The first flower of the spring is not so fair
Or bright, as one the ripe midsummer brings.
The first faint note the forest warbler sings
Is not as rich with feeling, or so rare
As when, full master of his art, the air
Drowns in the liquid sea of song he flings
Like silver spray from beak, and breast, and wings.
The artist's earliest effort wrought with care,
The bard's first ballad, written in his tears,
Set by his later toil seems poor and tame.
And into nothing dwindles at the test.
So with the passions of maturer years

There are no handles upon a language
Whereby men take hold of it
And mark it with signs for its remembrance.
It is a river, this language,
Once in a thousand years
Breaking a new course
Changing its way to the ocean.
It is mountain effluvia
Moving to valleys
And from nation to nation
Crossing borders and mixing.
Languages die like rivers.
Words wrapped round your tongue today
And broken to shape of thought
Between your teeth and lips speaking
Now and today
Shall be faded hieroglyphics
Ten thousand years from now.

Black lie the hills; swiftly doth daylight flee;
And, catching gleams of sunset's dying smile,
Through the dusk land for many a changing mile
The river runneth softly to the sea.

O happy river, could I follow thee!
O yearning heart, that never can be still!
O wistful eyes, that watch the steadfast hill,
Longing for level line of solemn sea!

Have patience; here are flowers and songs of birds,
Beauty and fragrance, wealth of sound and sight,
All summer's glory thine from morn till night,
And life too full of joy for uttered words.

1 I am the man that hath seen affliction by the rod of his wrath.

2 He hath led me, and brought me into darkness, but not into light.

3 Surely against me is he turned;
he turneth his hand against me all the day.

4 My flesh and my skin hath he made old;
he hath broken my bones.

5 He hath builded against me,
and compassed me with gall and travail.

6 He hath set me in dark places,
as they that be dead of old.

7 He hath hedged me about, that I cannot get out:
he hath made my chain heavy.

I heard the Poor Old Woman say:
"At break of day the fowler came,
And took my blackbirds from their songs
Who loved me well thro' shame and blame

No more from lovely distances
Their songs shall bless me mile by mile,
Nor to white Ashbourne call me down
To wear my crown another while.

With bended flowers the angels mark
For the skylark the place they lie,
From there its little family
Shall dip their wings first in the sky.

And when the first suprise of flight
Sweet songs excite, from the far dawn

1. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up

It is the sacred hour: above the far
Low emerald hills that northward fold,
Calmly, upon the blue the evening star
Floats, wreathed in dusky gold.
The winds have sung all day; but now they lie
Faint, sleeping; and the evening sounds awake.
The slow bell tolls across the water: I
Am haunted by the spirit of the lake.
It seems as though the sounding of the bell
Intoned the low song of the water-soul,
And at some moments I can hardly tell
The long-resounding echo from the toll.
O thou mysterious lake, thy spell

About Soho we went before the light;
We went, unresting six, craving new fun,
New scenes, new raptures, for the fevered night
Of rollicking laughter, drink and song, was done.
The vault was void, but for the dawn's great star
That shed upon our path its silver flame,
When La Paloma on a low guitar
Abruptly from a darkened casement came--
Harlem! All else shut out, I saw the hall,
And you in your red shoulder sash come dancing
With Val against me languid by the wall,
Your burning coffee-colored eyes keen glancing

Is it because your sable hair
Is folded over brows that wear
At times a too imperial air;

Or is it that the thoughts which rise
In those dark orbs do seek disguise
Beneath the lids of Eastern eyes;

That choose whatever pose or place
May chance to please, in you I trace
The noblest women of your race?

The crowd is sauntering at its ease,
And humming like a hive of bees-
You take your seat and touch the keys.

I do not hear the giddy throng;
The sea avenges Israel's wrong,

Yasoda lulling Hari to sleep,
Shaking the cradle, cuddling and fondling,
Singing to Him a song.
My darling is sleepy
Why doesn't sleep come along?
Come sleep, come quickly
Kanha for you does long.
Sometimes He closes His eyes
Sometimes His lips are aflutter.
Thinking He has fallen asleep
Yasoda stops her singing.
Awake still, He's up suddenly
Enjoying Yasoda's song.
Such joy as Yasoda feels
Is unattainable to the gods.