As though the mercury's under its tongue, it won't
talk. As though with the mercury in its sphincter,
immobile, by a leaf-coated pond
a statue stands white like a blight of winter.
After such snow, there is nothing indeed: the ins
and outs of centuries, pestered heather.
That's what coming full circle means -
when your countenance starts to resemble weather,
when Pygmalion's vanished. And you are free
to cloud your folds, to bare the navel.
Future at last! That is, bleached debris
of a glacier amid the five-lettered "never."

No one understood the perfume
of the dark magnolia of your womb.
Nobody knew that you tormented
a hummingbird of love between your teeth.

A thousand Persian little horses fell asleep
in the plaza with moon of your forehead,
while through four nights I embraced
your waist, enemy of the snow.

Between plaster and jasmins, your glance
was a pale branch of seeds.
I sought in my heart to give you
the ivory letters that say "siempre",

"siempre", "siempre" : garden of my agony,
your body elusive always,

Shock-headed blackfellow,
Boy (on a pony).
Snowflakes are falling
Gentle and slow,
Youngster says, "Frying Pan
What makes it snow?"

Frying Pan, confident,
Makes the reply --
"Shake 'im big flour bag
Up in the sky!"

"What! when there's miles of it?
Surely that's brag.
Who is there strong enough
Shake such a bag?"

"What parson tellin' you,
Ole Mister Dodd,
Tell you in Sunday-School?
Big pfeller God!

"Him drive 'im bullock dray,
Then thunder go;

Ah, but the City of Pain: how strange its streets are:
the false silence of sound drowning sound,
and there--proud, brazen, effluence from the mold of emptiness--
the gilded hubbub, the bursting monument.
How an Angel would stamp out their market of solaces,
set up alongside their church bought to order:
clean and closed and woeful as a post office on Sunday.
Outside, though, there's always the billowing edge of the fair.
Swings of Freedom! High-divers and Jugglers of Zeal!
And the shooting gallery with its figures of idiot Happiness

In the glad springtime when leaves were green,
O merrily the throstle sings!
I sought, amid the tangled sheen,
Love whom mine eyes had never seen,
O the glad dove has golden wings!

Between the blossoms red and white,
O merrily the throstle sings!
My love first came into my sight,
O perfect vision of delight,
O the glad dove has golden wings!

The yellow apples glowed like fire,
O merrily the throstle sings!
O Love too great for lip or lyre,
Blown rose of love and of desire,
O the glad dove has golden wings!

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east: we heard the roar

The increasing moonlight drifts across my bed,
And on the churchyard by the road, I know
It falls as white and noiselessly as snow . . . .
'Twas such a night two weary summers fled;
The stars, as now, were waning overhead.
Listen! Again the shrill-lipped bugles blow
Where the swift currents of the river flow
Past Fredericksburg; far off the heavens are red
With sudden conflagration; on yon height,
Linstock in hand, the gunners hold their breath;
A signal rocket pierces the dense night,
Flings its spent stars upon the town beneath;

I

Tuscara! thou art lovely now,
Thy woods, that frown'd in sullen strength
Like plumage on a giant's brow,
Have bowed their massy pride at length.
The rustling maize is green around,
The sheep is in the Congar's bed;
And clear the ploughman's whistlings sound
Where war-whoop's pealed o'er mangled dead.
Fair cots around thy breast are set,
Like pearls upon a coronet;
And in Aluga's vale below
The gilded grain is moving slow
Like yellow moonlight on the sea,
Where waves are swelling peacefully;

Foster the light nor veil the manshaped moon,
Nor weather winds that blow not down the bone,
But strip the twelve-winded marrow from his circle;
Master the night nor serve the snowman's brain
That shapes each bushy item of the air
Into a polestar pointed on an icicle.

Murmur of spring nor crush the cockerel's eggs,
Nor hammer back a season in the figs,
But graft these four-fruited ridings on your country;
Farmer in time of frost the burning leagues,
By red-eyed orchards sow the seeds of snow,
In your young years the vegetable century.

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'
Under your exile's tongue, crisp under heel,