The shadowy Daughter of Urthona stood before red Orc,
When fourteen suns had faintly journey'd o'er his dark abode:
His food she brought in iron baskets, his drink in cups of iron:
Crown'd with a helmet and dark hair the nameless female stood;
A quiver with its burning stores, a bow like that of night,
When pestilence is shot from heaven: no other arms she need!
Invulnerable though naked, save where clouds roll round her loins
Their awful folds in the dark air: silent she stood as night;

ONCE a poet—long ago—
Wrote a song as void of art
As the songs that children know,
And as pure as a child’s heart.
With a sigh he threw it down,
Saying, “This will never shed
Any glory or renown
On my name when I am dead.

“I will sing a lordly song
Men shall hear, when I am gone,
Through the years sound clear and strong
As a golden clarion.”

So this lordly song he sang
That would gain him deathless fame—
When the death-knell o’er him rang
No man even knew its name.

I Alphonso live and learn,
Seeing nature go astern.
Things deteriorate in kind,
Lemons run to leaves and rind,
Meagre crop of figs and limes,
Shorter days and harder times.
Flowering April cools and dies
In the insufficient skies;
Imps at high Midsummer blot
Half the sun's disk with a spot;
'Twill not now avail to tan
Orange cheek, or skin of man:
Roses bleach, the goats are dry,
Lisbon quakes, the people cry.
Yon pale scrawny fisher fools,
Gaunt as bitterns in the pools,
Are no brothers of my blood,—

Alone in the woods I felt
The bitter hostility of the sky and the trees
Nature has taught her creatures to hate
Man that fusses and fumes
Unquiet man
As the sap rises in the trees
As the sap paints the trees a violent green
So rises the wrath of Nature's creatures
At man
So paints the face of Nature a violent green.
Nature is sick at man
Sick at his fuss and fume
Sick at his agonies
Sick at his gaudy mind
That drives his body
Ever more quickly
More and more
In the wrong direction.

A haunted town thou art to me.
-- Andrew Lang


To-day in Florence all the air
Is soft with spring, with sunlight fair;
In the tall street gay folks are met;
Duomo and Tower gleam overhead,
Like jewels in the city set,
Fair-hued and many-faceted.
Against the old grey stones are piled
February violets, pale and sweet,
Whose scent of earth in woodland wild
Is wafted up and down the street.
The city's heart is glad ; my own
Sits lightly on its bosom's throne.


* * * * * * *

Why is it that I see to-day,

Singing larks I saw for sale -
(Ah! the pain of it)
Plucked and ready to impale
On a roasting spit;
Happy larks that summer-long
Stormed the radiant sky,
Adoration in their song . . .
Packed to make a pie.>
II
Hark! from springs of joy unseen
Spray their jewelled notes.
Tangle them in nets of green,
Twist their lyric throats;
Clip their wings and string them tight,
Stab them with a skewer,
All to tempt the apptite
Of the epicure.
III
Shade of Shelley! Come not nigh
This accursèd spot,

I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammels and computers
live together in mutually
programming harmony
like pure water
touching clear sky.

Very old are the woods;
And the buds that break
Out of the brier's boughs,
When March winds wake,
So old with their beauty are--
Oh, no man knows
Through what wild centuries
Roves back the rose.
Very old are the brooks;
And the rills that rise
Where snow sleeps cold beneath
The azure skies
Sing such a history
Of come and gone,
Their every drop is as wise
As Solomon.

Very old are we men;
Our dreams are tales
Told in dim Eden
By Eve's nightingales;
We wake and whisper awhile,

All that I owe the fellows of the grave
And all the dead bequeathed from pale estates
Lies in the fortuned bone, the flask of blood,
Like senna stirs along the ravaged roots.
O all I owe is all the flesh inherits,
My fathers' loves that pull upon my nerves,
My sisters tears that sing upon my head
My brothers' blood that salts my open wounds

Heir to the scalding veins that hold love's drop,
My fallen filled, that had the hint of death,
Heir to the telling senses that alone
Acquaint the flesh with a remembered itch,

Why blow'st thou not, thou wintry wind,
Now every leaf is brown and sere,
And idly droops, to thee resigned,
The fading chaplet of the year?
Yet wears the pure aerial sky
Her summer veil, half drawn on high,
Of silvery haze, and dark and still
The shadows sleep on every slanting hill.

How quiet shows the woodland scene!
Each flower and tree, its duty done,
Reposing in decay serene,
Like weary men when age is won,
Such calm old age as conscience pure
And self-commanding hearts ensure,