You might come here Sunday on a whim.
Say your life broke down. The last good kiss
you had was years ago. You walk these streets
laid out by the insane, past hotels
that didn't last, bars that did, the tortured try
of local drivers to accelerate their lives.
Only churches are kept up. The jail
turned 70 this year. The only prisoner
is always in, not knowing what he's done.

The principal supporting business now
is rage. Hatred of the various grays
the mountain sends, hatred of the mill,
The Silver Bill repeal, the best liked girls

Deeply morbid deeply morbid was the girl who typed the letters
Always out of office hours running with her social betters
But when daylight and the darkness of the office closed about her
Not for this ah not for this her office colleagues came to doubt her
It was that look within her eye
Why did it always seem to say goodbye?

Joan her name was and at lunchtime
Solitary solitary
She would go and watch the pictures In the National Gallery
All alone all alone
This time with no friend beside her
She would go and watch the pictures

This plot of ground
facing the waters of this inlet
is dedicated to the living presence of
Emily Dickinson Wellcome
who was born in England; married;
lost her husband and with
her five year old son
sailed for New York in a two-master;
was driven to the Azores;
ran adrift on Fire Island shoal,
met her second husband
in a Brooklyn boarding house,
went with him to Puerto Rico
bore three more children, lost
her second husband, lived hard
for eight years in St. Thomas,
Puerto Rico, San Domingo, followed

death wants more death, and its webs are full:
I remember my father's garage, how child-like
I would brush the corpses of flies
from the windows they thought were escape-
their sticky, ugly, vibrant bodies
shouting like dumb crazy dogs against the glass
only to spin and flit
in that second larger than hell or heaven
onto the edge of the ledge,
and then the spider from his dank hole
nervous and exposed
the puff of body swelling
hanging there
not really quite knowing,
and then knowing-
something sending it down its string,

Dear Doctor, I have read your play,
Which is a good one in its way,
Purges the eyes, and moves the bowels,
And drenches handkerchiefs like towels
With tears that, in a flux of grief,
Afford hysterical relief
To shatter'd nerves and quicken'd pulses,
Which your catastrophe convulses.
I like your moral and machinery;
Your plot, too, has such scope for scenery!
Your dialogue is apt and smart;
The play's concoction full of art;
Your hero raves, your heroine cries,
All stab, and everybody dies;
In short, your tragedy would be

Poor Martha is old, and her hair is turn'd grey,
And her hearing has left her for many a year;
Ten to one if she knows what it is that you say,
Though she puts her poor wither'd hand close to her ear.

I've seen naughty children run after her fast,
And cry, "Martha, run, there's a bullock so bold;"
And when she was frighten'd, ­laugh at her at last,
Because she believed the sad stories they told.

I've seen others put their mouths close to her ear,
And make signs as if they had something to say;

There was a damned successful Poet;
There was a Woman like the Sun.
And they were dead. They did not know it.
They did not know their time was done.
They did not know his hymns
Were silence; and her limbs,
That had served Love so well,
Dust, and a filthy smell.

And so one day, as ever of old,
Hands out, they hurried, knee to knee;
On fire to cling and kiss and hold
And, in the other's eyes, to see
Each his own tiny face,
And in that long embrace
Feel lip and breast grow warm

Have pity, You alone whom I adore
From down this black pit where my heart is sped,
A sombre universe ringed round with lead
Where fear and curses the long night explore.

Six months a cold sun hovers overhead;
The other six is night upon this land.
No beast; no stream; no wood; no leaves expand.
The desert Pole is not a waste so dead.

Now in the whole world there's no horror quite
so cold and cruel as this glacial sun,
So like old Chaos as this boundless night;

I envy the least animals that run,

DAY goeth bold in cloth of gold,
A royal bridegroom he;
But Night in jewelled purple walks—
A Queen of Mystery.
Day filleth up his loving-cup
With vintage golden-clear;
But Night her ebon chalice crowns
With wine as pale as Fear.

Day drinks to Life, to ruddy Life,
And holds a kingly feast.
Night drinks to Death; and while she drinks—
Day rises in the East!

They may not meet; they may not greet;
Each keeps a separate way:
Day knoweth not the stars of Night,
Nor Night the Star of Day.

Ecstatic bird songs pound
the hollow vastness of the sky
with metallic clinkings--
beating color up into it
at a far edge,--beating it, beating it
with rising, triumphant ardor,--
stirring it into warmth,
quickening in it a spreading change,--
bursting wildly against it as
dividing the horizon, a heavy sun
lifts himself--is lifted--
bit by bit above the edge
of things,--runs free at last
out into the open--!lumbering
glorified in full release upward--
songs cease.