat my head against the floor
What times you wandered past my door;
Were I to doubt, and I to sneer,

Dickery, dickery dock,
The mouse ran up the clock;
The clock struck one,
The mouse ran down,
Dickery, dickery dock.

I think that the bitterest sorrow or pain
Of love unrequited, or cold death’s woe,
Is sweet, compared to that hour when we know
That some grand passion is on the wane.

When we see that the glory, and glow, and grace
Which lent a splendour to night and day,
Are surely fading, and showing grey
And dull groundwork of the commonplace.

When fond expressions on dull ears fall,
When the hands clasp calmly without one thrill,
When we cannot muster by force of will
The old emotions that came at call.

The drop seeps whole
from boulder-lichen
or ledge moss and drops,

joining, to trickle,
run, fall, dash,
sprawl in held deeps,

to rush shallows, spill
thin through heights,
but then, edging,

to eddy aside, nothing
of all but nothing's
curl of motion spent.

The intact facade's now almost black
in the rain; all day they've torn at the back
of the building, "the oldest concrete structure
in New England," the newspaper said. By afternoon,
when the backhoe claw appears above
three stories of columns and cornices,

the crowd beneath their massed umbrellas cheer.
Suddenly the stairs seem to climb down themselves,
atomized plaster billowing: dust of 1907's
rooming house, this year's bake shop and florist's,
the ghosts of their signs faint above the windows

The black snow runs down from the rooftops;
A red finger dips into your brow;
Blue snow flakes sink into the empty room,
They are a lovers’ dying mirrors.
Heavy and torn to pieces the mind muses,
Follows the shadow in the mirror of blue snow flakes,
The cold smile of a deceased harlot.
The evening’s wind weeps in the scent of carnations.