I.

Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I take your meaning, 'tis with such a heavy mind!

II.

Here you come with all your music, and here's all the good it brings.
What, they lived once thus at Venice where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?

III.

Ay, because the sea's the street there; and 'tis arched by ... what you call

The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

A pathetic tale of the sea I will unfold,
Enough to make one's blood run cold;
Concerning four fishermen cast adrift in a dory.
As I've been told I'll relate the story.
T'was on the 8th April on the afternoon of that day
That the village of Louisburg was thrown into a wild state or dismay,

And the villagers flew to the beach in a state of wild uproar
And in a dory they found four men were cast ashore.
Then the villagers, in surprise assembled about the dory,
And they found that the bottom of the boat was gory;

This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.

He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;

Seeking, I think, a light that waits
Still as a lamp upon a shelf, --
A land with hills like rocky gates
Where no sea leaps upon itself.

But he will find that nothing dares
To be enduring, save where, south

Somno mollior unda

I
Dawn is dim on the dark soft water,
Soft and passionate, dark and sweet.
Love's own self was the deep sea's daughter,
Fair and flawless from face to feet,
Hailed of all when the world was golden,
Loved of lovers whose names beholden
Thrill men's eyes as with light of olden
Days more glad than their flight was fleet.

So they sang: but for men that love her,
Souls that hear not her word in vain,
Earth beside her and heaven above her
Seem but shadows that wax and wane.

Broad shadows fall. On all the mountain side
The scythe-swept fields are silent. Slowly home
By the long beach the high-piled hay-carts come,
Splashing the pale salt shallows. Over wide
Fawn-coloured wastes of mud the slipping tide,
Round the dun rocks and wattled fisheries,
Creeps murmuring in. And now by twos and threes,
O'er the slow spreading pools with clamorous chide,
Belated crows from strip to strip take flight.
Soon will the first star shine; yet ere the night
Reach onward to the pale-green distances,

I

The dawn laughs out on orient hills
And dances with the diamond rills;
The ambrosial wind but faintly stirs
The silken, beaded gossamers;
In the wide valleys, lone and fair,
Lyrics are piped from limpid air,
And, far above, the pine trees free
Voice ancient lore of sky and sea.
Come, let us fill our hearts straightway
With hope and courage of the day.


II

Noon, hiving sweets of sun and flower,
Has fallen on dreams in wayside bower,
Where bees hold honeyed fellowship

About a hundred and fifty years ago,
History relates it happened so,
A big ship sailed from the shores of Britain
Bound for India across the raging main.

And many of the passengers did cry and moan
As they took the last look of their old home,
Which they were fast leaving far behind,
And which some of them would long bear in mind.

Among the passengers was a youth about seventeen years old,
Who had been a wild boy at home and very bold,
And by his conduct had filled his parent's hearts with woe,

Taut, thick fingers punch
the teeth of my typewriter.
Three words are down on paper
in capitals:
SPRING
SPRING
SPRING...
And me -- poet, proofreader,
the man who's forced to read
two thousand bad lines
every day
for two liras--
why,
since spring
has come, am I
still sitting here
like a ragged
black chair?
My head puts on its cap by itself,
I fly out of the printer's,
I'm on the street.

Now sit thee down, Melpomene,
Wrapp'd in a sea-coal robe,
And tell the doleful tragedy
That late was play'd at Globe;
For no man that can sing and say
But was scar'd on St. Peter's Day.
Oh sorrow, pitiful sorrow, and yet all this is true.

All you that please to understand,
Come listen to my story,
To see Death with his raking brand
'Mongst such an auditory;
Regarding neither Cardinal's might,
Nor yet the rugged face of Henry the Eight.
Oh sorrow, pitiful sorrow, and yet all this is true.