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On Moonlit Heath and Lonesome Bank

On moonlit heath and lonesome bank
The sheep beside me graze;
And yon the gallows used to clank
Fast by the four cross ways.

A careless shepherd once would keep
The flocks by moonlight there, *
And high amongst the glimmering sheep
The dead man stood on air.

They hang us now in Shrewsbury jail:
The whistles blow forlorn,
And trains all night groan on the rail
To men that die at morn.

There sleeps in Shrewsbury jail to-night,
Or wakes, as may betide,
A better lad, if things went right,

On Kiley's Run

The roving breezes come and go
On Kiley's Run,
The sleepy river murmurs low,
And far away one dimly sees
Beyond the stretch of forest trees --
Beyond the foothills dusk and dun --
The ranges sleeping in the sun
On Kiley's Run.

'Tis many years since first I came
To Kiley's Run,
More years than I would care to name
Since I, a stripling, used to ride
For miles and miles at Kiley's side,
The while in stirring tones he told
The stories of the days of old
On Kiley's Run.

I see the old bush homestead now

On fidelity

I don't ask you to be faithful - you're beautiful, after all -
but just that I be spared the pain of knowing.
I make no stringent demands that you should really be chaste,
but only that you try to cover up.
If a girl can claim to be pure, it's the same as being pure:
it's only admitted vice that makes for scandal.
What madness, to confess by day what's wrapped in night,
and what you've done in secret, openly tell!
The hooker, about to bed some Roman off the street
still locks her door first, keeping out the crowd:

On Elizabeth L. H

Epitaphs i

WOULDST thou hear what Man can say
In a little? Reader, stay.
Underneath this stone doth lie
As much Beauty as could die:
Which in life did harbour give
To more Virtue than doth live.
If at all she had a fault,
Leave it buried in this vault.
One name was Elizabeth,
The other, let it sleep with death:
Fitter, where it died, to tell
Than that it lived at all. Farewell.

On Dreaming

When slumber seals our weary eyes,
The busy fancy wakeful keeps;
The scenes which then before us rise,
Prove something in us never sleeps.

As in another world we seem,
A new creation of our own,
All appears real, though a dream,
And all familiar, though unknown.

Sometimes the mind beholds again
The past day's business in review,
Resumes the pleasure or the pain;
And sometimes all we meet is new.

What schemes we form, what pains we take!
We fight, we run, we fly, we fall;
But all is ended when we wake,

On Death

The pale, the cold, and the moony smile
Which the meteor beam of a starless night
Sheds on a lonely and sea-girt isle,
Ere the dawning of morn's undoubted light,
Is the flame of life so fickle and wan
That flits round our steps till their strength is gone.

O man! hold thee on in courage of soul
Through the stormy shades of thy wordly way,
And the billows of clouds that around thee roll
Shall sleep in the light of a wondrous day,
Where hell and heaven shall leave thee free
To the universe of destiny.

On Carpaccio's Picture

Swept, clean, and still, across the polished floor
From some unshuttered casement, hid from sight,
The level sunshine slants, its greater light
Quenching the little lamp which pallid, poor,
Flickering, unreplenished, at the door
Has striven against darkness the long night.
Dawn fills the room, and penetrating, bright,
The silent sunbeams through the window pour.
And she lies sleeping, ignorant of Fate,
Enmeshed in listless dreams, her soul not yet
Ripened to bear the purport of this day.

On a Viola D'Amore

CARVED WITH A CUPID'S HEAD, AND PLAYED ON FOR THE FIRST TIME AFTER MORE THAN A CENTURY.


What fairy music clear and light,
Responsive to your fingers,
Swells rippling on the summer night,
And amorously lingers
Upon the sense, as long ago
In days of rouge and rococo!

A century of silence lay
On strings that had not spoken
Since powdered lords to ladies gay
Gave, for a lover's token,
Fans glowing fresh from Watteau's art,
Well worth a marchioness's heart.

Your dormant music, tranced and bound,

Omens

When daylight was yet sleeping under the pillow,
And stars in the heavens still lingering shone,
Young Kitty, all blushing, rose up from her pillow,
The last time she e'er was to press it alone.
For the youth whom she treasured her heart and her soul in
Had promised to link the last tie before noon;
And when once the young heart of a maiden is stolen,
The maiden herself will steal after it soon.

As she look'd in the glass, which a woman ne'er misses,
Nor ever wants time for a sly glance or two,

Old Woman

The owl-car clatters along, dogged by the echo
From building and battered paving-stone.
The headlight scoffs at the mist,
And fixes its yellow rays in the cold slow rain;
Against a pane I press my forehead
And drowsily look on the walls and sidewalks.

The headlight finds the way
And life is gone from the wet and the welter—
Only an old woman, bloated, disheveled and bleared.
Far-wandered waif of other days,
Huddles for sleep in a doorway,
Homeless.