First time he kissed me, he but only kissed
The finger of this hand wherewith I write;
And ever since, it grew more clean and white,
Slow to world-greetings, quick with its "Oh, list,"
When the angels speak. A ring of amethyst
I could not wear here, plainer to my sight,
Than that first kiss. The second passed in height
The first, and sought the forehead, and half missed,
Half falling on the hair. O beyond meed!
That was the chrism of love, which love's own crown,
With sanctifying sweetness, did precede.

When, in the gloomy mansion of the dead,
This with'ring heart, this faded form shall sleep;
When these fond eyes, at length shall cease to weep,
And earth's cold lap receive this fev'rish head;
Envy shall turn away, a tear to shed,
And Time's obliterating pinions sweep
The spot, where poets shall their vigils keep,
To mourn and wander near my freezing bed!
Then, my pale ghost, upon th' Elysian shore,
Shall smile, releas'd from ev'ry mortal care;
Whil, doom'd love's victim to repine no more,
My breast shall bathe in endless rapture there!

Pardon, oh, pardon, that my soul should make,
Of all that strong divineness which I know
For thine and thee, an image only so
Formed of the sand, and fit to shift and break.
It is that distant years which did not take
Thy sovranty, recoiling with a blow,
Have forced my swimming brain to undergo
Their doubt and dread, and blindly to forsake
Thy purity of likeness and distort
Thy worthiest love to a worthless counterfeit:
As if a shipwrecked Pagan, safe in port,
His guardian sea-god to commemorate,

O why doth Delia credit so her glass,
Gazing her beauty deign'd her by the skies,
And doth not rather look on him (alas)
Whose state best shows the force of murd'ring eyes?
The broken tops of lofty trees declare
The fury of a mercy-wanting storm;
And of what force your wounding graces are,
Upon my self you best may find the form.
Then leave your glass, and gaze your self on me,
That Mirror shows what power is in your face;
To view your form too much may danger be:
Narcissus chang'd t'a flower in such a case.

Dear, why should you command me to my rest
When now the night doth summon all to sleep?
Methinks this time becometh lovers best;
Night was ordain'd, together friends to keep;
How happy are all other living things
Which through the day disjoin by sev'ral flight,
The quiet ev'ning yet together brings,
And each returns unto his love at night.
O thou, that art so courteous else to all,
Why shouldst thou, Night, abuse me only thus,
That ev'ry creature to his kind dost call,
And yet 'tis thou dost only sever us?

When we met first and loved, I did not build
Upon the event with marble. Could it mean
To last, a love set pendulous between
Sorrow and sorrow? Nay, I rather thrilled,
Distrusting every light that seemed to gild
The onward path, and feared to overlean
A finger even. And, though I have grown serene
And strong since then, I think that God has willed
A still renewable fear ... O love, O troth ...
Lest these enclasped hands should never hold,
This mutual kiss drop down between us both
As an unowned thing, once the lips being cold.

Cupid Conjured

Thou purblind boy, since thou hast been so slack
To wound her heart, whose eyes have wounded me,
And suffer'd her to glory in my wrack,
Thus to my aid I lastly conjure thee:
By hellish Styx, by which the Thund'rer swears,
By thy fair mother's unavoided power,
By Hecate's names, by Proserpine's sad tears
When she was rapt to the infernal bower,
By thine own loved Psyche, by the fires
Spent on thine alters flaming up to heav'n,
By all true lovers' sighs, vows, and desires,

Raising my hopes on hills of high desire,
Thinking to scale the heaven of her heart,
My slender means presum'd too high a part;
Her thunder of disdain forc'd me retire,
And threw me down to pain in all this fire
Where, lo, I languish in so heavy smart,
Because th'attempt was far above my art;
Her pride brook'd not poor souls should come so nigh her.
Yet I protest my high aspiring will
Was not to dispossess her of her right;
Her sovereignty should have remained still;
I only sought the bliss to have her sight.

Lead me, Sicilian Maids, to haunted bow'rs,
While yon pale moon displays her faintest beams
O'er blasted woodlands, and enchanted streams,
Whose banks infect the breeze with pois'nous flow'rs.
Ah! lead me, where the barren mountain tow'rs,
Where no sounds echo, but the night-owl's screams,
Where some lone spirit of the desart gleams,
And lurid horrors wing the fateful hours!
Now goaded frenzy grasps my shrinking brain,
Her touch absorbs the crystal fount of woe!
My blood rolls burning through each gasping vein;

What means the mist opaque that veils these eyes;
Why does yon threat'ning tempest shroud the day?
Why does thy altar, Venus, fade away,
And on my breast the dews of horror rise?
Phaon is false! be dim ye orient Skies;
And let black Erebus succeed your ray;
Let clashing thunders roll, and lightning play;
Phaon is false! and hopeless Sappho dies!
"Farewell! my Lesbian love, you might have said,"
Such sweet remembrance had some pity prov'd,
"Or coldly this, farewell, Oh! Lesbian maid!"
No task severe, for one so fondly lov'd!